Crop sensor effect on apertures

Yes I can be blunt sometimes. It's just because I can't stand stupid people especially when they're argumentative when they are wrong. I'm fine with knowledgeable or just reasonable people.

Edit: Then there are the really stupid ones whom I will continue to ignore unless when they directly attack me personally.
 
Still, the incorrect assumption is that as you frame wider, you get more light.
No, GB also replied to this one. When you frame wider in front of a white wall, you collect light from a larger area. However, the exposure stays the same at the same f-stop because the physical aperture of the wider lens is smaller.
The part where ‘you collect light from a larger area’ is incorrect. This is what the Greta Bustard guy is confusing and his 'amount of light' concept is totally flawed.

He thinks that the distance from the scene determines the amount of light hitting the sensor and that:
On the other hand, the inverse square law does not apply to the distance between the aperture and the sensor.
It’s actually exactly the opposite.

The distance to the subject does not matter and the distance between the aperture and the sensor (aka the focal length) is what determines the light intensity at the sensor.
 
The amount of light, measured in photons, that is collected by an individual sensor location over a period of time is a function of the intensity. The total amount of light collected by a sensor is a function of its area. And again, I'll yield to GB, who explains it better.
Let's not confuse light intensity with amount of light.

Let me give you a simple example:

You are in room with a single window. Is it easier to read a book closer to the window or in the opposite corner of the room? Also, do you think more light enters the room through the window as you are closer to the window?

During photo-electric conversion, the intensity of light determines how many electrons will be created.
I'm giving you credit for approaching the discussion in good faith, rather than just an excuse for argumentation. So read the material. When you do you will understand what the discussion is about. You may still disagree, but your points will at least become pertinent to what is being discussed.

Dave
--
http://www.pbase.com/dsjtecserv
 
When you crop, and display/print the same size, the apparent softness increases This decreases the DOF.
Prove It !

Take any photo you want and crop it and post both the original and the cropped back here and show us the difference in DOF....
Here ya go:

http://forums.dpreview.com/forums/read.asp?forum=1029&message=23910313
I usually use this one now. It's all the same shot, just cropped differently.



--
Lee Jay
(see profile for equipment)
 
Yes I can be blunt sometimes.
Replace "blunt" with "simultaneously stupid and insulting", and you'll be closer to the mark. Cheers.

BTW you can go read up in this very thread where your inaccuracies are exposed yet again. It's past the point of comedy at this point.

I guess you couldn't figure out how to work the "ignore" feature, hmm? Come on, you can admit it.
 
Still, the incorrect assumption is that as you frame wider, you get more light.
No, GB also replied to this one. When you frame wider in front of a white wall, you collect light from a larger area. However, the exposure stays the same at the same f-stop because the physical aperture of the wider lens is smaller.
The part where ‘you collect light from a larger area’ is incorrect.
No, it is entirely correct. If you frame wider, you collect light from a larger area of the scene. If you don't understand that, it would explain a lot.
This is what the Great Bustard guy is confusing and his 'amount of light' concept is totally flawed.
I said before that you should take care with that attitude. It's a classic case of "people who think they know everything can really annoy those of us that do." ;)
He thinks that the distance from the scene determines the amount of light hitting the sensor and that:
It is one of the factors, and I have said, several times , that the scenarios you present, without further qualification, are meaningless.
On the other hand, the inverse square law does not apply to the distance between the aperture and the sensor.
It’s actually exactly the opposite.
No, it isn't -- mattr is quite correct. The light from the scene to the aperture is not focused, thus the ISL applies. The light from the aperture to the sensor is focused, so the ISL does not apply.
The distance to the subject does not matter and the distance between the aperture and the sensor (aka the focal length) is what determines the light intensity at the sensor.
You're completely, and totally, wrong. Good luck with that.
 
The distance to the subject does not matter and the distance between the aperture and the sensor (aka the focal length) is what determines the light intensity at the sensor.
You're completely, and totally, wrong. Good luck with that.
Sorry but you are the one who's confused. Consider asking for a second opinion.
This is photography 101. Good luck to you too.
 
The distance to the subject does not matter and the distance between the aperture and the sensor (aka the focal length) is what determines the light intensity at the sensor.
You're completely, and totally, wrong. Good luck with that.
Sorry but you are the one who's confused. Consider asking for a second opinion.
This is photography 101. Good luck to you too.
Since you suggest it:

http://forums.dpreview.com/forums/read.asp?forum=1021&message=35821548

This is going to come as a complete shock to you, but Joseph James [that's me] is correct in nearly everything he says. I was teaching what he calls "equivalence" 15 years ago, with examples from 35mm, 6x7, and 4x5. Including the use of different film speeds on the different formats to demonstrate the same concept as we have with different sensor ISO ratings.

The person making the comment:

http://forums.dpreview.com/forums/read.asp?forum=1018&message=31666138

I'm an optical engineer, having designed 6 lenses and three industrial cameras

Of course, I'm not a fan of deferring to authority to prove a point. But since explaining the physics to you has failed, I thought your suggestion might be worth a shot.

Here's another link for you:

http://www.21stcenturyshoebox.com/essays/formatindependence/

You might want to read the provided links sometime, and put some thought into understanding what they're saying, and why they're correct.

Or not.
 
Only one question. Difference in dof is caused by cropping or following resizing which is applied to get required same size of the images. :)

And real question is if we're trying to find what causes what and as result don't care about FOV do we care about different image size and does the same image size required?
 
When you crop, and display/print the same size , the apparent softness increases (so called COC - a term that I hate). This decreases the DOF.
I see two actions: one is croping, another is resizing to get the same image size. Which of those is responsible for softness change?

It's looks like a loop: method of measuring dof require to do something that changes this parameter.
 
When you crop, and display/print the same size , the apparent softness increases (so called COC - a term that I hate). This decreases the DOF.
I see two actions: one is croping, another is resizing to get the same image size. Which of those is responsible for softness change?

It's looks like a loop: method of measuring dof require to do something that changes this parameter.
Rephrased: "When you use a smaller image sensor (a so-called "cropped" sensor) to record an image of a given field of view, then enlarge the sensor image to the same size as one of the same field of view made with a larger sensor, the resulting image will have less depth of field than the one made with he larger sensor, when both are view from the same distance and with the same visual acuity."

The difference in depth of field is due to the greater enlargement of the image taken with the smaller sensor.

Dave
--
http://www.pbase.com/dsjtecserv
 
The distance to the subject does not matter and the distance between the aperture and the sensor (aka the focal length) is what determines the light intensity at the sensor.
You're completely, and totally, wrong. Good luck with that.
Sorry but you are the one who's confused. Consider asking for a second opinion.
This is photography 101. Good luck to you too.
X-vision, Great Bustard has established his credibility through many years and many incarnations in this forum. His viewpoints and writings can be thought-provoking and may require one to look at what we already know (or think we know) in a different way, but they ultimately withstand scrutiny. You obviously know a lot of stuff, but you don't understand all the implications of what you know. I recommend that you take his invitation to examine what you know in a different light by studying his link.

Dave
--
http://www.pbase.com/dsjtecserv
 
When you crop, and display/print the same size , the apparent softness increases (so called COC - a term that I hate). This decreases the DOF.
I see two actions: one is croping, another is resizing to get the same image size. Which of those is responsible for softness change?
Both, together. Just cropping without resizing doesn't change anything, you will just see a smaller portion of the image.

What actually changes the DOF is the enlargement . Cropping and resizing results in more enlargement, but there are other ways of increasing the enlargement (like simply increasing viewing size, zooming).

When you enlarge an image, all the optical imperfections become more visible. Everything appears less sharp, and a part of what previously appeared as acceptably sharp will now go past the threshold into softness.
It's looks like a loop: method of measuring dof require to do something that changes this parameter.
There are 3 parameters : viewing size, enlargement and visual acuity. All three have been melted into one, the CoC. Of course, to do that some assumptions are made on the viewing distance and on the average visual acuity. When in some situation one of the 3 parameters differs significantly from the assumption (e.g. viewer is blind as a bat) the CoC would need to be changed accordingly (in this example, increased, because a person with poor eyesight will not notice a much larger degree of softness in the picture).

For average situations, the CoC's have already been computed, they are here:
http://www.dofmaster.com/digital_coc.html

You can see the CoC doesn't change with pixel count, but it changes with format, the more a format is cropped, the bigger the enlargement, hence the smaller the Coc.

--
Kind regards,

Bogdan
 
When you crop, and display/print the same size , the apparent softness increases (so called COC - a term that I hate). This decreases the DOF.
I see two actions: one is croping, another is resizing to get the same image size. Which of those is responsible for softness change?

It's looks like a loop: method of measuring dof require to do something that changes this parameter.
The enlargement. You have to do it to keep the image size the same because DOF is measured at a reference size (assuming a reference distance, etc.)

One of the definitions of "admissible softness" postulates a limit for the CoC on a 35mm film in microns, then another limit for APS-C film, etc. to avoid the need to talk about print size, viewing distance, etc. Of course, that limit is subjective but it is convenient to have one.
 
X-vision, Great Bustard has established his credibility through many years and many incarnations in this forum.
Maybe he lacks a bit of visibility due to the reincarnation process :)

I remember myself having this sort of reaction, before getting the hand of the reincarnation, "who the heck is this new guy quoting so often Joe Mama?".
His viewpoints and writings can be thought-provoking and may require one to look at what we already know (or think we know) in a different way, but they ultimately withstand scrutiny. You obviously know a lot of stuff, but you don't understand all the implications of what you know. I recommend that you take his invitation to examine what you know in a different light by studying his link.

Dave
--
http://www.pbase.com/dsjtecserv
--
Kind regards,

Bogdan
 
Only one question. Difference in dof is caused by cropping or following resizing which is applied to get required same size of the images. :)
It's caused by the different enlargement ratios of the differently-cropped images. I guess you could say that's the resizing.
And real question is if we're trying to find what causes what and as result don't care about FOV do we care about different image size and does the same image size required?
If you're not comparing the same FOV and the same final image size, you're comparing different images. Thus, I don't think that's really valid.

--
Lee Jay
(see profile for equipment)
 
The point of my post was that the natural assumption when comparing systems is to compare with the same perspective, framing, and display dimensions. What reason is there to compare otherwise, except when one is focal length or magnification limited?
In general to understand why 4.000$ 50/f1 on the crop behave like 400$ 85/f1.8 on FF. :) There's a lot of processes going on simultaneously while comparing different systems at the same perspective, framing and print/display dimension. To isolate them and find which one is responsible for what we change requirements to nullify their affects.
 

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