I've never had problems with using AF on that target with digital bodies and even back in the film days with an EOS Elan, EOS 1, A2, and Elan 7E. I've used it for all my AF MA on the 50D and 7D's. I only had problems with the two very early 7D bodies with my 70~200f4LIS but they were all over the place even on flat sides of buildings with contrasty elements in full sun. I doubt it's the target as the larger elements are quite legible in the viewfinder .
You might be in for a surprise.
I used to AF on a target with a VERY high contrast repetitive pattern (pics below) with an internal pattern that included part of the USAF pattern along with a vertical sliding resolution scale to determine at what point aliasing errors would occur.
For several years I was content to use that AF pattern ... no problems at all when using a 17-40, 50mm f/1.4, 28-135, or 100-400.
When my 70-200 f/4L IS arrived I noticed focus acquisition loop was oscillating at a low frequency while trying to acquire focus from infinity ... somewhere between infinity and the the real focus distance the the system was not happy ... you could
hear the vibration and
see the focus dial move. Note, the lens "appeared" to be fine from the standpoint of AF accuracy except for tests using the AF test pattern above. The lens was definitely fine if I adjusted focus off by just a little bit towards infinity ... it would always converge back to perfect focus. Okay, bottom line, the oscillation was somewhat unacceptable to me ... I figured this lens might be (I was never 100 percent positive) a lemon and B&H promptly replaced it.
My second copy didn't oscillate but it did acquire a false lock at several points between infinity and the true focus distance. So I thought maybe I had a camera problem ... I had nearly identical results on every xxD body in the bag. Oh, this is interesting ... FWIW, the 1DmkII waltzed right trough from infinity and locked perfectly (no false nulls).
I changed the AF target to two broad lines, one vertical and the other horizontal ... no false lock problems on any xxD body acquiring the new target. Eventually, to completely eliminate the possibility of a false lock I migrated to a random pattern.
I'm not sure why the false lock didn't show up with other lenses but I "think" it has something to do with the fact that the 17-200 f/4L IS is much sharper
wide open than any of the other lenses I had tested and the AF system was locking on a harmonic.
Anyway, although my situation was not due to a spatial frequency limitation per se I passed along the story to provide an example of weird lens-dependent sh!t that can happen.
Regarding your specific situation at 50X, if you made a checkerboard (two white and two black) on an 8x10 sheet of paper (or a single broad horizontal and vertical line) and then embed a small section of very high resolution (for QC) I "think" the results will be different (in a positive way).
Regards,
Joe Kurkjian
Galleries:
http://www.pbase.com/jkurkjia
--
SEARCHING FOR A BETTER SELF PORTRAIT