E5 sharper than E3? Not by much.

The centre yellow fabric and pink fabric at right show no structure on the E-3. Similarly, the other darker-hued fabrics lack detail.
The fawn fabric, dark blue to the immediate clockwise, and central light blue fabric all look fairly similar on each sample. The other fabrics all show more detail on the E-5, with the green fabric showing the most marked difference.
boggis, your comparison with the Pentax shows that the E-3 is in some ways giving a truer representation of detail than the E-5. In particular, look at the bright pink cloth sample with the leaf pattern. If you compare the E-3 and E-5 crops, the E-5 one appears to be more detailed, as you can clearly see the grain of the cloth ... but if you look at the Pentax file, you can see that the E-5 "grain" is going in the wrong direction , at a 45-degree angle to the true grain. The E-3 grain, while not as clear, at least seems going in the right direction.

That's how things appear on my monitor, anyway. Am I the only one?

Julie
Compare these to the "master" crop from the Pentax 645D for an idea of what the real detail is:



 
Seems a good way to prevent me from 'skewing' the results as you have been claiming I have been doing all along.
Er, you admitted to processing the samples differently. That skews the results quite nicely.
In fact, it is probably the only way.
No, supplying you with more samples to manipulate in different ways will not resolves anything. The best way forward would be to ask others to perform the same tests -- attempting to maximise detail -- and see if they can obtain as much detail as you believe you can get from the E-3 samples. If they can't, then your perception is wrong. (I think that you may be mistaking sharpening artefacts for detail.)

Your present claim is that RawTherapee is not fair because it favours the E-5, and Olympus Viewer 2 should be used. OV2 happens to suppress detail a lot -- more than any other raw developer I tested -- and thus makes it harder to perform a comparison of detail. Your reasoning behind this appears to be: if you aren't obtaining the result you want, then you just have to change the variables (any and all variables) until you come up with a result you want.

Scientific method: here are the facts, what conclusions can we draw from them?

Your method: here is the conclusion I want, how can I manufacture "facts" that fit my conclusion?
I have posted E-5 crops in reply. There was no reason you couldn't have generated them yourself, and noticed that they have a lot more detail than those from the E-3.

Here is where things stand, as I see it. The myriad crops, processing, sharpening, re-cropping, and changing from one raw developer to another has not yielded results from the E-3 sample that come close to what you get by performing the same on the E-5 sample. The same lenses used on an E-5 yield much more resolution (roughly 30% more) than when used on an E-3 -- this will translate into a lot more detail. People with extensive experience of both cameras believe that the E-5 yields much more detail. Olympus big selling-point for the E-5 is to deliver more detail.

You have failed to prove your claim, and this should surprise nobody. The E-5 does yield a lot more detail -- considerably more than the MPixel increase should. (That 30% increase in lens MTF50 comes from an 11% increase in linear pixel count.)

By all means, continue fiddling with the samples. But please don't start yet another thread claiming that we're all deluded about the E-5 performance until you have a result that looks at least plausibly close, and is attained using the same methodology. (Not using completely different raw developers, which, as I've found and posted on -- http://forums.dpreview.com/forums/read.asp?forum=1022&message=38561969 -- may produce huge differences in detail.)
 
The centre yellow fabric and pink fabric at right show no structure on the E-3. Similarly, the other darker-hued fabrics lack detail.
The fawn fabric, dark blue to the immediate clockwise, and central light blue fabric all look fairly similar on each sample. The other fabrics all show more detail on the E-5, with the green fabric showing the most marked difference.
boggis, your comparison with the Pentax shows that the E-3 is in some ways giving a truer representation of detail than the E-5.
If by "truer representation" you mean "no misrepresentation of detail" in one fabric, then yes.
In particular, look at the bright pink cloth sample with the leaf pattern. If you compare the E-3 and E-5 crops, the E-5 one appears to be more detailed, as you can clearly see the grain of the cloth ... but if you look at the Pentax file, you can see that the E-5 "grain" is going in the wrong direction , at a 45-degree angle to the true grain. The E-3 grain, while not as clear, at least seems going in the right direction.
I mostly agree with what you are seeing. Look closely at the E-5 sample and that particular fabric appears to have a weave at 60 degrees -- the horizontal and vertical are out by 60 degrees and you get a honeycomb pattern. Here is what is happening, as far as I can tell. The E-5 doesn't have enough resolution to represent the real detail in that particular fabric, so we get a misrepresentation due to partial detail. This is a "sampling error" issue, or sampling artefact, or moire effect.

The E-3 has less resolving ability, and just happens to produce a pattern that looks like a better representation for this fabric.
That's how things appear on my monitor, anyway. Am I the only one?
No, the pink fabric has been brought up before, as an example of "moire". Out of all of the fabrics present, it is the one example* where the E-3 yields a better representation of the original fabric detail (due to a lack of detail, essentially).

* I don't consider the E-3 to represent any of the other fabrics better, BTW. Do you see any others? There are some that neither camera gets right, mostly due to no texture detail represented at all.

The OP's claim isn't about moire or "correct representation" but about detail -- or sharpness as he expressed it in the thread title. The E-5 captures more detail, and in this case with the pink fabric it works against the best representation.

I dug up the Pentax file to head off a pointless debate over what the fabric actually looked like. The Nikon D3x sample that was being positioned as a "standard" has its own sampling issues, and thus doesn't represent the actual fabric textures as well as the 645D. As far as I can see, the Pentax file is quiet adequate to see details that the Olympus cameras have no hope of capturing, so are sufficiently better to be used as a standard.
Compare these to the "master" crop from the Pentax 645D for an idea of what the real detail is:



 
The OP's claim isn't about moire or "correct representation" but about detail -- or sharpness as he expressed it in the thread title. The E-5 captures more detail, and in this case with the pink fabric it works against the best representation.
The e5 does capture more detail but not much more. The OP also claims that the lighter AA will create issues with false detail and moire that are absent in the E3.

I perhaps should have said 'detail' instead of sharpness, but that was lazy typing on my part.
I dug up the Pentax file to head off a pointless debate over what the fabric actually looked like. The Nikon D3x sample that was being positioned as a "standard" has its own sampling issues, and thus doesn't represent the actual fabric textures as well as the 645D. As far as I can see, the Pentax file is quiet adequate to see details that the Olympus cameras have no hope of capturing, so are sufficiently better to be used as a standard.
I should say that I appreciate the Pentax example. It is better than the D3x even though the Nikon had enough detail to make the point I was making at the time.
 
You can't get the cloth texture to "show through". It isn't there!
Really?
Yes, really.
You said sharpening couldn't bring out detail and I suggested it could. Then I posted evidence.

You said:
You can't get the cloth texture to "show through". It isn't there!
But there it is. The fact the E5 has more is irrelevant to this point.
 
I'm going to bed soon, so this is going to have to be my last post of the night, and the thread will probably be filled by the time I get up in the morning, but here goes:
boggis, your comparison with the Pentax shows that the E-3 is in some ways giving a truer representation of detail than the E-5.
If by "truer representation" you mean "no misrepresentation of detail" in one fabric, then yes.
I was not trying to claim that the E-3 is better across the board, which is why I was careful to say it gives a truer representation "in some ways." And yes, that would include, but not be restricted to, "no misrepresentation of detail."

Otherwise, I haven't read all the posts in these threads, but my impression is that even Tim doesn't dispute that the E-5 generally renders more detail. It's just a question of degree, and of what tradeoffs one is willing to accept. For my own purposes, if I had to choose between the E-3 and the E-5 WRT this aspect of IQ, I would choose the latter, because I can always use more detail, and I wouldn't expect moire or other kinds of false detail to be a big problem for what I shoot.

However, I don't think it's unreasonable for Tim to raise the question of just how much more does the E-5 really resolve? It seems the majority of people who have used both cameras say the E-5 definitely resolves better, and I have no reason to doubt them, but these cloth comparisons are not making my eyes pop out with amazement at the difference. If I were shooting fashion or weddings, I might not think it was worth the risk of running into more moire.
In particular, look at the bright pink cloth sample with the leaf pattern. If you compare the E-3 and E-5 crops, the E-5 one appears to be more detailed, as you can clearly see the grain of the cloth ... but if you look at the Pentax file, you can see that the E-5 "grain" is going in the wrong direction , at a 45-degree angle to the true grain. The E-3 grain, while not as clear, at least seems going in the right direction.
I mostly agree with what you are seeing. Look closely at the E-5 sample and that particular fabric appears to have a weave at 60 degrees -- the horizontal and vertical are out by 60 degrees and you get a honeycomb pattern. Here is what is happening, as far as I can tell. The E-5 doesn't have enough resolution to represent the real detail in that particular fabric, so we get a misrepresentation due to partial detail. This is a "sampling error" issue, or sampling artefact, or moire effect.
Yes.
The E-3 has less resolving ability, and just happens to produce a pattern that looks like a better representation for this fabric.
That seems like too much of a coincidence. I don't know exactly what is going on here ... but I don't think you do, either. :)
That's how things appear on my monitor, anyway. Am I the only one?
No, the pink fabric has been brought up before, as an example of "moire". Out of all of the fabrics present, it is the one example* where the E-3 yields a better representation of the original fabric detail (due to a lack of detail, essentially).

* I don't consider the E-3 to represent any of the other fabrics better, BTW. Do you see any others? There are some that neither camera gets right, mostly due to no texture detail represented at all.
The red leaf-patterned cloth at the top. The E-3 sample has much more detail. This is something I have wondered about since these samples first went up. It's very strange, and I have no explanation for it, but you see the same thing in the JPEGs.

Julie
The OP's claim isn't about moire or "correct representation" but about detail -- or sharpness as he expressed it in the thread title. The E-5 captures more detail, and in this case with the pink fabric it works against the best representation.

I dug up the Pentax file to head off a pointless debate over what the fabric actually looked like. The Nikon D3x sample that was being positioned as a "standard" has its own sampling issues, and thus doesn't represent the actual fabric textures as well as the 645D. As far as I can see, the Pentax file is quiet adequate to see details that the Olympus cameras have no hope of capturing, so are sufficiently better to be used as a standard.
Compare these to the "master" crop from the Pentax 645D for an idea of what the real detail is:



 
Can I suggest Bruno Latour's 'Science in Action'?
Seems a good way to prevent me from 'skewing' the results as you have been claiming I have been doing all along.
Er, you admitted to processing the samples differently. That skews the results quite nicely.
Dr Cat: if you apply the same sharpening to two different cameras with two different optical characteristics (primarily the AA in this case) the only scientific and objective conclusion you can draw is how that particular process creates different files from the two different cameras. There is no scientific basis on which to draw a general conclusion.

If a man is short of iodine, and adding iodine vastly improves his health, it is not scientific to conclude that all people need that level of iodine.

If a certain type of process creates sharp files in one camera, there is no basis to conclude that that process is suitable for another camera.

There is, in fact, only one measuring stick to cuts through all the different factors of the hardware, the software, the processing, etc: that is the final file itself.

You accept that the final final is a valid measurement for comparison when testing the same method on two different cameras, so why can't you accept that any two final files, made by the two different processes necessary to get the peak performance out of two different cameras (like no two people have the same optimal diet) can be the final measuring stick?

Are the Olympics invalid because the athletes have different diets?
The best way forward would be to ask others to perform the same tests -- attempting to maximise detail -- and see if they can obtain as much detail as you believe you can get from the E-3 samples. If they can't, then your perception is wrong.
How is this logical? What if one uses an unsuitable process on one of the cameras just as you have been doing with the E3?
Your present claim is that RawTherapee is not fair because it favours the E-5, and Olympus Viewer 2 should be used.
No, these are words in my mouth again. I said Raw Therapee works really well for the E5 in terms of detail and therefore would be a good choice if you're processing E5 files. However, I can get a lot more out of other processors in regards to the E3 than you have been getting using Raw Therapee. Therefore I concluded that either you are processing the E3 files incorrectly or Raw Therapee is not good for E3 files.

Therefore I concluded that a proper test of detail would require something different than what you are doing. That is all.

This is really simple. People make the best E5 file they can. Others make the best E3 file they can. Then we compare. Everything else is simply reductive detail. Is not the final image the most important consideration?
OV2 happens to suppress detail a lot -- more than any other raw developer I tested -- and thus makes it harder to perform a comparison of detail. Your reasoning behind this appears to be: if you aren't obtaining the result you want, then you just have to change the variables (any and all variables) until you come up with a result you want.
No. You keep the variables that make for the best E5 file. I change the variables of the E3 file only. You're the one that keeps posting E3 files using your process of choice and then tell me that that is conclusive proof that the E5 is better. There is no consideration in your method of preparing E3 files at all. This is not very scientific, by the way. (well, bad science perhaps).

If you are an academic, I have issue with your method and logic.
Here is where things stand, as I see it. The myriad crops, processing, sharpening, re-cropping, and changing from one raw developer to another has not yielded results from the E-3 sample that come close to what you get by performing the same on the E-5 sample.
Nothing wrong with this. It is your opinion.
The same lenses used on an E-5 yield much more resolution (roughly 30% more) than when used on an E-3 -- this will translate into a lot more detail. People with extensive experience of both cameras believe that the E-5 yields much more detail. Olympus big selling-point for the E-5 is to deliver more detail.
Opinion and marketing. Not very scientific.
You have failed to prove your claim, and this should surprise nobody. The E-5 does yield a lot more detail -- considerably more than the MPixel increase should. (That 30% increase in lens MTF50 comes from an 11% increase in linear pixel count.)
MTF is affected by sharpening according to the people who do it.
But please don't start yet another thread claiming that we're all deluded about the E-5 performance until you have a result that looks at least plausibly close, and is attained using the same methodology.
The last phrase in this sentence artificially constrains the comparison. Answer me this, Einstein: if Raw Therapee is the best for the E5 but Viewer allows me to get more detail out of the E3, then should I force this comparison to go to Viewer? Should I also sharpen the E5 files (and get tons of artifacts) as much as I sharpen the E3 files?

If you really really think this is how it could be done, I'll process the E5 file (it will be the first one I've processed in my comparisons with you) exactly the same way I processed the last E3 file I posted and we'll see what it looks like. I can tell you it will look like SHlT because what I did to get detail out of an E3 file will practically destroy an E5 file. This would likely result in the E5 having considerably less detail than the E3.

Would that be a fair comparison then? Is that what you are really advocating?
 
If you don't want to read it because it doesn't have value to you (probably because you can't understand the arguments), it would be better if you don't fill it with your tripe.
 
Long thread, based upon something I wasn't aware existed : disrespect of E-3 sharpness.

Here's me thinking the E-3 was the pinnacle of the e-410, e-510 very-thin-AA-filter line thus having itself a very thin AA filter.

The E-30 & e-620 are the ones with the thicker AA filters, surely?
 

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