Thirsty_Fox
Forum Enthusiast
Yes you are correct. I remember reading it some time ago, but I can't remember well at this point. I love the JPEGs from the A7RV but I only use it with RAW (for work).Thirsty Fox is mistaken.Double check but I set jpegs to medium 26MP in FF mode and leave jpegs set to the default in apsc mode which is 26MP.I've been using Sony mirrorless since around 2011 and I have to say, the latest bodies with the AI processor have by far the nicest JPEGs of any of them, and some of my favourite of any cameras. The a6700 and A7RV with its white balance sensor, at least.
It's only since getting these that I shoot JPEG quite a bit. You can still get away with small tweaks to colours if needed, especially with 61mp and downscaling for social media anyways. Always RAW for client work but that's partially for editing, and partially for having the 'digital negatives' that seem to imply property rights to the photos.
I'd have to double-check but I'm pretty sure the JPEGs in the A7RV are always 61mp for normal shooting and 26mp in Super35mm APSC crop mode, unlike RAW where you can select the RAW to be 26mp for both cases. Very handy.
https://helpguide.sony.net/ilc/2230/v1/en/contents/TP0003057051.html
You have a choice of aspect ratio and image size for JPEG.
In FF, assuming 3:2 aspect ratio:
L = 60 megapixels
M = 26 megapixels
S = 15 megapixels
(exactly the same sizes as you get for lossless compressed RAW - RAW-L, RAW-M, and RAW-S).
In APS-C, assuming 3:2 aspect ratio you get the M and S sizes (no L for obvious reasons).
I do love that you can set it to shoot in 26MP (RAW or JPEG) whether it's FF or Super35mm APSC crop mode. It's like having two lenses in one without necessarily having to deal with the larger files.
I do seem to recall the 61 MP JPEGs in XtraFine had a lot of room to tweak in post, especially if you're downsampling to a smaller output resolution afterwards.
Another reason I don't traditionally use JPEG for work shots is colour consisitency throughout an event, since the camera isn't constantly changing it. It's probably a non-issue with this particular camera with the WB sensor and AI chip, but in general that was the case.
If you're good at nailing exposure in-camera and like your JPEG settings, absolutely shoot in JPEG. I think some people would be surprised how much you can do in post on a low-compression and high-res JPEG.