JanKritzinger
Forum Enthusiast
Absolute, unadulterated BS.Yes, I singled out pixel pitch because it isn't an issue at all.
Noise increases and DR decreases as pixel pitch is reduced.
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Absolute, unadulterated BS.Yes, I singled out pixel pitch because it isn't an issue at all.
There would still be a drawback to the small sensor - you need to assume that lens quality for the lens optimized for the small sensor is sufficiently larger than for the one optimized for the large sensor that you'll be able to utilize the information.If you are not concerned about DOF, and if technology was so good that pixel pitch didn't matter, and if you only used lenses optimised for your smaller sensor, then there wouldn't be any drawbacks to small sensors.
No, when you talk about pixel pitch, and especially with regards to smaller sensors, you compare per pixel. The very reason you use finer pixel pitch is because you want to get away with using a smaller area. Why would you compare per area if the very heart of the argument is that sensors with less area are worse?That's exactly the point. If you talk about pixel pitch, it only makes sense to compare per area in the first place.
"ceteris paribus" dictates same number of pixels, and not same area. The whole discussion revolves around the diffence in area. A small sensor is a sensor with less area. That is why its pixel pitch is decreased. That is why it yields more noise and less Dynamic range.So enlighten me why that deserves a facepalm.
Ceteris paribus, pixel pitch is not a problem.
Thanks, was wondering when the old myth would return and my suspicion was right. We have a believer.Absolute, unadulterated BS.Yes, I singled out pixel pitch because it isn't an issue at all.
Noise increases
Like I said, ceteris paribus smaller pixel pitch isn't an issue. It's unrelated to the heart of the argument because per area noise levels aren't higher (often rather the opposite).No, when you talk about pixel pitch, and especially with regards to smaller sensors, you compare per pixel. The very reason you use finer pixel pitch is because you want to get away with using a smaller area. Why would you compare per area if the very heart of the argument is that sensors with less area are worse?That's exactly the point. If you talk about pixel pitch, it only makes sense to compare per area in the first place.
A larger sensor with the same number of pixels will not automatically perform better as proven over and over by measurement. Area is the heart of the discussion. Pixel pitch isn't a problem."ceteris paribus" dictates same number of pixels, and not same area.So enlighten me why that deserves a facepalm.
Ceteris paribus, pixel pitch is not a problem.
No, both are mainly related to area, not pixel pitch.The whole discussion revolves around the diffence in area. A small sensor is a sensor with less area. That is why its pixel pitch is decreased. That is why it yields more noise and less Dynamic range.
If it's a myth I cordially invite you to debunk it.Thanks, was wondering when the old myth would return and my suspicion was right. We have a believer.
Understand all that.There would still be a drawback to the small sensor - you need to assume that lens quality for the lens optimized for the small sensor is sufficiently larger than for the one optimized for the large sensor that you'll be able to utilize the information.If you are not concerned about DOF, and if technology was so good that pixel pitch didn't matter, and if you only used lenses optimised for your smaller sensor, then there wouldn't be any drawbacks to small sensors.
In a "smaller sensor" lens the errors in the lens glass would become magnified and the drop off in light intensity from those errors would become larger. While this isn't as crucial as the crop factor it would play a part.
Also, those same errors would cause a degradation in image quality (you'd get a grainier low light image) due to the randomness of the light passing through the lens being "concentrated".
Let's stay close at home. The Sony A550 and A500 both have a similarly sized sensor, the main difference is the fact that the A550 has more pixels. Yet the A550 does not show worse noise levels or less dynamic range. Area is the keyword, not pixels.If it's a myth I cordially invite you to debunk it.Thanks, was wondering when the old myth would return and my suspicion was right. We have a believer.
ceteris paribus, a larger sensor with the same number of pixels will perform better as proven over and over by measurement.A larger sensor with the same number of pixels will not automatically perform better as proven over and over by measurement.
All sounds very reasonable.You're right as far as the optics is concerned, but you made a mistake on a critical matter which is very commonly misunderstood. This relates the dead zones between the photo cells. Due to manufacturing reasons, the percentage area occupied by the dead zones is not a constant. It increases when the individual pixel size decreases. To understand this, just consider an extreme scenario where the sensor class just one cell, in which case, there would be no dead zone. When the sensor has multiple cells, there will be areas between the cells which are not active for receiving photons. The current technology of course always tries to minimize the dead zones, but there's a limit. For this reason, for a given number of pixels, the total absolute size of the dead zones is roughly about the same for a given manufacturing technology, but the relative sizes is not the same, and as a result, the percentage area occupied by the dead zones relative to the total sensor size is greater for a smaller sensor.
Are you able to state with confidence that all p&s cameras with different sizes of sensor - 1/1.7" and 1/2.3" have the same lens size? If not, then the small = bad, large = good argument is meaningless.Second, although the point you made is theoretically correct, in practice however smaller sensors are used in systems that have smaller lenses, and therefore receive less amount of light. That's the reality.
True enough.In the case of 35mm full frame and APS-C, although the physical size of lenses used are the same (except for the lenses that are designed for APS only), APS sensor does not use all the light that comes through the lens, so essentially that corresponds to a smaller lens as well.
A lens with an aperture of f:2.8 or whatever will "deliver" the same amount of light across its image circle (disregarding vignetting). If we consider the 24x36 mm area as base area, then the APS-C format receives less than half the total amount of light, and the 4/3 format receives one quarter the amount of light. If all three sensor formats have identical resolution, then the individual pixels receive the same fractions of light.But consider this. Canon (or whoever) come out with a new p&s and everyone immediately looks to see if the sensor is 1/2.3" or 1/1.7" in size, because they think the larger sensor must gather more light. But this is just plain wrong. Maybe the smaller sensor gathers more? Who knows. It depends on how the lens has been designed, not on the sensor size.
Yes. Measurements should show the differences that follow your theory. They don't. The A550 sensor actually performs slightly better at high ISO and shows better DR figures. The A300 and A350 perform similarly aswell in both regards.TrojMacReady wrote:
You're trying to use a difference of 14% in pixel pitch to prove your point?
Are you being serious?
I would love to see that happen. There is none, as pointed out here (including sources):ceteris paribus, a larger sensor with the same number of pixels will perform better as proven over and over by measurement.A larger sensor with the same number of pixels will not automatically perform better as proven over and over by measurement.
Sure. And if someone ever invented a small sensor camera with a lens that did that, then it might be great for low light.The amount of light gathered and available for the sensor is not governed by the sensor, it's governed by the lens . If you focus the light from the lens onto a smaller area, the intensity of light increases as the area gets smaller and smaller - ultimately like a magnifying glass in the sun with a spot that is so bright and hot that it burns paper. But all the light is still there, in the tiny spot.
If that were true, you'd see f/0.5 lenses on them.That tiny spot is "seeing" all the photons just as the larger magnifying glass lens front is "seeing" them.
The so-called "myth" is factual and measurable - you can calculate it from sensor size and aperture and see it in the high ISO results. Or, given that you seem to acknowledge that you'd need huge lenses, the myth persists because it applies in practice even if could be violated in theory.So, given the above is true (and thinking about it, clearly it is), I wonder why the small-sensors-gather-less-light myth persists?
This is one of the big arguments for expressing apertures in "equivalents". If you use the crop factor to come up with an equivalent f-stop, you see a relative measure of how much light reaches the sensor.But consider this. Canon (or whoever) come out with a new p&s and everyone immediately looks to see if the sensor is 1/2.3" or 1/1.7" in size, because they think the larger sensor must gather more light. But this is just plain wrong. Maybe the smaller sensor gathers more? Who knows. It depends on how the lens has been designed, not on the sensor size.
Not bizarre at all. In fact, it can be interesting to compare something like a Panasonic LX3 to a micro 4/3 camera with kit lens, as the m43 camera may still enjoy some advantage, but not as much as the high ISO tests suggest. And if you're shooting anything handheld in low light where you want DOF, it's pretty much a wash because you have to stop the bigger sensor camera down as many stops to match the small sensors DOF as the number of stops in light gathering ability you gain.Bizarre, but true!