As someone who is heavily invested in both MFT (OMS & Panny) and FF (Panny), I wanted to share an image of the two systems side-by-side for those who continuously discuss MFT & FF systems as if MFT is now a cancer or dead system (my interpretation on this forum commentary).
The grass is not necessarily greener on the other (FF) side, it all comes down to how you use the system and what you are trying to photograph.
The below sample is of a static image with natural lighting. Something I saw in my yard after a heavy rainstorm so I brought out both cameras for a quick and dirty comparison. I am noting now the setting are different between the cameras because the systems are different. Different focus distances, lenses, sensors, etc .... but I tried my best to make the image comparison identical. Images processed through DXO v7.
Lumix G9.2
Lumix S1R.2
Which one do you prefer?
Timely discussion. There are some subjects where you can use either format and get good results. But that is not true of all situations.
I currently have LUMIX M4/3 equipment, which I use 85% -90% of the time and Canon Full Frame which I use for the rest. I do mainly event and theater photography but there other genres also. I only use the Canon FF equipment for situations I think M4/3 would not handle well. But at this very moment, almost all my Canon equipment is in 2 boxes ready to send to MPB in Brooklyn tomorrow.
Why? I have been using Canon for over 10 years and it is hard to sell it off but I have to for budget reasons (funding new equipment), lack of space in my camera cabinet and more importantly, improving my ability to produce results in certain situations.
What’s next? I really wanted to concentrate on one format and one set of lenses. I rented the OM-1, g9ii and GH6 over the last few months. They all were better than my GH5S (I have two) and G95 and the Olympus models that preceded them. But during this time two jobs came up for which I used or should have used my 6D and EF 17-40mm. One was shooting architecture, especially HDR interiors with dark rooms and windows streaming in very bright daylight. The other was taking images of a brand new trolley my city just purchased using historic mansions as background (between 10:30am and noon because that was when a driver was available). I actually did the first one with my LUMIX equipment but should have used Canon FF.
I live in the Southeastern United States and when the sun is shining full blast in the middle of the day, it is extremely bright. And I often don’t get to any choice as to what time of day I am shooting.
In my opinion, regardless of whatever settings you use or whatever lenses you use, even the newest M4/3 sensors are just not able to handle extreme dynamic range at the level I am looking for (my old 6D struggled also). They all do a great job of handling highlights but the ability to raise shadows and retain details in shadows is just not where I want it. I am no processing or sensor technology expert. So, I could be wrong; I only have my own research and experience to go on. But I think a newer FF sensor can help me.
Solution: I am selling my Canon equipment and have a LUMIX S5 and 20-60mm on order. When it gets here, one of my GH5S bodies will probably go also. Am I excited? Not really. It is a tool for specific circumstances. I don’t even know if I will buy more L format lenses because M4/3 lenses are so much smaller and much cheaper. I am actually more excited about having a 20-60mm lens because that is fantastic focal length range for what I do.
Here is one irony: the ability to shoot the GH5S at ISO 12,800 when required has made it a marvelous tool for theater and I will continue to use it. But in theater, whatever is in deep shadow should stay in deep shadow. The lighting director doesn’t want you to see it! So raising shadows is not a priority. But controlling highlights under stage lighting very much is a priority. I will use the S5 for wide angle shots because of the zoom lens. But I expect to continue using the GH5S.