2 questions re: GFX 100II

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Bogie 1

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Hi All,

Is there a bluetooth or wifi shutter release for this body?

The lens hoods are gigantic! How are you guys carrying these?

Thank you.
 
Thanks guys. I don't want to use a phone. I'm looking for a small trigger like I have for my Nikon bodies.

For the two lenses I have right now, 110mm and 80mm, the hoods are much wider than the lenses. I'm used to putting the hoods on lenses backwards and that works fine for almost all the other lenses I have. But these Fuji hoods are much wider and I don't see a reasonable way to stuff them in the bag I have for my GFX setup.
Maybe this? https://www.fujifilm-x.com/global/products/accessories/rr-100/

I am not sure this is wifi/bluetooth though.

I am afraid there is no other efficient way to store the hoods in the bag than backwards on the lens. I don't have the 110/80 mm, as you said it works with most other lenses well.
That’s Fuji’s WIRED remote. And, IMO is sub-optimal in almost every way. And, on the GFX 100 “II” the port is 3.5mm and requires a pigtail to get to 2.5mm. AND, and… the port is on the left side of the body and gets trapped by L-plates. And, and, and… the port does double duty as headphone jack. Fujifilm really screwed this up on the “II” compared to the other GFX bodies where the remote release port is on the right side under its own little door and is 2.5mm.
I use this remote all the time on a 100S. The placement of the port on the right side is extremely awkward and far inferior to that of my Nikon equipment where it is on the left side front of the body, where it doesn't interfere with anything else.

Also, while the cord does not require a pigtail to fit the 2.5mm 100S right side port, it has a straight-in jack, plugging in to the side of the body, begging to get broken off or bent, possibly damaging or destroying the port as well.

So I have a short 2.5mm pigtail with a straight female receptor and 90 degree male plugging into the camera.
To the OP. The phone as “shutter release only” is actually the only good option for the GFX 100 “II” that I know of. It works better than it seems like it might, but I agree is also sub-optimal.

Rand
Your need for a pig-tail with the Fuji remote is one of the reasons I consider it sub-optimal. Canon makes a very simple wired remote that works fabulously with Fuji. It is 2.5mm jack and its plug is already a 90 degree angle, no pigtail needed. It’s also much less expensive than Fuji’s sub-optimal wired release.

Canon RS-60E3 Remote Switch

Rand
Thank you! Really helpful and I didn't know this!

Just to be sure: that Canon RS-60E3 Remote switch works fine with GFX100 II?
Unforuneately,NO! It doesn’t. At least not w/o a pig-tail to get you from 2.5mm to 3.5mm. There are nice pigtails available, so it can work fine, but I find anything that adds to the complexity of a direct wired release to be not very good.

Rand
Thank you. Too bad it works with Fuji, but not with the 100 II
Don't get me started on this aspect of the "II." Fuji really ignored / screwed over a significant portion of their user base as they tried to make GFX a video hybrid camera. I know precisely ZERO video pros who think this thing is a video rig.
 
Thanks guys. I don't want to use a phone. I'm looking for a small trigger like I have for my Nikon bodies.

For the two lenses I have right now, 110mm and 80mm, the hoods are much wider than the lenses. I'm used to putting the hoods on lenses backwards and that works fine for almost all the other lenses I have. But these Fuji hoods are much wider and I don't see a reasonable way to stuff them in the bag I have for my GFX setup.
Maybe this? https://www.fujifilm-x.com/global/products/accessories/rr-100/

I am not sure this is wifi/bluetooth though.

I am afraid there is no other efficient way to store the hoods in the bag than backwards on the lens. I don't have the 110/80 mm, as you said it works with most other lenses well.
That’s Fuji’s WIRED remote. And, IMO is sub-optimal in almost every way. And, on the GFX 100 “II” the port is 3.5mm and requires a pigtail to get to 2.5mm. AND, and… the port is on the left side of the body and gets trapped by L-plates. And, and, and… the port does double duty as headphone jack. Fujifilm really screwed this up on the “II” compared to the other GFX bodies where the remote release port is on the right side under its own little door and is 2.5mm.
I use this remote all the time on a 100S. The placement of the port on the right side is extremely awkward and far inferior to that of my Nikon equipment where it is on the left side front of the body, where it doesn't interfere with anything else.

Also, while the cord does not require a pigtail to fit the 2.5mm 100S right side port, it has a straight-in jack, plugging in to the side of the body, begging to get broken off or bent, possibly damaging or destroying the port as well.

So I have a short 2.5mm pigtail with a straight female receptor and 90 degree male plugging into the camera.
To the OP. The phone as “shutter release only” is actually the only good option for the GFX 100 “II” that I know of. It works better than it seems like it might, but I agree is also sub-optimal.

Rand
Your need for a pig-tail with the Fuji remote is one of the reasons I consider it sub-optimal. Canon makes a very simple wired remote that works fabulously with Fuji. It is 2.5mm jack and its plug is already a 90 degree angle, no pigtail needed. It’s also much less expensive than Fuji’s sub-optimal wired release.

Canon RS-60E3 Remote Switch

Rand
Thank you! Really helpful and I didn't know this!

Just to be sure: that Canon RS-60E3 Remote switch works fine with GFX100 II?
Unforuneately,NO! It doesn’t. At least not w/o a pig-tail to get you from 2.5mm to 3.5mm. There are nice pigtails available, so it can work fine, but I find anything that adds to the complexity of a direct wired release to be not very good.

Rand
Thank you. Too bad it works with Fuji, but not with the 100 II
Don't get me started on this aspect of the "II." Fuji really ignored / screwed over a significant portion of their user base as they tried to make GFX a video hybrid camera. I know precisely ZERO video pros who think this thing is a video rig.
Agree. I don’t know anyone at all, using the 100II for video. Not even next to photography or every now and then. Nada video.
 
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Agree. I don’t know anyone at all, using the 100II for video. Not even next to photography or every now and then. Nada video.
Same here. I have a dedicated video camera. My Mirrorless bodies will never be subjected to video. There are limits to everything :D

I'm starting to wonder if the cable releases are just switches. If so, it oughta be possible to just make one up with one cable (no adapters) and done.
 
Agree. I don’t know anyone at all, using the 100II for video. Not even next to photography or every now and then. Nada video.
Same here. I have a dedicated video camera. My Mirrorless bodies will never be subjected to video. There are limits to everything :D

I'm starting to wonder if the cable releases are just switches. If so, it oughta be possible to just make one up with one cable (no adapters) and done.
Someone who is clever at these things (I’m not, unfortunately) could probably take a 3.5mm pig tail, and “splice” it onto the Canon remote switch I recommended above. No pigtail and “hopefully” a nice splice w/ shrink wrap or whatever.

It’s still trapped under the L-Plate, but … LOL

Rand
 
Agree. I don’t know anyone at all, using the 100II for video. Not even next to photography or every now and then. Nada video.
Same here. I have a dedicated video camera. My Mirrorless bodies will never be subjected to video. There are limits to everything :D

I'm starting to wonder if the cable releases are just switches. If so, it oughta be possible to just make one up with one cable (no adapters) and done.
Someone who is clever at these things (I’m not, unfortunately) could probably take a 3.5mm pig tail, and “splice” it onto the Canon remote switch I recommended above. No pigtail and “hopefully” a nice splice w/ shrink wrap or whatever.

It’s still trapped under the L-Plate, but … LOL

Rand
In photography, we have used "adapters" forever.

Adapters are used between filters and lenses, between lenses and bodies. I have adapters that allow use of 1/4 and 3/8 screws between tripod legs, heads, quick-connect plates, camera bodies.

The pig-tail is an adapter. It's a simple, low-current extension for a simple switch circuit. It's tiny, low-profile, unobtrusive, does its job. Not a problem.
 
Agree. I don’t know anyone at all, using the 100II for video. Not even next to photography or every now and then. Nada video.
Same here. I have a dedicated video camera. My Mirrorless bodies will never be subjected to video. There are limits to everything :D

I'm starting to wonder if the cable releases are just switches. If so, it oughta be possible to just make one up with one cable (no adapters) and done.
Someone who is clever at these things (I’m not, unfortunately) could probably take a 3.5mm pig tail, and “splice” it onto the Canon remote switch I recommended above. No pigtail and “hopefully” a nice splice w/ shrink wrap or whatever.

It’s still trapped under the L-Plate, but … LOL

Rand
In photography, we have used "adapters" forever.

Adapters are used between filters and lenses, between lenses and bodies. I have adapters that allow use of 1/4 and 3/8 screws between tripod legs, heads, quick-connect plates, camera bodies.

The pig-tail is an adapter. It's a simple, low-current extension for a simple switch circuit. It's tiny, low-profile, unobtrusive, does its job. Not a problem.
I completely agree with you. And still hate them on wired remotes. At 4:00 am in the dark, setting up via red flashlight, waiting for the sun to rise, I don’t want to be faffing about with more junk than is essential.

Rand
 
I'm starting to wonder if the cable releases are just switches. If so, it oughta be possible to just make one up with one cable (no adapters) and done.
They are. I've rigged up my own remote releases.
 
Agree. I don’t know anyone at all, using the 100II for video. Not even next to photography or every now and then. Nada video.
Same here. I have a dedicated video camera. My Mirrorless bodies will never be subjected to video. There are limits to everything :D

I'm starting to wonder if the cable releases are just switches. If so, it oughta be possible to just make one up with one cable (no adapters) and done.
Someone who is clever at these things (I’m not, unfortunately) could probably take a 3.5mm pig tail, and “splice” it onto the Canon remote switch I recommended above. No pigtail and “hopefully” a nice splice w/ shrink wrap or whatever.
I was thinking to make the whole thing, not just splice on the correct connector. But it would certainly be simple to "reterminate" the cable on an existing release. I've done it a fair number of times on headphones.

It’s still trapped under the L-Plate, but … LOL
Understood, and thank you for all the helpful info :)
 
Someone who is clever at these things (I’m not, unfortunately) could probably take a 3.5mm pig tail, and “splice” it onto the Canon remote switch I recommended above. No pigtail and “hopefully” a nice splice w/ shrink wrap or whatever.
Nothing like the smell of rosin core solder in the morning.
 
Agree. I don’t know anyone at all, using the 100II for video. Not even next to photography or every now and then. Nada video.
Same here. I have a dedicated video camera. My Mirrorless bodies will never be subjected to video. There are limits to everything :D

I'm starting to wonder if the cable releases are just switches. If so, it oughta be possible to just make one up with one cable (no adapters) and done.
Someone who is clever at these things (I’m not, unfortunately) could probably take a 3.5mm pig tail, and “splice” it onto the Canon remote switch I recommended above. No pigtail and “hopefully” a nice splice w/ shrink wrap or whatever.

It’s still trapped under the L-Plate, but … LOL

Rand
In photography, we have used "adapters" forever.

Adapters are used between filters and lenses, between lenses and bodies. I have adapters that allow use of 1/4 and 3/8 screws between tripod legs, heads, quick-connect plates, camera bodies.

The pig-tail is an adapter. It's a simple, low-current extension for a simple switch circuit. It's tiny, low-profile, unobtrusive, does its job. Not a problem.
The pigtail actually extends two switch circuits with a common ground.
 
Agree. I don’t know anyone at all, using the 100II for video. Not even next to photography or every now and then. Nada video.
Same here. I have a dedicated video camera. My Mirrorless bodies will never be subjected to video. There are limits to everything :D

I'm starting to wonder if the cable releases are just switches. If so, it oughta be possible to just make one up with one cable (no adapters) and done.
Someone who is clever at these things (I’m not, unfortunately) could probably take a 3.5mm pig tail, and “splice” it onto the Canon remote switch I recommended above. No pigtail and “hopefully” a nice splice w/ shrink wrap or whatever.

It’s still trapped under the L-Plate, but … LOL

Rand
In photography, we have used "adapters" forever.

Adapters are used between filters and lenses, between lenses and bodies. I have adapters that allow use of 1/4 and 3/8 screws between tripod legs, heads, quick-connect plates, camera bodies.

The pig-tail is an adapter. It's a simple, low-current extension for a simple switch circuit. It's tiny, low-profile, unobtrusive, does its job. Not a problem.
The pigtail actually extends two switch circuits with a common ground.
Puh-leese! This is Medium Format gear. Nothing common about the ground circuits in these babies!
 
Agree. I don’t know anyone at all, using the 100II for video. Not even next to photography or every now and then. Nada video.
Same here. I have a dedicated video camera. My Mirrorless bodies will never be subjected to video. There are limits to everything :D

I'm starting to wonder if the cable releases are just switches. If so, it oughta be possible to just make one up with one cable (no adapters) and done.
Someone who is clever at these things (I’m not, unfortunately) could probably take a 3.5mm pig tail, and “splice” it onto the Canon remote switch I recommended above. No pigtail and “hopefully” a nice splice w/ shrink wrap or whatever.

It’s still trapped under the L-Plate, but … LOL

Rand
In photography, we have used "adapters" forever.

Adapters are used between filters and lenses, between lenses and bodies. I have adapters that allow use of 1/4 and 3/8 screws between tripod legs, heads, quick-connect plates, camera bodies.

The pig-tail is an adapter. It's a simple, low-current extension for a simple switch circuit. It's tiny, low-profile, unobtrusive, does its job. Not a problem.
The pigtail actually extends two switch circuits with a common ground.
Puh-leese! This is Medium Format gear. Nothing common about the ground circuits in these babies!
Well, earth, if you're from across the pond.
 
Small lens hoods don't do their job properly.

Either put up with properly designed and sized ones, or just go without and rely on the lens coatings.
 
Small lens hoods don't do their job properly.
Thanks for the tip. I don't know what I would have done without your guidance.

Either put up with properly designed and sized ones, or just go without and rely on the lens coatings.
I asked how guys are carrying the hood and your advice is to carry them or not carry them.

I'm always impressed how much time people have to post condescending nonsense and how little time they have to answer questions as asked.

Have a nice day ;)
 
Hi,

Well, while I havent followed all the subthreads here, I did see replies regarding turning the hood around over the end of the lens. That was on the day you created the thread. And, that is how I carry my lens hoods and have ever since I had my first lens hood way back in 1979.

i didn't see any reason to jump in until now. So, here is another reply to flip your hood over to add to however many other such replies there may or may not have said the same thing.

Stan

--
Amateur Photographer
Professional Electronics Development Engineer
 
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While I generally prefer a wired remote over any camera app, the Fuji app and the GFX 100II work actually quite nice. There is an option to just use shutter release. It connects via bluetooth. No issues with WiFi connections, dropped connections etc. It just works.

Between this, and tethered shooting, my cable release has not seen much use anymore.
 
While I generally prefer a wired remote over any camera app, the Fuji app and the GFX 100II work actually quite nice. There is an option to just use shutter release. It connects via bluetooth. No issues with WiFi connections, dropped connections etc. It just works.

Between this, and tethered shooting, my cable release has not seen much use anymore.
I agree. It works much better than I expected it to. But when working in the field, it’s one more thing to fumble around with, stick in a pocket, drop in the dirt, etc. This sounds like I’m just looking for a reason to complain, but “out there in the pre-dawn darkness” having a remote plugged in and ready to just shoot, is very much better than fumbling about with a phone, in the dark, sometimes in the snow, with gloves on.

Rand
 
Hi,

Well, while I havent followed all the subthreads here, I did see replies regarding turning the hood around over the end of the lens. That was on the day you created the thread. And, that is how I carry my lens hoods and have ever since I had my first lens hood way back in 1979.
Same here, so nothing new.

However, I have a fairly good-sized bag and the hoods still don't fit. The question was not about hoods should be oriented, but how (as in what kinds of bags or other methods) etc. people are carrying them.
 
While I generally prefer a wired remote over any camera app, the Fuji app and the GFX 100II work actually quite nice. There is an option to just use shutter release. It connects via bluetooth. No issues with WiFi connections, dropped connections etc. It just works.

Between this, and tethered shooting, my cable release has not seen much use anymore.
Thanks, I agree Bluetooth is good in general. My Nikon remote releases use that. I'm surprised Fujifilm doesn't have something like that.

Now that Jim has confirmed the remote release is a simple switch, I'll go from there.
 

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