D3 X Just cant wait.....

... stitching for near/far comps? Or, how about moving subjects 'in nature' (waves / fast moving clouds...) Anyone have a good work-around? Here's one where I stitched just two images and had to be rather... 'creative' with the waves... it took a lot more time than I wanted to spend on this and the waves are small... I'd hate to think what it would take to blend large ones from frame to frame.

http://www.jchristophergalleries.com/enlarge.php?id=130

And here is one that took even more time working the sky (three frames blended for HDR, with the clouds... all over the place from image 1 to image 3) and I'm still not happy with how the sky looks

http://www.jchristophergalleries.com/enlarge.php?id=117

Then I have no idea how I might try to stitch together a near/far comp like this:

http://www.jchristophergalleries.com/enlarge.php?id=76

Hmmm. Maybe I do need a D3x after all, even though I can see how stiching D3 frames will produce a ...48MP or larger file of stationary subjects, at some distance.

decisions, decisions... :)

(btw: all four images taken with the D200)
--
John
http://www.JChristopherGalleries.com
 
Why don't you get two D3's thus making 24mp interpolated... Lol

Please Nikon release the D3x, D90 & D10 FF (D300) to put an end to
these threads...
--



My Pictures & Web Site: http://www.dltp.co.uk
These threads will not end because I can tell you I am working with
8 X 10 cameras for 25 years now and you dont know how much
money went into the material and how much strain went onto my
back !
You dont know how much we are looking out for the same quality
images with much less hassle !
As long as we dont have that quality yet it is legitemate to talk about
new technology in that direction !
New equipment is the only reason why I come to this forum !
Not to learn about photography !
Peter
 
I feel that, that would be some of the best $8k spent.

Although with the dollar the way it is, it may be a bit higher than tha :(
--
  • Dax
daxballadares.com
 

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