So I keep coming back to an issue I have with "high dynamic range" sensors. When I look at photos on flickr (mostly landscapes) taken with older, poorer dynamic range camera like the 5D II or 5dsr, I am continually impressed with the output. The tonality of images are gorgeous - nice soft shadows, beautiful midtones.
When I look up newer, "better" cameras I often see near-black shadows dominating the image or washed out looking midtones.
I am fully aware, from experience myself, that more DR helps. Having shot old Canon Rebel cameras in the past and fighting to not blow the sky out, I fully get the advantages of newer sensors. What I'm wondering is... Why do I tend to prefer old, lower dynamic range images?
I've got a few theories:
- People bracketed more back then so they had even MORE DR to work with.
- People shot/posted only low DR scenes which... Are just nicer scenes - basically I'm not seeing the ruined shots of old, but I'm seeing people trying to use their full DR now.
- People are lazier with more DR because you don't NEED to be as careful.
- In the 5D III era, full frame was more dominated by pro and experienced photogs, and now we see everyone's work.
I've seen stunning shots from most every sensor, including many newer ones - I'm definitely not saying more DR is worse. But... Does anyone else see what I'm seeing?
you forgot to add the compression of social media in general.
I don't know either, but it's the same here.
Lately I'm seeing a lot of Back and white WW photos, much lower resolution, often with crashed blacks, and even with blew up highlights but so much punchier than the regular ( and somewhat bland and smooth ) Black and white S.O.C.s of nowadays.
Even coloured photos of 50's /60's - 80's.
Grain aside, even trying to manipulate the files in post processing one has to almost "sabotage " the thing to hope to get even in the same postal code as the ones we can take as a threshold.
Nowadays, gear are made to please as much as possible to as many people as possible.
Never mind mind the necessary leap between a pro shooting a bomber through a small opening trying to not get in the way in a high stress situation vs an amateur with nothing to shoot at.
Tho, many ships and planes photos were taken by hobbyists.
Editing tools and procedures at that time were more crude than the precision of sliders nowadays
Guess, sometimes less is much more.
Maybe contrast, can be a key ingredient, whatever the frame comes out, as long it has contrast it has potential