It's my understanding that in fact it takes twice as many sensors
to make one image pixel then with the Foveon. On a D100 for
example, you are in effect having a 3MP camera. It then
interpolates up to get the 6MP.
Try this - each pixel records a value of 1/3 as one needs three
pixel readings to make a guess at the colour to be assigned to any
group of pixels. The actual shade of each pixel is known, as this
is the actual reading from the vibrations from each pixel that is
assigned to picture capture.
Thus your resolution is not effected and one will still get 6MP
from a 6MP chip (loosely) but one carries only 1/3rd (or
) of the
total colour information – that’s actual information read from as
many as nine pixels just to assign the central pixel with a
guesstimated colour – it only reads actual vibrations and they are
measured on a maximum of 256 individual shades – it knows the
actual colour over every pixel and that never changes. The shade in
each of the individual Red, Green & Blue filters can run from pure
white to pure black and at least three readings are needed to offer
any individual pixel its colour.
Thus one can say that one has 6MPs resolution (sharpness) but only
2MPMs of colour data collected and included within the final output
(and if you like redistributed over the palette). Thus our CCDs can
often give “flat” results but with adequate sharpness.
The Foveon depends on the actual radiation signature penetration
depth and vibration to determine its colour on each and every pixel
assigned to picture capture. It can do this very accurately so it
can use its colours to define borders. The 3X can actually detects
both the shade and actual colour for every pixel (the CCD can
detect only the shade) so every tiny nuance can be recorded. This
afford the image a sharpness derived from its accurate colour
definitions – over any given surface distance the 3X will detect a
colour change for every pixel whereas the CCD will assign colours
based on thee pixels and will thus record shading less accurately
and have a “soft” look to them.
For colour printing the effect is like needing 1 pint to fill a
square.
From the CCD one is only given 1/3rd of a pint but one has to fill
the square anyway.
From the 3x one is given most of the pint to fill the square.
Given that we are actually “happy” with the results from using
1/3rd of a pint to fill our squares from our CCD, if we then spread
the 3X’s pint around more we get a result very similar to that of
the CCD but because the colour also defines the image we also loose
less sharpness – the CCD needs resolution to define sharpness.
Think of that one like drawing our square and then washing our
colour around INSIDE it – think of the 3x like painting the square
with the same brush as we fill with.