AeroPhotographer
Senior Member
About Fixed Lens Cameras
Buying these cameras seem like photographic masochism to me. Amateur photographers eagerly pay thousands to give up their options.
They praise being freed from the burden of “the bag”. But of course they don’t have to buy a fixed lens camera to get free of the bag. They could just leave the bag home.
Some think the fixed lens camera is lighter. But full frame camera and lens combinations can be even lighter than the fixed lens cameras they emulate.
They trade interchangeable lenses and zoom lenses for zoom by crop. But they needn’t buy a fixed lens camera to do that. They can mount their favorite lens on their favorite camera body and venture forth.
And if that isn’t really a rigid enough straight jacket, they can mount that lens with a drop of Loctite and never change lenses again. Does that idea elicit horror? Is it any worse to hinder a used ILC and lens, perhaps worth $2,000, than to spend over $6000 for a fixed lens camera? If one creates his own fixed lens camera he can choose the lens, perhaps even a zoom, for greatly enhanced functionality. Oops! I forgot that these folks seek less functionality, not more.
The latest development in this craziness is the medium format fixed lens camera with an f4 lens and no IBIS. In the past decade, it’s unlikely that anyone had a real need for digital medium format. Sure, they shoot it, but did even one of their images get presented in a manner where medium format was perceivably better than full frame?
The following is quoted below with the kind permission of Petapixel.com
This comparison, by Norwegian professional photographer and photography teacher/author Magnar W. Fjørtoft, is backed up with a real test. He shot a scene of a shipyard containing great detail at f/8 on his old 12mp APS-C camera and his brand new 24mp full frame camera.
He printed each photo 43″ wide and asked a group of 30 photo professionals and enthusiasts to write down which camera shot each print. Was it the 12mp APS-C or the 24mp full frame? They were allowed to examine the prints as closely as they wished.
Only 50% of their calls were correct, which is the same a flipping a coin. Magnar said that he himself could not detect a difference between the prints and had to label them on the back “A” and “B” to keep track of which was which.
After printing both images, Magnar wrote, “We simply could not believe our eyes! Then we laughed and laughed. We could not spot any differences!”
Buying these cameras seem like photographic masochism to me. Amateur photographers eagerly pay thousands to give up their options.
They praise being freed from the burden of “the bag”. But of course they don’t have to buy a fixed lens camera to get free of the bag. They could just leave the bag home.
Some think the fixed lens camera is lighter. But full frame camera and lens combinations can be even lighter than the fixed lens cameras they emulate.
They trade interchangeable lenses and zoom lenses for zoom by crop. But they needn’t buy a fixed lens camera to do that. They can mount their favorite lens on their favorite camera body and venture forth.
And if that isn’t really a rigid enough straight jacket, they can mount that lens with a drop of Loctite and never change lenses again. Does that idea elicit horror? Is it any worse to hinder a used ILC and lens, perhaps worth $2,000, than to spend over $6000 for a fixed lens camera? If one creates his own fixed lens camera he can choose the lens, perhaps even a zoom, for greatly enhanced functionality. Oops! I forgot that these folks seek less functionality, not more.
The latest development in this craziness is the medium format fixed lens camera with an f4 lens and no IBIS. In the past decade, it’s unlikely that anyone had a real need for digital medium format. Sure, they shoot it, but did even one of their images get presented in a manner where medium format was perceivably better than full frame?
The following is quoted below with the kind permission of Petapixel.com
This comparison, by Norwegian professional photographer and photography teacher/author Magnar W. Fjørtoft, is backed up with a real test. He shot a scene of a shipyard containing great detail at f/8 on his old 12mp APS-C camera and his brand new 24mp full frame camera.
He printed each photo 43″ wide and asked a group of 30 photo professionals and enthusiasts to write down which camera shot each print. Was it the 12mp APS-C or the 24mp full frame? They were allowed to examine the prints as closely as they wished.
Only 50% of their calls were correct, which is the same a flipping a coin. Magnar said that he himself could not detect a difference between the prints and had to label them on the back “A” and “B” to keep track of which was which.
After printing both images, Magnar wrote, “We simply could not believe our eyes! Then we laughed and laughed. We could not spot any differences!”
Last edited:






