elliottnewcomb
Veteran Member
rx100m3 and rx100m6. rx100m3 is staying home more than I thought, because:
1. Cell Phones
f1.8 situations, close, no reach needed: low light in restaurants, birthday parties, ...
By the time I get home (before I leave the parking lot), 50 cell phone photos have been splashed all over the world, comments, ..., and, they are all off to the next thing. Family members used to wait to see my photos, not anymore. Even if they know your's will be better, they don't care. Next! I might take a few I want, with the camera I have, that's good enough. Forget sharing, it's over, cell phones are very good up close.
2. Sports
No short range bright lens will help you, except perhaps kiddie soccer, small field, walking the line, your feet on the field, shoot when they come near you. Other sports comments next.
3. Wait for good light.
If the light's not good, move on. I do that with soccer, ice hockey, softball, amusement parks, now wrestling. Horrible weather, horrible lighting, just hope it goes quickly.
All those situations, including concerts, school events, ... want reach, not m1,2,3,4,5. Decent light, m6 get's you what you want, up to 200mm, and, I use SZ to 280mm at 10mp image size. Not long ago we would have paid a lot for 10mp. Beyond that, (because RX10's are too big for me), my Jacket Pocket Zoom is smaller 1/1.7" sensor, but a constant f2.8 lens to 300mm 2x 600mm. There is a cross over point where it beats the m6, depending on light/distance.
4. rx100m6 f2.8 is very close to rx100m3 f1.8
Certainly not equal, but not the difference I expected. It's IS and Jpeg NR, both more active than the m3, combine to allow slower handheld shutter speeds and a notch up in ISO to be used acceptably.
5. rx100m6 has a flash.
I forget my m1,3 have flashes. Today, shooting in an abandoned house with no lights, I remembered the m6 has a flash. I forgot I intended to learn how to get what I want out of the m6 flash.
That is what I did for years with my R1: 24-120mm f2.8-4.8. Let's stop and think about that: rx100m6 24-200mm f2.8-4.5 (huh, what?).
I had the R1 internal flash, and the big hot shoe flash. I keep saying, put the hot shoe back on the top of the rx100's, and toss a small hot shoe flash in the box. That's what Panasonic does with some models. Then, optionally, we could use a big flash for group shots, the wonderful hot shoe EVF, and of course a full frequency directional mic if Sony would give it a mic jack!!!!
...............................................
Close Seats, low light: bring your m1,2,3,4,5. You can do well with m6 24mm f2.8, but, especially if motion involved, f1.8-2.8 24-70mm is better than m6 24mm f2.8 start and the lens darkens quickly as you zoom just a bit.
..................................................
HIGH ISO
Not award winners, but look at the ISO's the m6 used for these
1. Cell Phones
f1.8 situations, close, no reach needed: low light in restaurants, birthday parties, ...
By the time I get home (before I leave the parking lot), 50 cell phone photos have been splashed all over the world, comments, ..., and, they are all off to the next thing. Family members used to wait to see my photos, not anymore. Even if they know your's will be better, they don't care. Next! I might take a few I want, with the camera I have, that's good enough. Forget sharing, it's over, cell phones are very good up close.
2. Sports
No short range bright lens will help you, except perhaps kiddie soccer, small field, walking the line, your feet on the field, shoot when they come near you. Other sports comments next.
3. Wait for good light.
If the light's not good, move on. I do that with soccer, ice hockey, softball, amusement parks, now wrestling. Horrible weather, horrible lighting, just hope it goes quickly.
All those situations, including concerts, school events, ... want reach, not m1,2,3,4,5. Decent light, m6 get's you what you want, up to 200mm, and, I use SZ to 280mm at 10mp image size. Not long ago we would have paid a lot for 10mp. Beyond that, (because RX10's are too big for me), my Jacket Pocket Zoom is smaller 1/1.7" sensor, but a constant f2.8 lens to 300mm 2x 600mm. There is a cross over point where it beats the m6, depending on light/distance.
4. rx100m6 f2.8 is very close to rx100m3 f1.8
Certainly not equal, but not the difference I expected. It's IS and Jpeg NR, both more active than the m3, combine to allow slower handheld shutter speeds and a notch up in ISO to be used acceptably.
5. rx100m6 has a flash.
I forget my m1,3 have flashes. Today, shooting in an abandoned house with no lights, I remembered the m6 has a flash. I forgot I intended to learn how to get what I want out of the m6 flash.
That is what I did for years with my R1: 24-120mm f2.8-4.8. Let's stop and think about that: rx100m6 24-200mm f2.8-4.5 (huh, what?).
I had the R1 internal flash, and the big hot shoe flash. I keep saying, put the hot shoe back on the top of the rx100's, and toss a small hot shoe flash in the box. That's what Panasonic does with some models. Then, optionally, we could use a big flash for group shots, the wonderful hot shoe EVF, and of course a full frequency directional mic if Sony would give it a mic jack!!!!
...............................................
Close Seats, low light: bring your m1,2,3,4,5. You can do well with m6 24mm f2.8, but, especially if motion involved, f1.8-2.8 24-70mm is better than m6 24mm f2.8 start and the lens darkens quickly as you zoom just a bit.
..................................................
HIGH ISO
Not award winners, but look at the ISO's the m6 used for these
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