I have been waffling back and forth between moving to a Sony A7 or A6000, and looking at DxOMark's low light sensor rating I think I realized something kind of interesting.
First of all, correct me if I'm wrong, but sensitivity across formats is not really equivalent, and smaller sensors are inherently more sensitive than larger sensors for a given DoF & shutter speed length. I.e. if you have the same ISO, aperture diameter & shutter speed in front of two different size sensors, the larger sensor will have a dimmer exposure due to the given volume of light being spread over a larger area.
With that in mind, FF has 1.2 stops/2.36 times more sensor area than APS-C. So correct me if I'm wrong, but if an APS-C sensor is rated at ISO1000 for some low light S/N metric, a FF sensor with equivalent performance per unit of area will be rated at ISO2360 for the same metric, correct?
Well when you apply that math to the A6000 and A7 something interesting happens. The A6000 is rated at ISO1350 for DxO's 30db low light S/N test, and the A7 is rated at ISO2248. You do some quick math and realize that if the sensors are supposed to be equivalent, either the A7 should be rated at ISO3186 or the A6000 should be rated at ISO950. That's half a stop!
What's the practical impact of that? If you have a low light scene and two equivalent lenses wide open on the two cameras (i.e. the 24 1.8 & the 35 2.8), the A7 will have half a stop more noise. Yes, you will be able to bump up to a "higher ISO", but that's meaningless- you will have to up your ISO to have an equivalent picture (same shutter speed and depth of field) on the bigger sensor as it has inherently dimmer exposures than the smaller sensor.
Does this mean I won't get the A7? Probably not though I might go for the A7R as it somehow claws back most of that missing half a stop. Plus my legacy lenses will work a lot better on the full frame sensor naked than on a crop sensor through a focal length reducer. So there are other considerations to make. But my point is it might be time to change how we look at "high ISO" performance, and create a new metric to normalize it to sensor area. To really compare apples to apples ISO performance between formats you have to use a correction factor. If my math is correct it is pretty much the crop factor between the two formats squared. I.e. Sony APS-C has a crop factor of 1.536 vs Sony FF, so to compare the two you have to either divide the FF ISO or multiply the APS-C ISO by 1.536^2 (the 2.36 I referenced before which is the ratio of the two sensor areas).
This has other implications as well. A little 1/2.3 sensor at ISO100 is operating at a sensitivity equivalent to ISO3500 on a full frame. No wonder dynamic range and color sensitivities are so much worse.
Anyways I just thought that was interesting.
You hear this over and over from small format supporters, but less DOF = better subject isolation and more creative options.
True, but there is more to this. (see below)
Greater DOF control is one of the main reason of getting a larger sensor.
OK, the keyword there is "control". But there is a problem with this thinking.
The"everything in focus" is the curse of phone cameras and one reason 35 mm film shots looks often more attractive and interesting than modern, sharp but flat looking, digital shots with small sensors.
I am sure we agree smartphones are very different from 1 inch sensors, M43, and APS-C and lumping them in the same group is disingenuous.
But if you dont care much for this creative option, sure - the smaller the sensor - the better. "At the same DOF".
Here are some points you are missing. Larger formats do offer greater control but at a price. For example, as the OP mentioned if you try to get the same DoF with a FF camera as an APS-C camera, image quality can suffer slightly. Next, the shallower the DoF the more lightly one is to have focus errors or more noticeable focus errors (front/back focus). Finally, while it is possible to reduce the DoF with software, it is near impossible to increase it (except via multi-exposures). I can take any image and make it look like it was shot with a 1 stop wider aperture pretty easily and it would be near impossible to tell (above that it gets more difficult and things such as fine hair become problematic). I can't go the other way though.
So we are left with, which is better for the individual? If a FF owner shoots 70+% of the time wide open, then I would never suggest switching to a smaller format. If an M43 users is happy with the DoF the is getting and doesn't want anything shallower most of the time, then switching may only serve to reduce IQ (if same DoF is use).