DSLR - On Screen Preview?

Tony I would appreciate some leads on these optical accessories for
odd angle photos - the only thing I am aware of is an Angle Finder
B or C - are there others? Thanks
--
Regards,
JoeMA
http://www.pbase.com/joema/first_macro_photos
Hi Joe

I can't seem to find a web site which has any information but from what I know for Nikon System, there is the Right-Angle Viewing Attachment DR-4 which can be attached to the eye-piece and allows you to take photos from 90 degrees. I'm sure that there are plenty of third party accessories out there so check at a good photographic store.
 
There is another very good reason why a true DSLR can never have LCD Preview. The performance will be dead!

The CCD/CMOS chips in DSLRs are designed to be very sensitive to take the most of light exposures during the brief moment that the Shutter opens.

If a LCD preview is to be included then the shutter has to be open so the power of the CCD/CMOS has to be turned off to avoid pixels burning. Now when you want to take the pictures, the shutter has to be close and the power CCD/CMOS will have to be restored. It will take a while to fully charge the chips (properly around 1s depend on cameras, like how fast is your camera ready when first switched on). It's very slow every time you want to take pictures. So is it worth trying to include LCD preview when it is totally impractical to do so?

It may happen many decades or years later with probable a completely different system but for now, it's not possible to have LCD Preview.
 
The tilt and swivel LCD live preview is an excellent function, and a big reason I chose a E20.

I've encountered MANY circumstances where I needed to compose at very odd angles. The viewfinder was out of the question. Even though there is a slight lag in focus in live preview, using common sense one can easily determine when to snap the shutter. I don't use it unless I absolutely have to, but it's nice to know it's there when needed.

The very small light loss in the mirror prism design of the Oly is more than made up for with it's very fast lens, and it's negligible at best. It's another innovation I can't understand why the higher end DSLR's have'nt adopted or attempted to refine and incorporate.

I also don't understand Mike's comments about the supposedly "higher quality" of the D30. From everywhere on the net I've read, it's low light focussing is a dog, it's got 2MP less resolution, and the color is about the same, if not oversaturated. Not real hip on interpolation either. I'm not flaming it, it's a fine cam with many more robust professional features, like a way higher ISO sensitivity and less noise. But the drawbacks take away from it, and leave it standing next to the E20 looking rather similar in desirability.
My two cents,
D.
Paul

one place where i really liked the life preview on the E-10 was
when shooting fireworks. It was so much nicer to stand far behind
the camera with a cable release watching the show and seeing it
also on the LCD and being able to pick the perfect times to take
the pictures. Of course overhead framing is much easier also. But
just as you said it isnt worth the additional money or a loss in
quality to get it. Can live without it if i have to.

There would be a so-so solution in your case. You could tether the
D30 to the PC and using remote control actually take an image and
immediately show it on screen on the PC. That would give you an
almost life preview which of course will be a real preview with DOF
and everything exactly the way it is. In your case that may be a
solution that could work.

--
Michael Salzlechner
StarZen Digital Imaging
http://www.starzen.com/imaging
 
David

Not sure if i mentioned this but i own an E-10 also. I had my E-10 for a full year and 10K frames before i decided to get the D30 which i have now for months.

I did like the ability to frame with the LCD in certain cases but it is not that important. I can life without it. Another feature i really liked was the absolute silence in which you could take a picture.

But ...

The 3.25MP can not be compared to the E-10. The image quality is much higher. If you take controlled test shots under good lighting you dont notice that much except for the added noise on the E-10 but if you compare the cameras in real world situations where things are less then perfect it is a different story.

As for the AF it is similar (probably a bit faster) to the E-10 in speed but adds the ability of AI servo tracking and also is a bit smarter by not allowing you to mash the shutter if there was no focus lock which is one of the reasons people 'think' the E-10 focus is bad. With long lenses compared to TCON300 it is a different story. The D30's AF doesnt really get much slower wheras the E-10's AF gets quite a bit slower.

Operational speed is a lot better on the D30 also. No waiting for buffers to clear or for the preview to come up.

For me the reason to switch was the better image quality, higher ISO ability and the ability to change lenses and the speed of operation. I absolutely loved my E-10 but there where certain situations where it just couldnt cut it anymore.

Oly certainly did a great job with the E- series and i hope they will come out with something new soon.

--Michael SalzlechnerStarZen Digital Imaging http://www.starzen.com/imaging
 
... unless you consider SINAR backs a trade-off and unprofessional ... they offer live preview and a pretty darn good one

actually this is "in your face preview-is-not-pro guys"

as for the "recharging time of up to a second" this is not true either, otherwise we would NEVER see any camera faster than 0.5 fps rate ... and in my recollection this times are long gone ;-)

cheers

veniamin kostitsin
http://www.digitalimage.at/
There is another very good reason why a true DSLR can never have
LCD Preview. The performance will be dead!

The CCD/CMOS chips in DSLRs are designed to be very sensitive to
take the most of light exposures during the brief moment that the
Shutter opens.
If a LCD preview is to be included then the shutter has to be open
so the power of the CCD/CMOS has to be turned off to avoid pixels
burning. Now when you want to take the pictures, the shutter has to
be close and the power CCD/CMOS will have to be restored. It will
take a while to fully charge the chips (properly around 1s depend
on cameras, like how fast is your camera ready when first switched
on). It's very slow every time you want to take pictures. So is it
worth trying to include LCD preview when it is totally impractical
to do so?

It may happen many decades or years later with probable a
completely different system but for now, it's not possible to have
LCD Preview.
 
It does take some time to fully charge a CCD/CMOS chips because they are much bigger physically than Consumers chips. And you can have up to 8 fps (EOS 1D) because once fully charged, the power will always be maintained while the switch is on.

In consumer CCD the interlace method is that the power in constantly switched on and off to feed the images (so no physical shutter is required). For this very reason, it's not fast like DSLR. in DSLR, the CCD/CMOS is always charged and always ready to be exposed once the shutter opens.

For those who wish to learn more about why LCD preview is not possible with full frame CCD/CMOS, read this article from Phil:

http://www.dpreview.com/learn/Glossary/Camera_System/Sensor_01.htm
 
or is there something i missed ? ;-)

cheers

veniamin kostitsin
http://www.digitalimage.at/
It does take some time to fully charge a CCD/CMOS chips because
they are much bigger physically than Consumers chips. And you can
have up to 8 fps (EOS 1D) because once fully charged, the power
will always be maintained while the switch is on.

In consumer CCD the interlace method is that the power in
constantly switched on and off to feed the images (so no physical
shutter is required). For this very reason, it's not fast like
DSLR. in DSLR, the CCD/CMOS is always charged and always ready to
be exposed once the shutter opens.

For those who wish to learn more about why LCD preview is not
possible with full frame CCD/CMOS, read this article from Phil:

http://www.dpreview.com/learn/Glossary/Camera_System/Sensor_01.htm
 
On to the point of this post.. My question is why can a SLR not
offer LCD shot preview? I know the obvious answer... There is
mirror in the way and a shutter...
1. The SLRs so far are all derivatives of 35mm bodies. To go mirrorless would require complete rework of AF, flash, and exposure systems.

2. The larger CCDs don't have built-in low-resolution video modes (the upcoming Foveon does, though). Thus there'd be another engineering issue of building a system that did this with the existing line transfer mechanisms.

3. A viewfinder LCD would be costlier and more prone to failure than the current prism-based systems, and potentially less accurate.

4. Battery power issues! I get by on two batteries a day most of the time, and I sure as heck don't want to be carrying a half dozen just to be able to frame shots.

5. CCD exposed to the elements, or you'd need an interlock that closed a protective shutter when lenses are removed. If you think dust is a problem now...

In short, if you go down all the paths of thinking, you do what Olympus did (though they chose to use the consumer chips rather than the larger chips): you design a body from scratch.

--Thom Hoganauthor, Nikon Field Guideauthor, Nikon Flash Guideauthor, Complete Guide to the Nikon D1, D1h, & D1xwww.bythom.com
 
If a LCD preview is to be included then the shutter has to be open
so the power of the CCD/CMOS has to be turned off to avoid pixels
burning. Now when you want to take the pictures, the shutter has to
be close and the power CCD/CMOS will have to be restored. It will
take a while to fully charge the chips (properly around 1s depend
on cameras, like how fast is your camera ready when first switched
on). It's very slow every time you want to take pictures. So is it
worth trying to include LCD preview when it is totally impractical
to do so?
There's no danger of pixels burning. Most large sensors just don't support high speed transfer modes.
It may happen many decades or years later with probable a
completely different system but for now, it's not possible to have
LCD Preview.
It's happening now. The new Foveon sensor supports 25 fps.

--Ron ParrFAQ: http://www.cs.duke.edu/~parr/photography/faq.htmlGallery: http://www.pbase.com/parr/
 
For those who wish to learn more about why LCD preview is not
possible with full frame CCD/CMOS, read this article from Phil:

http://www.dpreview.com/learn/Glossary/Camera_System/Sensor_01.htm
Phil's comments are misleading.

For one thing, these categories don't apply to CMOS sensors. Active pixel CMOS sensors are closer to interline transfer in behavior.

As for CCDs, some of the Kodaks are full frame, but Fuji, Nikon and the Canon EOS 1D are all interline transfer.

What these sensors lack (except for the new Foveon) is the option to do high speed transfers at lower resolution.

--Ron ParrFAQ: http://www.cs.duke.edu/~parr/photography/faq.htmlGallery: http://www.pbase.com/parr/
 
Mike, thanks for your reply.

I can certainly agree with you on most points. And I apologise for not realising you were comparing to an E10. One of my main points was referring to the res of the E20, which I have, compared to the images produced by the D30, which are 2MP under in res, the noise factor becomes muted. But certainly not in the other areas you mention!

One point I am in disagreement with though is the shutter lock issue. I'm actually GLAD the Oly does'nt lock when OOF. I've found that feature on other digitals, and even analogs, to be quite frustrating at times. Believe it or not, there are times I WANT to take a slightly OOF shot for various reasons. To need to remember to switch to manual focus is a pain at times. I'm glad the Oly does'nt hold my hand in that regard and lets me be the judge of what's in focus or not. The focus confirm on the Oly merely lets you know it tried and got as close as it could.....the TTL viewfinder is there for actual confirmation!
Anyway, thanks for your informative and gracious reply.
D.
David

Not sure if i mentioned this but i own an E-10 also. I had my E-10
for a full year and 10K frames before i decided to get the D30
which i have now for months.

I did like the ability to frame with the LCD in certain cases but
it is not that important. I can life without it. Another feature i
really liked was the absolute silence in which you could take a
picture.

But ...

The 3.25MP can not be compared to the E-10. The image quality is
much higher. If you take controlled test shots under good lighting
you dont notice that much except for the added noise on the E-10
but if you compare the cameras in real world situations where
things are less then perfect it is a different story.

As for the AF it is similar (probably a bit faster) to the E-10 in
speed but adds the ability of AI servo tracking and also is a bit
smarter by not allowing you to mash the shutter if there was no
focus lock which is one of the reasons people 'think' the E-10
focus is bad. With long lenses compared to TCON300 it is a
different story. The D30's AF doesnt really get much slower wheras
the E-10's AF gets quite a bit slower.

Operational speed is a lot better on the D30 also. No waiting for
buffers to clear or for the preview to come up.

For me the reason to switch was the better image quality, higher
ISO ability and the ability to change lenses and the speed of
operation. I absolutely loved my E-10 but there where certain
situations where it just couldnt cut it anymore.

Oly certainly did a great job with the E- series and i hope they
will come out with something new soon.

--
Michael Salzlechner
StarZen Digital Imaging
http://www.starzen.com/imaging
 
1. The SLRs so far are all derivatives of 35mm bodies. To go
mirrorless would require complete rework of AF, flash, and exposure
systems.
You could lock up the mirror (Canon SLR bodies let you do this already) and then use the sensor for exposure and contrast detection AF as is done in current consumer digicams. With the mirror locked up, you'd sacrifice AF speed and accuracy, but you'd still have the option of using the camera like a regular SLR with the mirror in the normal position if you wanted.

There would be no extra camera hardware, just some extra programming.
2. The larger CCDs don't have built-in low-resolution video modes
(the upcoming Foveon does, though). Thus there'd be another
engineering issue of building a system that did this with the
existing line transfer mechanisms.
Agreed. This is the real issue. Apart from the Foveon sensor, the other big sensors just don't support high speed transfer modes.
3. A viewfinder LCD would be costlier and more prone to failure
than the current prism-based systems, and potentially less accurate.
Agreed.
4. Battery power issues! I get by on two batteries a day most of
the time, and I sure as heck don't want to be carrying a half dozen
just to be able to frame shots.
Well, it's a feature that you could turn off when you don't want it.
5. CCD exposed to the elements, or you'd need an interlock that
closed a protective shutter when lenses are removed. If you think
dust is a problem now...
I don't see how it would be any different from the current arrangment.
In short, if you go down all the paths of thinking, you do what
Olympus did (though they chose to use the consumer chips rather
than the larger chips): you design a body from scratch.
I really don't think that's needed. All you need is a sensor with a high enough frame rate, some software changes, and a body that supports mirror lockup like the current Canons.

Again, some sacrifice in focusing speed accuracy would be a tradeoff of using this mode.

--Ron ParrFAQ: http://www.cs.duke.edu/~parr/photography/faq.htmlGallery: http://www.pbase.com/parr/
 
Good post Mike.

And for not being a thoroughly "pro" cam, the Exx certainly have the edge in design innovation. I don't see much innovation in cams costing 3 times as much. Just more robust features you pay through the nose for.
D.
Tony

theory is nice but ..

The E-10 for example is certainly not a pro camera has life preview
and shoots at 3FPS

hmmm

--
Michael Salzlechner
StarZen Digital Imaging
http://www.starzen.com/imaging
 
1. The SLRs so far are all derivatives of 35mm bodies. To go
mirrorless would require complete rework of AF, flash, and exposure
systems.
You could lock up the mirror (Canon SLR bodies let you do this
already) and then use the sensor for exposure and contrast
detection AF as is done in current consumer digicams. With the
mirror locked up, you'd sacrifice AF speed and accuracy, but you'd
still have the option of using the camera like a regular SLR with
the mirror in the normal position if you wanted.
My point was that instead of having to create new hardware and software solutions, the companies simply used off-the-shelf parts, which required less engineering time (faster to market) and no extra R&D costs.
2. The larger CCDs don't have built-in low-resolution video modes
(the upcoming Foveon does, though). Thus there'd be another
engineering issue of building a system that did this with the
existing line transfer mechanisms.
Agreed. This is the real issue. Apart from the Foveon sensor, the
other big sensors just don't support high speed transfer modes.
Sure they support high-speed transfers, they just don't have an easily used mode in which to do that (e.g., the camera circuitry has to do extra work, which means, once again, more engineering money and time spent). As for the Foveon, I've yet to see any clear indication if it has the same issue as the consumer chips, though Foveon's literature seems to imply it doesn't. With the Sony chips, you have to switch "modes" on the chip, which introduces a short, but meaningful delay.
3. A viewfinder LCD would be costlier and more prone to failure
than the current prism-based systems, and potentially less accurate.
Agreed.
4. Battery power issues! I get by on two batteries a day most of
the time, and I sure as heck don't want to be carrying a half dozen
just to be able to frame shots.
Well, it's a feature that you could turn off when you don't want it.
How? If I turn off the viewfinder LCD how do I see to frame and how does the camera get exposure and autofocus? If you're suggesting that the camera have BOTH an LCD and prism, then you've added cost, and we all know we want the prices of these cameras to come down, not go up ; )
5. CCD exposed to the elements, or you'd need an interlock that
closed a protective shutter when lenses are removed. If you think
dust is a problem now...
I don't see how it would be any different from the current arrangment.
The difference is that the current cameras have a physical shutter over the CCD that is closed except when a picture is being taken. I suppose you could put a psuedo-shutter over the CCD that closes whenever the camera isn't active, but that doesn't stop you from taking off the lens and exposing the CCD.
Again, some sacrifice in focusing speed accuracy would be a
tradeoff of using this mode.
That's not a tradeoff I'm willing to make.--Thom Hoganauthor, Nikon Field Guideauthor, Nikon Flash Guideauthor, Complete Guide to the Nikon D1, D1h, & D1xwww.bythom.com
 
You could lock up the mirror (Canon SLR bodies let you do this
already) and then use the sensor for exposure and contrast
detection AF as is done in current consumer digicams. With the
mirror locked up, you'd sacrifice AF speed and accuracy, but you'd
still have the option of using the camera like a regular SLR with
the mirror in the normal position if you wanted.
My point was that instead of having to create new hardware and
software solutions, the companies simply used off-the-shelf parts,
which required less engineering time (faster to market) and no
extra R&D costs.
No new hardware is needed and the software for doing contrast detection AF and exposure control already exists for low end cameras. We're talking about a very minor bit of software engineering here to port this over to a new platform.
Agreed. This is the real issue. Apart from the Foveon sensor, the
other big sensors just don't support high speed transfer modes.
Sure they support high-speed transfers, they just don't have an
easily used mode in which to do that (e.g., the camera circuitry
No. They don't support high speed transfers. High speed transfer modes must be implemented on-chip.

Of course, I can't comment on all of the sensors out there, but I've read the spec sheet for the new Sony 6MP sensor believed to be in the D100 and it just doesn't have a mode faster than 5FPS.
has to do extra work, which means, once again, more engineering
money and time spent). As for the Foveon, I've yet to see any clear
indication if it has the same issue as the consumer chips, though
Foveon's literature seems to imply it doesn't. With the Sony chips,
you have to switch "modes" on the chip, which introduces a short,
but meaningful delay.
Fine. This can be another cost of using live preview. Everything involves tradeoffs. If you don't like the tradeoffs, then just don't use live preview.
4. Battery power issues! I get by on two batteries a day most of
the time, and I sure as heck don't want to be carrying a half dozen
just to be able to frame shots.
Well, it's a feature that you could turn off when you don't want it.
How? If I turn off the viewfinder LCD how do I see to frame and how
does the camera get exposure and autofocus? If you're suggesting
that the camera have BOTH an LCD and prism, then you've added cost,
and we all know we want the prices of these cameras to come down,
not go up ; )
Digital SLRs already have both a prism and an LCD. There's no extra cost and no extra battery consumption unless you lockup the mirror and choose to do live preview.
5. CCD exposed to the elements, or you'd need an interlock that
closed a protective shutter when lenses are removed. If you think
dust is a problem now...
I don't see how it would be any different from the current arrangment.
The difference is that the current cameras have a physical shutter
over the CCD that is closed except when a picture is being taken. I
suppose you could put a psuedo-shutter over the CCD that closes
whenever the camera isn't active, but that doesn't stop you from
taking off the lens and exposing the CCD.
The proposed solution would retain the original physical shutter. There would be no parts added or deleted from the camera. All you need is a sensor capable of live preview and some software changes.
Again, some sacrifice in focusing speed accuracy would be a
tradeoff of using this mode.
That's not a tradeoff I'm willing to make.
Then don't use this mode. Nobody would be forcing you to use it. There's also no reason to argue against adding the capability if others want it.

Of course all of this is contingent on the sensor being up to the task. This is the only real issue.

--Ron ParrFAQ: http://www.cs.duke.edu/~parr/photography/faq.htmlGallery: http://www.pbase.com/parr/
 
David

as for the shutter lock you can have it both ways on the D30. If you are in single shot AF lock is required which i think is good. If you are in AI Servo you can always mash the shutter

Even better lenses with Full time manual focus allow you to adjust focus manually without switching to manual focus at all. You simply use AF to lock and then turn the focus wrong to adjust. Doesnt get any easier than that.

--Michael SalzlechnerStarZen Digital Imaging http://www.starzen.com/imaging
 
No new hardware is needed and the software for doing contrast
detection AF and exposure control already exists for low end
cameras. We're talking about a very minor bit of software
engineering here to port this over to a new platform.
If you believe that the AF hardware and routines in the consumer cameras are the equivalent of those in the SLRs, I guess you're right. However, there is a very signficant measurable difference between the two, IMO.
Digital SLRs already have both a prism and an LCD. There's no
extra cost and no extra battery consumption unless you lockup the
mirror and choose to do live preview.
Ah, I see, you want to use the LCD on the back of the camera, not put one in the viewfinder. Have you tried using an external LCD to make serious framing decisions in the field? Again, there is a big difference between prism and LCD in this regard, even with accessories such as the Hoodcap.
Then don't use this mode. Nobody would be forcing you to use it.
There's also no reason to argue against adding the capability if
others want it.
Sure there is. You're adding features to a tech product, thus you're extending the time to market. Most of the current SLR users would not tolerate delays in production of the next generation of camera to add low-end features.

Again, it strikes me that Olympus has already done pretty much what you're asking with the E-10/E-20, and Minolta is doing similarly with the Dimage 5/7. The only thing you don't get is interchangeable lenses, and I suspect the next generation of the Oly will have that. --Thom Hoganauthor, Nikon Field Guideauthor, Nikon Flash Guideauthor, Complete Guide to the Nikon D1, D1h, & D1xwww.bythom.com
 
Digital SLRs already have both a prism and an LCD. There's no
extra cost and no extra battery consumption unless you lockup the
mirror and choose to do live preview.
Ah, I see, you want to use the LCD on the back of the camera, not
put one in the viewfinder. Have you tried using an external LCD to
make serious framing decisions in the field? Again, there is a big
difference between prism and LCD in this regard, even with
accessories such as the Hoodcap.
Have you tried making serious framing decisions when you can't hold the viewfinder up to your eye?

I'm not advocating it as a full time alternative, just as an option that some people clearly want.
Then don't use this mode. Nobody would be forcing you to use it.
There's also no reason to argue against adding the capability if
others want it.
Sure there is. You're adding features to a tech product, thus
you're extending the time to market. Most of the current SLR users
would not tolerate delays in production of the next generation of
camera to add low-end features.
Every feature has some cost and not every person will use every feature. You can dig in your heels and demand that cameras only include features that you personally would use, but this would result in cameras that satisfy you and very few others.

Assuming the existence of a compatible sensor, which I agree is an assumption, we've covered that there would be 0 additional hardware cost and some extra software development cost in porting software over. I've speculated that it would not be large.

I don't want to argue with you about how many man hours it would cost to do this because neither of us know for sure. We do know that some people want this feature and that the first manufacturer to implement it will satisfy at least some customers.
Again, it strikes me that Olympus has already done pretty much what
you're asking with the E-10/E-20, and Minolta is doing similarly
with the Dimage 5/7. The only thing you don't get is
interchangeable lenses, and I suspect the next generation of the
Oly will have that.
It's really quite different.

The E10/20 have dim and difficult to use viewfinders because they're splitting the light between the optical viewfinder and the sensor.

The Dimage 5/7 ues an EVF.

The proposed solution offers zero compromises over existing digital SLR operation plus the option of using the LCD for framing if desired.

--Ron ParrFAQ: http://www.cs.duke.edu/~parr/photography/faq.htmlGallery: http://www.pbase.com/parr/
 
There are many situations where a live video feed would be very useful - especially in product photography. it's a pleasure working with a consumer digicam when you can adjust the set while looking at a tv screen to see the effects. not having this ability is a BIG drawback of DSLRs in my opinion.

A proposed solution:

Would it be possible to put a consumer digicam behind the DSLR and have it view through the viewfinder? This works great on the groundglass of a viewcamera, but I never pointed one through a small SLR viewfinder. Has anyone tried this?

Morris Gindi
On to the point of this post.. My question is why can a SLR not
offer LCD shot preview? I know the obvious answer... There is
mirror in the way and a shutter...

Why can they not lock the mirror up and open up the shutter? No
more Viewfinder in this mode.. but who says you have to use it all
the time. When you press the shutter button it will have to do a
little more.. Close/Open/Close/Open the shutter. So this doubles
your set shutter speed between shots..

Maybe I am missing something. Maybe not.. Just an idea I thought I
would pass out.. Heck it may not even be a new idea..
The reason is that the D-SLR's use a different type of CCD: a
frame-transfer
CCD. Consumer cameras use an interline transfer CCD, basically like
those
used in video cameras. An interline transfer chip has a row of
non-sensitive
cells for each row of sensels. So a single pulse can transfer the
whole image
into the non-sensitive cells in an instant, and then the data are
clocked off
at leisure.

A frame transfer chip has all the cells sensitive, so the image
would be
smeared by the additional light received during the clock-off process.
So you need a physical shutter in front of the chip.

Why do they choose this less-capable chip for professional cameras?
Because they don't want to sacrifice half the chip area to the
non-sensitive
sites. An interline transfer CCD is pretty much limited to 50% fill
ratio:
only half the area of the chip actually can receive light. A full
frame CCD
can approach 100%.
This means more photons, lower noise, etc.

That said, the D100 is apparently using the new 6MP Sony chip,
which is
an interline transfer chip. I don't know why this decision was made.
 

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