Kabe Luna
Veteran Member
...while the photographer burned frames hoping to capture just the right moment? I used to do this kind of thing with film and when you have no way to confirm the image (no polaroid, no LCD) but MUST get the shot, you simply take lots and lots of pictures. I've burned as many as three rolls of 36-exposure 35mm film in a manual wind camera trying to ensure I've got as close to the pivotal moment of an action as possible.
Shooting a live sport, like ballet during the performance, it is all about timing (and luck), but with posed studio shots of active subjects (where you don't want the 'keeper' to be on a polaroid) with benefit of a motor-driven camera with high framing rate, it's about repetition (and, again, luck ;-)
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Kabe Luna
http://www.garlandcary.com
Shooting a live sport, like ballet during the performance, it is all about timing (and luck), but with posed studio shots of active subjects (where you don't want the 'keeper' to be on a polaroid) with benefit of a motor-driven camera with high framing rate, it's about repetition (and, again, luck ;-)
--like so?:When was the last time that you saw a photographer shooting ballet
with their finger on the button, ripping off shots as fast as the
camera would allow? There are 2 possible answers: The first is never.
The second is, the last time that photographer was allowed in the
house to shoot!
It's all about timing. Know your shot. Find the shot. Take the shot.
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http://gcphotoblog.com
'if we knew what we were doing, it wouldn't be called 'research'.'
(attributed to Einstein)
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Kabe Luna
http://www.garlandcary.com