Mark Thornton
Senior Member
Olympus also used IBIS on its later DSLR's for the obvious reason that they had a collection of unstabilised lenses that were not going to get a make over in stabilised form.
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I don't know much or anything about Konica-Minolta (how are they doing these days?) and if Sony A-Mount stabilized / stabilizes the sensor then again I think it makes no sense from a DSLR-with-OVF perspective.Apparently, that didn't prevent Konica-Minolta (Sony A-mount), Olympus and Pentax from going with IBIS rather than OIS for their DSLR systems with OVF. And why did Fuji, Panasonic, and Sony (E-mount) go with OIS for their non-OVF systems?No, IBIS makes no sense on a camera with an OVF. Unless you like making tele shots with a jittery viewfinder.Hmm, that makes sense. Thank you. I guess once manufacturers chose one route it is hard to change. It certainly keeps me from looking to jump ship to another brand, well that and accumulated m43 glass. I think, yes I can get maybe maximum 1 stop better noise (though worse DR) with the best of the best, but I'll be shooting everything at 2 or 3 stops higher ISO so what's the use.

OIS doesn't run all the time either.IBIS is a much greater energy hog than OIS and will suck much more power when used continuously. This is precisely the reason IBIS doesn't run all the time (only when the shutter is pressed) while OIS does.
I would contest that also. A "marketing decision" would be to have the marketing department say 'Hey, let's move the OIS out of the lens and into the camera! It would be a great selling point for our DSLR's!' Only it's not a marketing consideration, it's a functional consideration, and doing such a thing would be putting some ad blurb over and above how the camera works best.…is good too. I am using it with my Panny lenses on my G6
Spiro, I would contest that. it is a technology decision -- and a difficult one at that. Until the Oly finally developed the 5 way IBIS, its IBIS was generally inferior to the Panny OIS in my experience -- although it worked well in a narrow range of shutter speeds (around 1/10) with wide > normal lenses (again in my experience with the E-PL3).BTW... IBIS is just a marketing decision for each manufacturer... nothing else.
Exactly. They are businesses and if that is all they had to work with, then they went with what was most cost-effective overall for their brand. Had they been able to start from scratch, OIS would have been the easy choice for a better camera.Olympus also used IBIS on its later DSLR's for the obvious reason that they had a collection of unstabilised lenses that were not going to get a make over in stabilised form.
it has probably been pointed out by others (too long a thread to read everything) that Sony had IBIS in the full frame a900 and its sibling, the a850. that was back in 2008 and it worked quite well. like you i think that it's easier to implement with smaller, lighter sensors, though. and i sometimes felt that the IBIS of my APS-C a100 was a tad better - but that could also be related to the strong mirror slap of the a900 compared to that of the a100.IBIS on a full frame sensor might be rather more challenging than it is on m4/3. That would discourage Nikon, Canon, and perhaps Sony from adopting it.
Please let us all know how you did the comparison. And if you didn't, how would you know which is better?Wrong. If we were to compare just OIS and IBIS, OIS would be better.That's a typo, right? I am sure you meant to say that OIS is worse for video (as it is by comparison, at least as currently implemented).The reason Panny won't abandon OIS is because they're a much more video oriented company than Oly. And IBIS sucks for video.Why don't more brands have something like IBIS? After more than 2 years I'm still awed every time I take an indoor shot with my E-M5, even of people, at 1/15 of a second ISO 200, and get great results. Sony's is moving away from the Alpha serious which does have it and toward the e-mount which doesn't. Pentax still has it and I respect them for it. But Fuji, Nikon, Canon, Panasonic, not on the horizon.
Even if the Fuji X-T1 is an amazing camera, but who cares if one is forced to take photos at 2 or 3 f stops higher ISO than I'd have to with the OMD series. I'd rather have my E-M5 or if I was going to earn more money from photography, buy an E-M1. I'm aware that IBIS doesn't matter with say photography of football at night or race cars, requiring high shutter speeds, but it helps in more situations than I expected.
If Oly uses a combination of DIS and IBIS for video (as seems likely, see below), what's wrong with that as long as it produces good results.Oly does a combo deal, adding DIS to their IBIS. As far as I know, there's never been any Oly implementation of video IBIS that hasn't also included DIS.
What artifacts specifically due to DIS are you talking about?Using methods that introduce artifacts into the video.Well, regardless of how it is achieved, Oly stabilization actually is "buttery smooth" for video.I realize that some people may believe that Oly IBIS is buttery smooth for video,
Yes, video with stabilization enabled is cropped slightly, which suggests that sensor-shift is supplemented by DIS. This is also what Imaging-Resource reports in their review of the E-M10:Yes. People that I've talked to that have used Oly cameras for video with IBIS have always told me that the video is cropped when IBIS is activated (as compared to no IBIS). If I'm wrong then let me know.What makes you think that it is a combination of DIS and IBIS?but what they don't realize is that Oly has implemented a form of DIS on every MFT camera where they've done IBIS for video. So, when you see Oly's IBIS in action on YouTube, you're seeing a combination of IBIS and DIS. Note that I don't believe this is done for stills, as far as I know.
Do you have any evidence of that or is it just speculation on your part?Even if Oly is using DIS with IBIS, why do I say it sucks, you might ask. Because IBIS is a much greater energy hog than OIS and will suck much more power when used continuously.
Cropped video to achieve stabilization means that DIS is being used. Not maybe but definitely.
"For video recording, Olympus has also included a hybrid IS system utilizing both sensor-shift and digital image stabilization"
http://www.imaging-resource.com/PRODS/olympus-e-m10/olympus-e-m10A.HTM
Why would you want to run it all the time even if not required? Recent implementations (E-M1, E-M10) do in fact run it all the time when in magnified view since in that case it is indeed useful.Why no option to keep it running all the time? Very strange if you ask me. I've theorized that it's either due to excessive power consumption or possibly heat generation.It's a good idea to turn things off when they are not required. Why doesn't Pany do the same?This is precisely the reason IBIS doesn't run all the time (only when the shutter is pressed) while OIS does.
It does run continuously when that's beneficial. See above.There's simply no plausible reason not to give the user the option of leaving it on continuously unless there were a technological limitation.
What are the OIS and IBIS power requirements? Got any facts and figures?And this jives with my understanding of IBIS and the energy requirements of moving the sensor (vs. moving a lens element).
And why would Panny give the option of only activating OIS when you press the shutter. Sounds ridiculous to request it to me, as I see no benefit to it (given the minimal power requirements of OIS). Panny gives you the option of turning on/off the OIS.
Actually you don't inasmuch as that sometimes conflicts with the desire to eliminate jerkiness across frames, which is of greater importance perceptually. But possibly, Oly's combination of sensor-shift and DIS helps them accomplish both.Sounds dubious to me. Some would say grasping at straws. You want every frame as sharp as possible with video as well.Yes, they do. Less energy is required for video stabilization than for stills since the objective is different. With stills, you want each frame as sharp as possibles. Hence IBIS has to move fast. With video, the primary objective is to eliminate the jerkiness between frames. Hence IBIS can move at a more leisurely pace.And it's very probable that Oly uses a less energy hogging form of IBIS when video is engaged (hence the reports of less noise from IBIS in video than stills mode).
Which are these sources? Links please.Yes, I have evidence of that. Aside from my sources,Do you have any evidence of that or is it just speculation on your part?Why does IBIS suck so much more power, you might ask. Because the sensor element is often much larger and heavier than the lens element that has to be controlled, hence more power consumed to move it (and also slower and less responsive movements of the element).
Exactly what old gear did you take apart, exactly what did you see and measure, and exactly what conclusions about power requirements can you draw from these observations?I've actually taken apart some old gear to have a look at it.
None was intended. I just illustrated that IBIS can help me manage some six EV below the 1/EFL rule at 300 mm. I haven't yet managed to accomplish that with OIS.Aside from the fact that I see no actual comparisons here,At least some implementations of Power OIS (as opposed to Mega OIS) were, when tested while shutter shock was still a problem. Below you find what I think is the latest list of the results from Lenstip/optyczne.pl that I have compiled:That's brings me to another point.
IBIS is less effective than Power OIS (by about 0.5 to 0.8 stops).
http://www.dpreview.com/forums/post/52944375
Here I have some new and interesting facts to offer as a counterpoint to your speculations. As we both know, the real effectiveness of the different stabilization systems couldn't really be tested with longer FLs in the past due to shutter-shock problems. Below 1/250 or 1/320, shutter shock spoiled the fun regardless.And that difference will likely increase as the focal length is increased. The reasons are two-fold. First, the lens element being controlled will likely be much smaller than the sensor, so it can be moved quicker. This becomes more important as the focal length increases, because hand shake is amplified at greater focal lengths. Also, the compensatory movement of the lens element (OIS) can be magnified on the sensor, thus providing greater shake compensation than the actual motion of the lens element. This obviously can't be done with IBIS.
With the electronic first curtain shutter (0-second anti-shock) now available on the E-M1, E-M10, and E-P5, we are finally in a position to do the test and of course I did it. I tried the 100-300 at 300 on my E-M1 and ... my preliminary results (I have still to do more extensive testing) indicate quite clearly that the E-M1 IBIS is significantly better than the 100-300 OIS once the shutter-shock problem is out of the way. At the same shutter speed, the number of keepers is clearly higher with IBIS than with OIS. And the lowest speed worth trying is lower with IBIS as well.
Here's a modest example of what I am talking about. This is a 100-percent crop shot with the Oly 75-300 I am now trying out as a replacement for the Pany 100-300. Hand-held with IBIS at 300 mm and 1/10.
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Unlike you, I have no problem with impartiality. If OIS were better, I'd say so and use it whenever possible. If you think I am trying to hide anything, why would I have compiled the list I linked to above, showing that Power OIS is better than IBIS as long as shutter shock is still in the reckoning? And why would I state, as I have many times over, that, with my E-M5, I prefer the 14-45 OIS over IBIS since the OIS of that particular lens (not others) actually helps counteract shutter shock?you'll forgive me if I actually wait for an objective comparison.
Is there any other Pany lens than this that goes to 300 mm?Also, it's important to note that the 100-300 is an old lens with mega OIS.
So you mean that Pany sticks to OIS in order to limit competition on the lens side? That may well be, but it is hardly a convincing argument to those of us who are on the consumer rather than manufacturer side, is it?If someone is a Panasonic body loyalist and Panny provides in body stabilization for all their cameras, there's less incentive to buy Panasonic lenses.What exactly do you mean when you say they want to "protect their lens OIS"? What specifically is their objective? And how does abstaining from IBIS help them accomplish that?So, why doesn't Panny do IBIS along with OIS. I believe this has everything to do with competition. If Panny were the sole player in MFT, I have a feeling they would. But, for now, I believe they want to protect their lens OIS. And I don't blame them
Noone denies you the privilege of buying whatever you want. As a non-purist, I simply prefer to use what is best rather than most pure.For me, being a purist and understanding the benefits of in lens OIS, I would still buy the Panny lenses.
A third option is to believe, as I do, that different stabilization systems are different means to the same end and then choose the best means to that end.But others would believe that stabilization is stabilization and just go with whatever.
Thanks!You're right.Although you are right that most people on the forum are more focused on stills than on video, that certainly doesn't prevent them from understanding what's going on with regard to stabilization systems.In summary, it's the limited interests (no video, etc.) on this forum that are the reason so many people don't understand why things are done the way they are. No offense.
As well? I didn't say anything about ignorance.It's ignorance of other aspects as well.![]()
Glad to hear that.I look forward to your response Anders.![]()
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i think what you say is true for most people. personally however, i prefer an unstabilised viewfinder in most situations, even with tele lenses (400mm on FF). for me an unstabilised viewfinder makes it easier to see when i'm shaking a bit less. and yes, since adding a GH3 to my kit i do have experience with OIS, too.No, IBIS makes no sense on a camera with an OVF. Unless you like making tele shots with a jittery viewfinder.Hmm, that makes sense. Thank you. I guess once manufacturers chose one route it is hard to change. It certainly keeps me from looking to jump ship to another brand, well that and accumulated m43 glass. I think, yes I can get maybe maximum 1 stop better noise (though worse DR) with the best of the best, but I'll be shooting everything at 2 or 3 stops higher ISO so what's the use.
There's a setting to enable IBIS during half-press of the shutter button (5-axis IBIS at least). I think that's perfectly reasonable. I wish the GX7 worked the same way.Because, who wants to look at a shaky image when composing a shot. This is especially true of telephoto lenses. It's distracting and annoying.
Yes, I know that. That's what I meant by it's activated when you press the shutter button. Maybe I should have said "half-press".There's a setting to enable IBIS during half-press of the shutter button (5-axis IBIS at least). I think that's perfectly reasonable. I wish the GX7 worked the same way.Because, who wants to look at a shaky image when composing a shot. This is especially true of telephoto lenses. It's distracting and annoying.
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PhotoGrok: http://www.haplessgenius.com/photogrok
Nice catch there Rick. I guess this is the answer, nothing more really to wonder.Our own Kirk Tuck has a good blog on this very subject today as it happens. Interestingly he says he got the gist of it directly from Panasonic: http://visualsciencelab.blogspot.co.uk/2014/06/image-stabilization-in-body-or-in-lens.html
I realize you don't know much about anything but Konica-Minolta is known as Sony these days.I don't know much or anything about Konica-Minolta (how are they doing these days?)Apparently, that didn't prevent Konica-Minolta (Sony A-mount), Olympus and Pentax from going with IBIS rather than OIS for their DSLR systems with OVF. And why did Fuji, Panasonic, and Sony (E-mount) go with OIS for their non-OVF systems?No, IBIS makes no sense on a camera with an OVF. Unless you like making tele shots with a jittery viewfinder.Hmm, that makes sense. Thank you. I guess once manufacturers chose one route it is hard to change. It certainly keeps me from looking to jump ship to another brand, well that and accumulated m43 glass. I think, yes I can get maybe maximum 1 stop better noise (though worse DR) with the best of the best, but I'll be shooting everything at 2 or 3 stops higher ISO so what's the use.
What I am effectively saying is that noone cares much about what you think makes sense or not.and if Sony A-Mount stabilized / stabilizes the sensor then again I think it makes no sense from a DSLR-with-OVF perspective.
Tautology of the year?Fuji, Panasonic etc. using optical for their non OVF cameras was a matter of what they thought worked best.
Yes, you do. Guess what!While IBIS is logical on an EVF camera, OIS also can work well and you don't give anything up.
"Until recently" is an important keyword. ;-)In fact some believe that at least til recently OIS was superior. I know my old FZ50 had OIS and I took some hand held shots at 1/3 of a second, very sharp. (This is just a test shot from back when.)
Some problems do remain. Guess what!You can put OIS on an EVF camera and there's no problem.
I didn't notice anything of importance while shooting my Pentax DSLR with 70-300. What would that be?Put IBIS on a DSLR and you've given up some important things.
That's just how they work.
No, I don't know much about anything, but I know your rudeness isn't worth any more of my time.I realize you don't know much about anything but Konica-Minolta is known as Sony these days.I don't know much or anything about Konica-Minolta (how are they doing these days?)Apparently, that didn't prevent Konica-Minolta (Sony A-mount), Olympus and Pentax from going with IBIS rather than OIS for their DSLR systems with OVF. And why did Fuji, Panasonic, and Sony (E-mount) go with OIS for their non-OVF systems?No, IBIS makes no sense on a camera with an OVF. Unless you like making tele shots with a jittery viewfinder.Hmm, that makes sense. Thank you. I guess once manufacturers chose one route it is hard to change. It certainly keeps me from looking to jump ship to another brand, well that and accumulated m43 glass. I think, yes I can get maybe maximum 1 stop better noise (though worse DR) with the best of the best, but I'll be shooting everything at 2 or 3 stops higher ISO so what's the use.
It makes perfect sense on mirrorless, at least if you don't care about video. I'm glad it serves you well.Sony, Pentax, and (the former) Olympus DSLR's all have IBIS and OVF's (later Sony were SLT). I don't see IS making much if any difference in exposure or AF, at least I don't recall hearing any IBIS DSLR owners mentioning losing focus or bad exposure to camera shake. Stabilized VF, though, is nice to have.
Nice enough to offset the price difference, though? Canon and Nikon want you to think that, so they can charge extra, and so they aren't seen to be using dated technology.
Let's just say it's extra sweet to have the 5 axis IBIS available for anything I can mount on the OMD's.
You make some good points but I was under the impression IBIS actually uses less power that OIS. I'm not saying you are wrong but it think I read once that it was an advantage over OIS that has to be on all the time. I know that the E-M10 is rated for more shots on a battery than the GX7, could that be a factor?The reason Panny won't abandon OIS is because they're a much more video oriented company than Oly. And IBIS sucks for video.Why don't more brands have something like IBIS? After more than 2 years I'm still awed every time I take an indoor shot with my E-M5, even of people, at 1/15 of a second ISO 200, and get great results. Sony's is moving away from the Alpha serious which does have it and toward the e-mount which doesn't. Pentax still has it and I respect them for it. But Fuji, Nikon, Canon, Panasonic, not on the horizon.
Even if the Fuji X-T1 is an amazing camera, but who cares if one is forced to take photos at 2 or 3 f stops higher ISO than I'd have to with the OMD series. I'd rather have my E-M5 or if I was going to earn more money from photography, buy an E-M1. I'm aware that IBIS doesn't matter with say photography of football at night or race cars, requiring high shutter speeds, but it helps in more situations than I expected.
I realize that some people may believe that Oly IBIS is buttery smooth for video, but what they don't realize is that Oly has implemented a form of DIS on every MFT camera where they've done IBIS for video. So, when you see Oly's IBIS in action on YouTube, you're seeing a combination of IBIS and DIS. Note that I don't believe this is done for stills, as far as I know.
Even if Oly is using DIS with IBIS, why do I say it sucks, you might ask. Because IBIS is a much greater energy hog than OIS and will suck much more power when used continuously. This is precisely the reason IBIS doesn't run all the time (only when the shutter is pressed) while OIS does. And it's very probable that Oly uses a less energy hogging form of IBIS when video is engaged (hence the reports of less noise from IBIS in video than stills mode).
Why does IBIS suck so much more power, you might ask. Because the sensor element is often much larger and heavier than the lens element that has to be controlled, hence more power consumed to move it (and also slower and less responsive movements of the element). That's brings me to another point.
IBIS is less effective than Power OIS (by about 0.5 to 0.8 stops). And that difference will likely increase as the focal length is increased. The reasons are two-fold. First, the lens element being controlled will likely be much smaller than the sensor, so it can be moved quicker. This becomes more important as the focal length increases, because hand shake is amplified at greater focal lengths. Also, the compensatory movement of the lens element (OIS) can be magnified on the sensor, thus providing greater shake compensation than the actual motion of the lens element. This obviously can't be done with IBIS.
So, why doesn't Panny do IBIS along with OIS. I believe this has everything to do with competition. If Panny were the sole player in MFT, I have a feeling they would. But, for now, I believe they want to protect their lens OIS. And I don't blame them.
In summary, it's the limited interests (no video, etc.) on this forum that are the reason so many people don't understand why things are done the way they are. No offense.
I look forward to your response Anders.![]()
Do you know of ANY IBIS implementation that runs continuously? Oly's IBIS implementation has never had continuous operation. Panny's IBIS implementation in the GX7 doesn't have continuous operation. Yet Panny has no problem with lens OIS running continuously. There's a reason for this that hasn't been made public. And, IMO, it has to be one of two things. Either IBIS takes too much power when run continuously or generates too much heat (or both).You make some good points but I was under the impression IBIS actually uses less power that OIS. I'm not saying you are wrong but it think I read once that it was an advantage over OIS that has to be on all the time. I know that the E-M10 is rated for more shots on a battery than the GX7, could that be a factor?The reason Panny won't abandon OIS is because they're a much more video oriented company than Oly. And IBIS sucks for video.Why don't more brands have something like IBIS? After more than 2 years I'm still awed every time I take an indoor shot with my E-M5, even of people, at 1/15 of a second ISO 200, and get great results. Sony's is moving away from the Alpha serious which does have it and toward the e-mount which doesn't. Pentax still has it and I respect them for it. But Fuji, Nikon, Canon, Panasonic, not on the horizon.
Even if the Fuji X-T1 is an amazing camera, but who cares if one is forced to take photos at 2 or 3 f stops higher ISO than I'd have to with the OMD series. I'd rather have my E-M5 or if I was going to earn more money from photography, buy an E-M1. I'm aware that IBIS doesn't matter with say photography of football at night or race cars, requiring high shutter speeds, but it helps in more situations than I expected.
I realize that some people may believe that Oly IBIS is buttery smooth for video, but what they don't realize is that Oly has implemented a form of DIS on every MFT camera where they've done IBIS for video. So, when you see Oly's IBIS in action on YouTube, you're seeing a combination of IBIS and DIS. Note that I don't believe this is done for stills, as far as I know.
Even if Oly is using DIS with IBIS, why do I say it sucks, you might ask. Because IBIS is a much greater energy hog than OIS and will suck much more power when used continuously. This is precisely the reason IBIS doesn't run all the time (only when the shutter is pressed) while OIS does. And it's very probable that Oly uses a less energy hogging form of IBIS when video is engaged (hence the reports of less noise from IBIS in video than stills mode).
Why does IBIS suck so much more power, you might ask. Because the sensor element is often much larger and heavier than the lens element that has to be controlled, hence more power consumed to move it (and also slower and less responsive movements of the element). That's brings me to another point.
IBIS is less effective than Power OIS (by about 0.5 to 0.8 stops). And that difference will likely increase as the focal length is increased. The reasons are two-fold. First, the lens element being controlled will likely be much smaller than the sensor, so it can be moved quicker. This becomes more important as the focal length increases, because hand shake is amplified at greater focal lengths. Also, the compensatory movement of the lens element (OIS) can be magnified on the sensor, thus providing greater shake compensation than the actual motion of the lens element. This obviously can't be done with IBIS.
So, why doesn't Panny do IBIS along with OIS. I believe this has everything to do with competition. If Panny were the sole player in MFT, I have a feeling they would. But, for now, I believe they want to protect their lens OIS. And I don't blame them.
In summary, it's the limited interests (no video, etc.) on this forum that are the reason so many people don't understand why things are done the way they are. No offense.
I look forward to your response Anders.![]()
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http://www.flickr.com/photos/90891174@N04/
"Aside from the fact that I see no actual comparisons here, you'll forgive me if I actually wait for an objective comparison. Also, it's important to note that the 100-300 is an old lens with mega OIS."Wrong. If we were to compare just OIS and IBIS, OIS would be better. Oly does a combo deal, adding DIS to their IBIS. As far as I know, there's never been any Oly implementation of video IBIS that hasn't also included DIS.That's a typo, right? I am sure you meant to say that OIS is worse for video (as it is by comparison, at least as currently implemented).The reason Panny won't abandon OIS is because they're a much more video oriented company than Oly. And IBIS sucks for video.Why don't more brands have something like IBIS? After more than 2 years I'm still awed every time I take an indoor shot with my E-M5, even of people, at 1/15 of a second ISO 200, and get great results. Sony's is moving away from the Alpha serious which does have it and toward the e-mount which doesn't. Pentax still has it and I respect them for it. But Fuji, Nikon, Canon, Panasonic, not on the horizon.
Even if the Fuji X-T1 is an amazing camera, but who cares if one is forced to take photos at 2 or 3 f stops higher ISO than I'd have to with the OMD series. I'd rather have my E-M5 or if I was going to earn more money from photography, buy an E-M1. I'm aware that IBIS doesn't matter with say photography of football at night or race cars, requiring high shutter speeds, but it helps in more situations than I expected.
Using methods that introduce artifacts into the video.Well, regardless of how it is achieved, Oly stabilization actually is "buttery smooth" for video.I realize that some people may believe that Oly IBIS is buttery smooth for video,
Yes. People that I've talked to that have used Oly cameras for video with IBIS have always told me that the video is cropped when IBIS is activated (as compared to no IBIS). If I'm wrong then let me know.What makes you think that it is a combination of DIS and IBIS?but what they don't realize is that Oly has implemented a form of DIS on every MFT camera where they've done IBIS for video. So, when you see Oly's IBIS in action on YouTube, you're seeing a combination of IBIS and DIS. Note that I don't believe this is done for stills, as far as I know.
Do you have any evidence of that or is it just speculation on your part?Even if Oly is using DIS with IBIS, why do I say it sucks, you might ask. Because IBIS is a much greater energy hog than OIS and will suck much more power when used continuously.
Cropped video to achieve stabilization means that DIS is being used. Not maybe but definitely.
Why no option to keep it running all the time? Very strange if you ask me. I've theorized that it's either due to excessive power consumption or possibly heat generation.It's a good idea to turn things off when they are not required. Why doesn't Pany do the same?This is precisely the reason IBIS doesn't run all the time (only when the shutter is pressed) while OIS does.
There's simply no plausible reason not to give the user the option of leaving it on continuously unless there were a technological limitation.
And this jives with my understanding of IBIS and the energy requirements of moving the sensor (vs. moving a lens element).
And why would Panny give the option of only activating OIS when you press the shutter. Sounds ridiculous to request it to me, as I see no benefit to it (given the minimal power requirements of OIS). Panny gives you the option of turning on/off the OIS.
Sounds dubious to me. Some would say grasping at straws. You want every frame as sharp as possible with video as well.Yes, they do. Less energy is required for video stabilization than for stills since the objective is different. With stills, you want each frame as sharp as possibles. Hence IBIS has to move fast. With video, the primary objective is to eliminate the jerkiness between frames. Hence IBIS can move at a more leisurely pace.And it's very probable that Oly uses a less energy hogging form of IBIS when video is engaged (hence the reports of less noise from IBIS in video than stills mode).
Yes, I have evidence of that. Aside from my sources, I've actually taken apart some old gear to have a look at it.Do you have any evidence of that or is it just speculation on your part?Why does IBIS suck so much more power, you might ask. Because the sensor element is often much larger and heavier than the lens element that has to be controlled, hence more power consumed to move it (and also slower and less responsive movements of the element).
Aside from the fact that I see no actual comparisons here, you'll forgive me if I actually wait for an objective comparison. Also, it's important to note that the 100-300 is an old lens with mega OIS.At least some implementations of Power OIS (as opposed to Mega OIS) were, when tested while shutter shock was still a problem. Below you find what I think is the latest list of the results from Lenstip/optyczne.pl that I have compiled:That's brings me to another point.
IBIS is less effective than Power OIS (by about 0.5 to 0.8 stops).
http://www.dpreview.com/forums/post/52944375
Here I have some new and interesting facts to offer as a counterpoint to your speculations. As we both know, the real effectiveness of the different stabilization systems couldn't really be tested with longer FLs in the past due to shutter-shock problems. Below 1/250 or 1/320, shutter shock spoiled the fun regardless.And that difference will likely increase as the focal length is increased. The reasons are two-fold. First, the lens element being controlled will likely be much smaller than the sensor, so it can be moved quicker. This becomes more important as the focal length increases, because hand shake is amplified at greater focal lengths. Also, the compensatory movement of the lens element (OIS) can be magnified on the sensor, thus providing greater shake compensation than the actual motion of the lens element. This obviously can't be done with IBIS.
With the electronic first curtain shutter (0-second anti-shock) now available on the E-M1, E-M10, and E-P5, we are finally in a position to do the test and of course I did it. I tried the 100-300 at 300 on my E-M1 and ... my preliminary results (I have still to do more extensive testing) indicate quite clearly that the E-M1 IBIS is significantly better than the 100-300 OIS once the shutter-shock problem is out of the way. At the same shutter speed, the number of keepers is clearly higher with IBIS than with OIS. And the lowest speed worth trying is lower with IBIS as well.
Here's a modest example of what I am talking about. This is a 100-percent crop shot with the Oly 75-300 I am now trying out as a replacement for the Pany 100-300. Hand-held with IBIS at 300 mm and 1/10.
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If someone is a Panasonic body loyalist and Panny provides in body stabilization for all their cameras, there's less incentive to buy Panasonic lenses. For me, being a purist and understanding the benefits of in lens OIS, I would still buy the Panny lenses.What exactly do you mean when you say they want to "protect their lens OIS"? What specifically is their objective? And how does abstaining from IBIS help them accomplish that?So, why doesn't Panny do IBIS along with OIS. I believe this has everything to do with competition. If Panny were the sole player in MFT, I have a feeling they would. But, for now, I believe they want to protect their lens OIS. And I don't blame them
But others would believe that stabilization is stabilization and just go with whatever.
You're right. It's ignorance of other aspects as well.Although you are right that most people on the forum are more focused on stills than on video, that certainly doesn't prevent them from understanding what's going on with regard to stabilization systems.In summary, it's the limited interests (no video, etc.) on this forum that are the reason so many people don't understand why things are done the way they are. No offense.
Glad to hear that.I look forward to your response Anders.![]()
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There's a setting to enable IBIS during half-press of the shutter button (5-axis IBIS at least). I think that's perfectly reasonable. I wish the GX7 worked the same way.Because, who wants to look at a shaky image when composing a shot. This is especially true of telephoto lenses. It's distracting and annoying.