What Speedlight Flash Modifiers do you use and why?

Pete from Aus

Member
Messages
31
Reaction score
9
Location
AU
I have recently purchased a Nissin i60 flash, along with a remote Air 1 Commander sender unit to use with my Sony RX10mk4

Now I am looking for some light modifiers to use with it to soften the light output.
I'm not sure if I should be looking at using umbrellas, or softboxes or something else.

Where should I start?

Also what kind of stands do you use to hold the flash when 'off camera'?

I am hoping to improve my portrait photograph...
 
... Now I am looking for some light modifiers to use with it to soften the light output.
I'm not sure if I should be looking at using umbrellas, or softboxes or something else.

Where should I start?

Also what kind of stands do you use to hold the flash when 'off camera'?
I use a light stand. Steel ones are heavier and more expensive but will hold strobes and monoblocs when you want more light in the future. Steel can better hold awkward loads like umbrellas. Steel also allows grip arms which give flexible placement of stuff. Matthews Baby Jr with grip arm, gag and baby adapter pin to support flash and umbrella:

umbrella015.jpg


This light stand is a roller like most of the stands in my studio. A simple white umbrella should be your first modifier even though you may refine your modifier style with experience.

Ref:

https://www.bhphotovideo.com/c/product/33090-REG/Matthews_H386025_Baby_Jr_Steel_Wheeled.html

--
Canon, Nikon, Contax RTS, Leica M, Sony, Profoto
 
Last edited:
I have recently purchased a Nissin i60 flash, along with a remote Air 1 Commander sender unit to use with my Sony RX10mk4

Now I am looking for some light modifiers to use with it to soften the light output.
I'm not sure if I should be looking at using umbrellas, or softboxes or something else.

Where should I start?

Also what kind of stands do you use to hold the flash when 'off camera'?

I am hoping to improve my portrait photograph...
You might want to read over this site: Strobist: Lighting 101 (link goes to page 3 since you've already acquired some of the necessary gear).

When you're ready there's also Strobist: Lighting 102
 
I have recently purchased a Nissin i60 flash, along with a remote Air 1 Commander sender unit to use with my Sony RX10mk4

Now I am looking for some light modifiers to use with it to soften the light output.
I'm not sure if I should be looking at using umbrellas, or softboxes or something else.

Where should I start?

Also what kind of stands do you use to hold the flash when 'off camera'?

I am hoping to improve my portrait photograph...
An umbrella, not too small and not to large, something in the 46 to 50 inch range. My favorite is the Photek Softlighter II because it can be used as a reflective diffuser, a translucent diffuser, and as a reflective diffuser has a removable black cover. It also comes with silver and gold metallic inserts but I have never used them.

I also like the collapsible Harrison Fong diffuser but a simple frosted 8 or 12 ounce drinks cup does the same job for a lot less money.

A white wall or ceiling is always handy.

An umbrella to stand tilt mount. I like the Manfrotto and Phottix versions.

A good solid light stand that goes up to 9 feet.

A Platypod Max. A Platypod can be used to put your light on the ground or floor, or on top of a cabinet or ladder, hung off a chair railing or strapped to a tree or post or railing, etc. It can also be used -with a tripod head of your choice - for cameras.

What you are really asking is “Now that I have a flash, how can I make better looking light?” The answer to that is to play try different things. If the lighting effect works for you, great! If not, move the light or do something different with the light. Don’t be afraid of making mistakes.
 
For maximum portability a collapsible stand, an umbrella bracket (metal - never plastic), and a collapsible umbrella.

Adorma Westcott 5-Section Aluminum Alloy Light Stand 7425

Adorama Westcott Metal Adjustable Shoe Mount Umbrella Bracket 5015

Adorama Westcott 43" White Satin Umbrella 2011

Here is DPReview member's Ultimate Portable Lighting System.

DPReview - The ultimate portable light system by daddyo.: Studio and Lighting Technique Forum

Indoors I also have a 26" umbrella opening softbox very similar to this. The other Flashpoint Glow EZ Lock softboxes and the Cheetah Stand soup or rice bowls are also good.

Adorama Glow EZ Lock Collapsible Silver Beauty Dish (25")

Cheetah QuickSeries Softboxes

If you want to use both umbrellas and softboxes then get the Godox/Flashpoint Glow S-Type Bracket with Bowens Mount instead of the umbrella bracket above.

Adorama Glow S-Type Speedlite Bracket With Bowens Mount GL-BD-SBRKT
 
Thanks for your input everyone.
I have taken on board your thoughts & purchased this:


It's a starter kit that is available in Australia, and looks similar to the items suggested from you from the US sites. It wasn't very expensive, (a little over AU$100).

Now I am looking forward for it to arrive so I can start learning how to best use this new gadget & improving my portrait photography :)





143fed0462c24725ac589d0f6d94a0d8.jpg.png
 
Congratulations. Although there tons of tutorials on line , Zack Arias’ and strobist.com are the ones to pay the most attention to. If you want a book, no matter what brand of camera and light you have, Look to Joe McNally
 
Thanks for your input everyone.
I have taken on board your thoughts & purchased this:

https://www.camera-warehouse.com.au/xlite-single-2-8m-air-cushioned-strobist-kit

It's a starter kit that is available in Australia, and looks similar to the items suggested from you from the US sites. It wasn't very expensive, (a little over AU$100).

Now I am looking forward for it to arrive so I can start learning how to best use this new gadget & improving my portrait photography :)

143fed0462c24725ac589d0f6d94a0d8.jpg.png
Learning with one light is a good way to learn lighting.

Here is one good reference.

Digital Photography Review - Thomas Park - The One-Light Studio

Here is an even easier setup.

If you have white walls clear out a corner of one room for your background.

Place a subject in the corner and about 1' from each wall.

Place the umbrella rim 6' from the subject*. Arrange yourself and the light roughly like in the following diagram. You can move or even flip it the positions of the light and camera if desired. Adjust the height of the umbrella so 2/3 of the umbrella is above the subject's eye height and you will get nice light into the eyes and nice catchlights.



With your subject in the corner the white walls will reflect light from the umbrella/flash to fill in and soften the shadows.

To find the right exposure start with the flash at 1/4 power, ISO 100, and the lens closed down one stop.

Turn on the camera's Highlight Alert. Take a photo.

If the wall opposite the flash is blinking reduce the flash power until it just stops blinking. That is probably the right exposure but you may have to reduce the flash power by another 1/3 stop.

If the wall isn't blinking then go to 1/2 power or even full power and repeat the procedure above to find the right exposure.

To double check the exposure the red channel for the brightest diffuse highlight, which is typically the cheek closest to the light, should read very close to 218±5 when you hover over that area with your post processing eyedropper.

You now have your standard camera and flash settings so you will always get good exposures.

Here are the classical portrait lighting setups. Look for the shadows to see how the light position effects the lighting.

Start by learning Short Loop Lighting, called Short Lighting in this example. The loop part of the name comes from the way the shadow of the nose forms a loop on the cheek.

Portrait Lighting - Project 3 - Portrait Lighting Set-Ups

After Short Loop Lighting try Split lighting.

*Use the string method to always get the light the right distance from the subject. Take a string and tie a loop in one end that will fit over the thumb knob of the umbrella bracket. Stretch the string out in front of the umbrella and tie a knot where it goes past the rim of the umbrella. Tie another knot at 6' from the rim then cut the string off. Now all you have to do to position the umbrella 6' from the subject is to position it so the knot on the end of the string just reaches the subject's nose with the string stretched out straight (a couple inches either way won't matter).

--
Living and loving it in Pattaya, Thailand. Canon 7D - See the gear list for the rest.
 
Thanks Sailor Blue. That’s great info.

I cant wait for it to arrive so that I can start experementing!
 
HA, I love to see that small speedlight on such a large stand. Matthews rollers are awesome if you have the space and money to use them.

An umbrella on a bracket is definitely the best bang for your buck to modify your flash. As others have mentioned, the Photek Softlighter is great, but may be more than you want to spend if you're just messing around. The one feature I like about the Softlighter that I don't see on many other umbrellas is the removable shaft. In tight spaces it's great to have the option to unscrew the umbrella shaft, so it doesn't stick into the frame.
 
None. My favorite lighting is an ON-camera-flash bounced into a wall painted with flat white paint. You can point the flash into a wall straight behind you. Into a wall parallel to you and the model Into a corner where two walls come together. The possibilities are endless using walls and ceilings for bounce. Here's a guide to reflecting light https://www.physicsclassroom.com/class/refln/Lesson-1/The-Law-of-Reflection

BTW there are not many modifiers as large a wall.
 
BTW there are not many modifiers as large a wall.
..prob = in many places the walls are not white
Grey or Silver walls work too. I usually shoot in either a rental-photo-studio (white) or a factory grey/silver) If I'm shooting in a room with red walls I'd use my 4'x6' Sunbounce Pro https://www.amazon.com/California-Sunbounce-Kit-Reflector-Panel-Silver/dp/B003V8AWEC/

I've never used a Sunbounce Bounce-Wall Set https://www.amazon.com/Sunbounce-BWS-B410-Bounce-Wall-Set/dp/B009NRXQTS/ but it looks good for a run 'n' gun event shooter.
 
BTW there are not many modifiers as large a wall.
..prob = in many places the walls are not white
Grey or Silver walls work too. I usually shoot in either a rental-photo-studio (white) or a factory grey/silver) If I'm shooting in a room with red walls I'd use my 4'x6' Sunbounce Pro https://www.amazon.com/California-Sunbounce-Kit-Reflector-Panel-Silver/dp/B003V8AWEC/

I've never used a Sunbounce Bounce-Wall Set https://www.amazon.com/Sunbounce-BWS-B410-Bounce-Wall-Set/dp/B009NRXQTS/ but it looks good for a run 'n' gun event shooter.
Don't know how but I usually end up with various shades of yellow (least troublesome), various shades of green, and wood panels. just lucky I guess :)
 
BTW there are not many modifiers as large a wall.
..prob = in many places the walls are not white
Grey or Silver walls work too. I usually shoot in either a rental-photo-studio (white) or a factory grey/silver) If I'm shooting in a room with red walls I'd use my 4'x6' Sunbounce Pro https://www.amazon.com/California-Sunbounce-Kit-Reflector-Panel-Silver/dp/B003V8AWEC/

I've never used a Sunbounce Bounce-Wall Set https://www.amazon.com/Sunbounce-BWS-B410-Bounce-Wall-Set/dp/B009NRXQTS/ but it looks good for a run 'n' gun event shooter.
Don't know how but I usually end up with various shades of yellow (least troublesome), various shades of green, and wood panels. just lucky I guess :)
My first digital SLR had all those wonderful Auto features - Auto Exposure, TTL Flash, and Auto WB. Of these I trusted Auto WB the least.

I bought a hot-shoe flash and of course set the WB for flash. I bounced the flash off the ceiling so I would have soft lighting. When I looked at the images later they were all orange in color. I finally looked up and it was a wood paneling ceiling.







--
Living and loving it in Pattaya, Thailand. Canon 7D - See the gear list for the rest.
 

Keyboard shortcuts

Back
Top