R50 Review: Small and capable, but with limitations

Ali

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I have a Canon R5. However, for most of my on-the-go usage, I have a Canon M6II, which is a compact and very capable camera.

Since Canon isn't releasing any new M cameras, I have been eyeing APS-C options on the market. While Sony and Fuji have some tempting options, I was waiting for Canon. R50 is the first Canon R APS-C body that came close to being compact enough to replace the M6II, so I decided to get one.

I did sweat over the decision for a while, since Canon’s primary market for this camera does not seem to include someone like me: A “prosumer,” a non-professional who uses higher-end cameras and has some sophisticated expectations. So I decided to keep an open mind to see if this camera satisfied enough of my needs, and whether the design choices Canon made got in my way. Please do keep in mind that this review is not targeting the primary market Canon seems to have in mind for the R50.

Canon markets the R50 as an entry level camera: “A great camera for those who are looking to lean into interchangeable lenses.” This comes across in the low price, and in many of the hardware specs:
  • small battery
  • small viewfinder
  • small buffer
  • no mechanical shutter
  • no sensor cleaning
  • no in-body image stabilization
  • few physical buttons
  • 24 MP sensor
It also comes thru in some artificial software limitations, such as:
  • You cannot change the ISO increment value, it's fixed at ⅓ stop. So it takes three clicks to go from 100 to 200 ISO. I prefer 1 stop increments. (And frankly I am surprised in absence of a control for this, Canon set the value to ⅓ rather than a more user-friendly 1.)
  • Another setting you can’t change is what the magnify button does when viewing an image; I usually change that to zoom to 100% directly so I can check focus. On the R50 the magnify button just incrementally zooms in. I'm not sure how many clicks it takes to get to actual pixels.
  • When taking 3-shot HDR photos, R50 does not save the individual RAW images. While a beginner user would be content with the single combined JPEG, a more advanced user who has gone out of their way to set their default format to RAW would probably enjoy and expect the RAWs in addition to the JPEG.
The above three are small things that I have enjoyed in my recent Canon cameras, and are things I assumed would be there on the R50 as well. It’s a bit disappointing that Canon decided these features (and likely some other things that I haven’t yet noticed) were not appropriate for the R50. While not including some features does simplify the user interface some, it’s not like these make a big difference - the R50’s menus and settings are not appreciably simpler than the R5, and neither is the user manual. Canon could have easily put settings for these in the advanced “Custom Functions” menu, which the R50 has.

Lack of sensor cleaning is a longer term concern. I do not know whether dirt on the sensor will be a problem over time. I used early DSLRs for many years without any sort of sensor cleaning, and no perceived problems, but R50 has smaller pixels.

These limitations aside, I find the R50 to be a capable enough camera:
  • Auto focus feels as solid as that on the R5, and better than the M6II.
  • Photos look fantastic. Although I was concerned about going from M6II’s 32MP down to 24MP, in practice I haven’t seen this to be an issue. I think only cases requiring heavy cropping will suffer from this deficiency.
  • Camera is very responsive.
  • Burst shot capabilities - fast but limited to a relatively small buffer - are more than good enough for my casual use cases, and I imagine many others.
  • Fully articulating rear touch screen works well.
  • Video specs are very good, and the few videos I shot look great. However, I am not a video person.
  • Creative assist and Advanced A+ modes look interesting, but also not features I reach for since I usually just shoot RAW.
I was concerned about having fewer physical controls on the R50 compared to the M6II. While I am very much a direct control person, I am finding this to be not as serious of an issue as I feared - the things I most frequently change are straightforward enough: Turn a dial for aperture value; click a button then turn the same dial for exposure; same with ISO. You can configure the customizable control ring on RF lenses for immediate control of most settings. The “Q” menu and most controls are also customizable.

The R50 is a small and light camera. It fits well in my hand and I find it comfortable to use. It is and feels lighter than the M6II. Even though it is slightly bulkier, I was happy to find that when equipped with a lens it fits well into the same camera bags my M6II fit into with a similar lens.

For me one use case where the M6II shines is events where “pro cameras” are not allowed. I usually have no problems bringing the M6II + 55-200mm into rock concerts. (Except for one ZZTop concert where a sharp-eyed security guard identified it as an ILC rather than just a point and shoot.) The R50, with its “classic DSLR” styling, is less likely to get past security in such cases. I haven’t had the chance to test this use case yet.

One thing I really enjoy about the R50 that I couldn’t do with the M6II is the ability to use my RF lenses - the 800mm f/11 for instance. The 28-70mm f/2 also works on the R50, but given its size and weight, is a rather awkward experience.

It was also a joy to find that my old EF lenses, including a pretty old Sigma EF-S 18-125mm lens, just work. I was delighted that even with this lens the R50 is able to show the focal length live in the viewfinder - which, by the way, is a feature I do not have on the R5 or M6II.

One downside with lenses for the R50 is the serious gaps in the RF-S lens range. At this point there are no direct equivalents of the EF-M 32mm, 22mm, or 11-22mm. You can approximate them with RF or EF lenses, or third party manual focus RF-S lenses, but you can’t for instance recreate the magic of M6II + EF-M 32mm f/1.4 just yet. I hope it’s just a matter of time.

Do I recommend the R50?
  • It’s the obvious option for anyone looking for the cheapest possible, or the smallest/lightest R camera.
  • It’s a great choice for anyone looking for an capable but inexpensive ILC, and doesn’t require a full line-up of small lenses yet.
  • It’s a good replacement for the M50II, and a good (but slightly less so) one for the M6II. However the question here is more complicated because changing from the M to the R system means you give up the existing lenses, and need to evaluate whether the RF or RF-S lenses can satisfy your needs. And additionally, if size is your most important consideration, the M series cameras have an advantage.
  • Lack of some advanced features - things like the small burst buffer or the 24MP sensor - may be showstoppers for some use cases. They are not for me.
For the time being I personally am keeping both the R50 and the M6II, since I have use cases for both cameras and there are things each can do the other one can’t.

I wish that as Canon introduces more APS-C R cameras, they disassociate “compact” and “beginner / low-priced.” They should look to produce an R camera that is small as possible while not sacrificing advanced features. Small doesn’t need to mean inexpensive or "entry level."

A related wish of course is for capable RF-S lenses.

Some Sample Shots

I haven’t taken as many shots with the R50 as I would have liked to before posting a review, but with DPReview’s upcoming closure I decided to go ahead and post this. First some random shots with a variety of lenses:

Among my first shots, taken with the RF 24-240mm
Among my first shots, taken with the RF 24-240mm

With the Canon EF-S 10-22mm
With the Canon EF-S 10-22mm

With the RF-S 55-210mm, which, while not a bright lens, can still provide nice bokeh
With the RF-S 55-210mm, which, while not a bright lens, can still provide nice bokeh

RF-S 18-45, at f/22 and 1/3 second exposure, handheld
RF-S 18-45, at f/22 and 1/3 second exposure, handheld

RF-S 55-210mm at 201mm, f7.1
RF-S 55-210mm at 201mm, f7.1

Same scene with the RF 24-240 at 240mm, f/6.3
Same scene with the RF 24-240 at 240mm, f/6.3

RF-S 18-150mm, which I am finding to be a versatile choice for the R50
RF-S 18-150mm, which I am finding to be a versatile choice for the R50

This wide angle shot with the RF-S 18-150mm would have been a good one to shoot with the Advanced A+ mode, to see if it did a better job with the sky
This wide angle shot with the RF-S 18-150mm would have been a good one to shoot with the Advanced A+ mode, to see if it did a better job with the sky

Also RF-S 18-150mm
Also RF-S 18-150mm

Cat who pushes the dynamic range capabilities
Cat who pushes the dynamic range capabilities

And Some "Studio" Shots :-)

I was also going to take a bunch of comparison shots of a fixed scene, but then my cat got curious. So I ended taking a few of the cat. You can’t compare the results directly, but I hope they’re useful anyway. The black fur adds to the challenge. The shots are at 35mm, except for the two M6II shots at 32mm; they are also all 1600 ISO except for the one with RF-S 18-45mm.

Included among these are shots with the TTArtisan RF-S 35mm f/1.4, an inexpensive manual focus lens. Sadly the nifty "focus guide" feature does not work with this lens, but focus peaking does. I used magnified view, which proved a challenge with a moving target.

The following shots are as-is, from Lightroom's default RAW conversion. No other processing, so you can evaluate the results for yourself.

TTArtisan 35mm f/1.4 at f/2.8, manual focus (the EXIF data will be lacking)
TTArtisan 35mm f/1.4 at f/2.8, manual focus (the EXIF data will be lacking)

TTArtisan 35mm at f/2, manual focus
TTArtisan 35mm at f/2, manual focus

This one is with the RF 28-70mm f/2, thankfully with auto-focus!
This one is with the RF 28-70mm f/2, thankfully with auto-focus!

The far less capable but much smaller RF-S 18-45 at 35mm. I bumped the ISO up to 6400 for this shot.
The far less capable but much smaller RF-S 18-45 at 35mm. I bumped the ISO up to 6400 for this shot.

For comparison purposes, I also included two with the M6II + EF-M 32mm, this one at f/2
For comparison purposes, I also included two with the M6II + EF-M 32mm, this one at f/2

And this one with M6II + EF-M 32mm at f/1.4. Note that f/1.4 isn't a great choice for cat photos since eyes in focus normally means much of the rest of the face isn't.
And this one with M6II + EF-M 32mm at f/1.4. Note that f/1.4 isn't a great choice for cat photos since eyes in focus normally means much of the rest of the face isn't.

And finally back to the TTArtisan at f/1.4 to compare with the EF-M 32mm. While manual focus makes this lens harder to use, even with good focus image quality from this lens at f/1.4 is nowhere near what you get with the EF-M 32mm at f/1.4.
And finally back to the TTArtisan at f/1.4 to compare with the EF-M 32mm. While manual focus makes this lens harder to use, even with good focus image quality from this lens at f/1.4 is nowhere near what you get with the EF-M 32mm at f/1.4.

At this point the cat got bored and left, so the session was over.
 
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One thing I meant to include in the review, but forgot ... what configuration to get?

Currently the options are (at least for the black R50):
  • R50 body, $679
  • Kit with RF-S 18-45, $799 - would be $978 separately
  • Kit with RF-S 18-45, RF-S 55-210, $1029 - would be $1327 separately
Both kits are good deals over buying the lenses separately.

Since I had no RF-S or small RF lenses previously, I decided to go for the 2 lens combo.

Both lenses are light and have IS. I like the 55-210 for its extra reach, and the 18-45 is really small for when you really need something pocketable (at least in a jacket pocket). I am happy with the pictures I've gotten from both.

But I decided these two were not practical enough choices for my main use case, traveling light. So I ended up buying the RF-S 18-150, for another $499. Oh well.

The 18-150 is a little better at low light than the other two, and covers a practical range all by itself.

I suspect my travel kit will be the 18-150 and some bright RF-S prime if and when Canon comes up with one. In the meantime I will make do with the TTArtisan 35mm, or I may consider an RF prime.

I guess I should have just bought the body to start with...

However the 18-45 for additional $120 is a great deal!
 
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The 18-150 is a little better at low light than the other two, and covers a more practical range.
How's the handling with the 18-150 attached? I'm thinking of getting the same lens for my R50.

But, the dilemma is whether to instead get a FF RF lens, in case I eventually go with the R8. I haven't decided yet which upgrade path to take, as yet.
 
The 18-150 is a little better at low light than the other two, and covers a more practical range.
How's the handling with the 18-150 attached? I'm thinking of getting the same lens for my R50.
No problems with handling, feels good. A large section of the barrel is the zoom ring, which provides needed flexibility for such a small setup.
But, the dilemma is whether to instead get a FF RF lens, in case I eventually go with the R8. I haven't decided yet which upgrade path to take, as yet.
What lens were you thinking of? I don't think there's a direct FF equivalent that would give you the same range on crop. The RF 24-240 is very nice, but you are losing out on the wide end (and it is more than twice as heavy as the 18-150).
 
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What lens were you thinking of? I don't think there's a direct FF equivalent that would give you the same range on crop. The RF 24-240 is very nice, but you are losing out on the wide end (and it is more than twice as heavy as the 18-150).
The thought was the FF 24-240. As you point out, the extra weight may may "outweigh" the potential FF use down the line.

Probably the 18-150 is about the only choice until Canon makes more "S" lenses. (I should have gotten the 2-lens kit with the 55-210mm, but wasn't sure I'd like the R50, so I just have the 18-45mm.)

Luckily there is a place near enough to me named Abt Electronics, about an hour north of Chicago, that has almost *all* the Canon/Sony/Nikon /Panasonic bodies on display, plus a lot of lenses. All available to try out in-store, so I'll try there first.
 
Is the focus peaking improved over the M6II ?
I have used the feature rarely on the M6II, hard for me to say. But I don't think it's improved. At least it doesn't seem any easier on the R50 than I remember it being.

While taking the pictures of the black cat, I found magnify focus to be more effective.

One thing of course the R50 has the nifty "focus guide" feature, which is pretty cool. Sadly that does not work where you most need it - with the cheap-o third party lenses such as the TTArtisan.
Does adjusting sharpness in the picture style settings still change focus peaking performance ?
Don't know ... I'll have to try this.
Just tried this, and indeed, if I set the Sharpness to 7 focus peaking seems brighter, than vs 0. Didn't know that trick!

I guess if you're shooting RAW this won't impact the photo itself, but if you're shooting JPEG, it would...
On the M6II I found that eyes most always have a sparkle that will really light up focus peaking with the sharpness turned up in the picture style when using a sharp lens.

The sharper the lens the better focus peaking works ?

Some lenses I can manually focus very fast using my right middle finger on the focus ring with my trigger finger on the shutter button ready to go.

I found the M50II was also able to switch from auto focus to manual focus with digital zoom and back quickly.

Looking forward to testing a R50 at Best Buy. :)
Thanks for the review and the info on the R50 focus peaking.

There are some sharp fast manual focus primes for the R mount and the R50 has a great sensor.

I like some of these new lenses.

I liked using fast sharp prime lenses on the M50II.

R50 sensor is even better and I don't mind cleaning the sensor.

I change lenses a lot. :)
 
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Great review! I was so torn between R50 and R10. I was leaning towards R10 (Just because of the joystick) but now this review makes things little more tricky. :)

For me, the deciding factor is the joystick on R10 vs smaller form of R50. Price is negligible. I sold my M50 kit (22 f2, 15-45, and 55-200) last December in anticipation of R50. I was able to hold R10 in person and it was quite small. I wonder how the size of R50 compares but my local BestBuy doesn't have R50 yet.

Still torn. Anyone held both R50 and R10 and can comment on the size difference? I've seen it in the camerasize comparison, but would like to get input from someone who held both.
 
My take is that 24 on the wide end of the 24-240 takes it completely out of the running for an 'everyday carry' lens. Having lived with the Oly 12-100 which is pretty much the gold standard for this type of lens even the ~29mm on the 18-150 is a bit disappointing, but livable.

Maybe if you're pairing the 24-240 with something like the EF-S 10-18, but that undermines the 'one lens for everything' value proposition of these super-zooms.

So, IMHO the 18-150 is a FAR better choice for APS-C, and honestly the hit to swap the 18-150 for the 24-240 at MPB/KEH is a small price to pay if you do eventually go FF.
 
Great review!

I was so torn between R50 and R10. I was leaning towards R10 (Just because of the joystick) but now this review makes things little more tricky. :)
Thanks, glad to be of “help”!
For me, the deciding factor is the joystick on R10 vs smaller form of R50. Price is negligible. I sold my M50 kit (22 f2, 15-45, and 55-200) last December in anticipation of R50. I was able to hold R10 in person and it was quite small. I wonder how the size of R50 compares but my local BestBuy doesn't have R50 yet.

Still torn. Anyone held both R50 and R10 and can comment on the size difference? I've seen it in the camerasize comparison, but would like to get input from someone who held both.
Sounds like when you tested the R10 in person if it seemed small enough for your needs, it may be the better choice for you. I haven’t held the R10, so I can’t say. I just know that on paper at least it was a little too bulky for me, and R50 broke thru rather arbitrary “400g” barrier, which got me intrigued.

I personally haven’t missed the joystick on the R50, but the design compromises on the R50 for the compact form factor and lower price point will not be right for everyone.
 
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  • Creative assist and Advanced A+ modes look interesting, but also not features I reach for since I usually just shoot RAW.
It seems almost no reviews go into any depth about the Advanced A+ mode. Anything you can add would be of interest. Especially how it handles low light scenes without flash.
Seems I won't get the chance to explore this too much. I played with it some, but no conclusive results, and I didn't do it justice. However, some quick observations so far:

During my few attempts in lower light I was seeing some unpredictable behavior, with inconsistent results. For the same scene, for shots with a little bit of movement in between, sometimes the camera took multiple shots and other times one. It sometimes seemed to think I needed HDR, or depth of field, and other times not.

Here's one shot of a cat in a dark corner where it took multiple shots and did a better job than my few handheld attempts at Av mode. However the result in not great:

Advanced A+
Advanced A+

A bunch of outdoor shots came out pretty good, but Advanced A+ didn't seem to add much. In this one the sky is more pleasant, but doesn't seem like anything that advanced, something I could probably achieve in post:

Advanced A+
Advanced A+

Just Av
Just Av

And finally in this indoor shot it did some adjustments, but I don't like it:

Advanced A+
Advanced A+

Versus a regular shot:

Not Advanced A+
Not Advanced A+

The above shots are all JPEGs out of the camera, as-is.

Take all this with a grain of salt, since I really didn't do it justice.

I may play with it some more, or even reach for in low light situations, which is where I think it may be of help to me.

One other observation:

To enable Advanced A+. you set the mode to "A+". In this mode the menus are simplified, and in the very first pane of the menus you have an "A+ Assist" item, which you tap on to select between the three A+ modes, last one being Advanced A+.

That's fine, but one frustrating thing is that every time you switch to another mode and back, or turn the camera off, the A+ mode reverts back to the first option, "Creative Assist." That seems counterintuitive. It's also a bit frustrating as you go back and forth between modes.
 
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  • Creative assist and Advanced A+ modes look interesting, but also not features I reach for since I usually just shoot RAW.
It seems almost no reviews go into any depth about the Advanced A+ mode. Anything you can add would be of interest. Especially how it handles low light scenes without flash.
Seems I won't get the chance to explore this too much. I played with it some, but no conclusive results, and I didn't do it justice. However, some quick observations so far:

During my few attempts in lower light I was seeing some unpredictable behavior, with inconsistent results. For the same scene, for shots with a little bit of movement in between, sometimes the camera took multiple shots and other times one. It sometimes seemed to think I needed HDR, or depth of field, and other times not.

Here's one shot of a cat in a dark corner where it took multiple shots and did a better job than my few handheld attempts at Av mode. However the result in not great:

Advanced A+
Advanced A+

A bunch of outdoor shots came out pretty good, but Advanced A+ didn't seem to add much. In this one the sky is more pleasant, but doesn't seem like anything that advanced, something I could probably achieve in post:

Advanced A+
Advanced A+

Just Av
Just Av

And finally in this indoor shot it did some adjustments, but I don't like it:

Advanced A+
Advanced A+

Versus a regular shot:

Not Advanced A+
Not Advanced A+

The above shots are all JPEGs out of the camera, as-is.

Take all this with a grain of salt, since I really didn't do it justice.

I may play with it some more, or even reach for in low light situations, which is where I think it may be of help to me.

One other observation:

To enable Advanced A+. you set the mode to "A+". In this mode the menus are simplified, and in the very first pane of the menus you have an "A+ Assist" item, which you tap on to select between the three A+ modes, last one being Advanced A+.

That's fine, but one frustrating thing is that every time you switch to another mode and back, or turn the camera off, the A+ mode reverts back to the first option, "Creative Assist." That seems counterintuitive. It's also a bit frustrating as you go back and forth between modes.
Thanks for the info. Reviews mentioned it was actually kind of difficult to engage this mode. Should have just been a setting on the mode dial all by itself.

It appears it may be a few more days before everything is shut down so if you experiment anymore and are able I'd love to know what you find. Thanks again.

--
Jonathan
 
  • Creative assist and Advanced A+ modes look interesting, but also not features I reach for since I usually just shoot RAW.
It seems almost no reviews go into any depth about the Advanced A+ mode. Anything you can add would be of interest. Especially how it handles low light scenes without flash.
Seems I won't get the chance to explore this too much. I played with it some, but no conclusive results, and I didn't do it justice. However, some quick observations so far:

...
Thanks for the info. Reviews mentioned it was actually kind of difficult to engage this mode. Should have just been a setting on the mode dial all by itself.

It appears it may be a few more days before everything is shut down so if you experiment anymore and are able I'd love to know what you find. Thanks again.
I played around with Advanced A+ some more. One interesting observation, which I was going to post here, but my attempts to upload photos to DPReview don't seem to be working. (Is the end near!?)

So I posted the photos here instead, hope you can see it: https://dprevived.com/t/r50-advanced-a-observation/1988/
 
I tried the M version of a couple of lenses, like the 18-150, and honestly, they're not good. If Canon gets serious about crop cameras I'd love one for a number of uses. But those lenses, frankly, stink.
 
I'm close to buying the R-mount version of the 18-150mm. Thoughts on whether it is any better than the EF version?
 
I wouldn't but the 18-150 new for $499. $300 will be the going price used open-box fairly soon. MPB has them for $339. Kit lenses always depreciate pretty quickly as people upgrade or use those nice compact primes. ;)

--
SkyRunR
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'The first casualty, when war comes, is truth' - Hiram Johnson (1866-1945)
 
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I wouldn't but the 18-150 new for $499. $300 will be the going price used open-box fairly soon. MPB has them for $339. Kit lenses always depreciate pretty quickly as people upgrade or use those nice compact primes. ;)
$339 is a good price. I am not seeing too many refurbished yet, except Amazon for $419. Of course I suspect refurb usually just means “used,” except hopefully with a higher chance of success.
 
$339 is a good price. I am not seeing too many refurbished yet, except Amazon for $419. Of course I suspect refurb usually just means “used,” except hopefully with a higher chance of success.
Yes, I see the 18-150mm at MPB for $339, and they have a *ton* of them. All "like new" so probably returned kit lenses for a previous APS-C body (R10? R7?) Nice that MBP photographs each item individually, not just stock photos. Probably going with them (unless I get tempted by an R8 today).
 
It's been a while since I got the R50. I thought I'd look over the review I put up rather quickly, thinking DPReview was closing down, to see what held up and what didn't ...
...

Canon markets the R50 as an entry level camera: “A great camera for those who are looking to lean into interchangeable lenses.” This comes across in the low price, and in many of the hardware specs ... It also comes thru in some artificial software limitations, such as:
  • You cannot change the ISO increment value, it's fixed at ⅓ stop. So it takes three clicks to go from 100 to 200 ISO. I prefer 1 stop increments. (And frankly I am surprised in absence of a control for this, Canon set the value to ⅓ rather than a more user-friendly 1.)
  • Another setting you can’t change is what the magnify button does when viewing an image; I usually change that to zoom to 100% directly so I can check focus. On the R50 the magnify button just incrementally zooms in. I'm not sure how many clicks it takes to get to actual pixels.
The above two still annoy me, but they are not showstoppers. Seems silly and unnecessary for Canon to leave these out.
Lack of sensor cleaning is a longer term concern. I do not know whether dirt on the sensor will be a problem over time. I used early DSLRs for many years without any sort of sensor cleaning, and no perceived problems, but R50 has smaller pixels.
This is probably the biggest issue I have with the R50. At one point I was playing around with 2x extender on the 800mm f/11 - and at f/22 I could see a lot of dust on the sensor! Took a while to blow it all off - luckily I didn't have to resort to wet cleaning... yet.

Sensor cleaning is something I haven't had to worry for years on recent Canon cameras. Even smaller M cameras feature automatic sensor cleaning - it's unfortunate the R50 doesn't have it.
These limitations aside, I find the R50 to be a capable enough camera:
  • Auto focus feels as solid as that on the R5, and better than the M6II.
I am constantly amazed at how well the R50 will focus on people, animals, birds, insects - even when not foreground, and even thru significant obstructions.
  • Photos look fantastic. Although I was concerned about going from M6II’s 32MP down to 24MP, in practice I haven’t seen this to be an issue. I think only cases requiring heavy cropping will suffer from this deficiency.
  • Camera is very responsive.
  • Burst shot capabilities - fast but limited to a relatively small buffer - are more than good enough for my casual use cases, and I imagine many others.
  • Fully articulating rear touch screen works well.
Still agree with all of the above.
  • Video specs are very good, and the few videos I shot look great. However, I am not a video person.
  • Creative assist and Advanced A+ modes look interesting, but also not features I reach for since I usually just shoot RAW.
Haven't done much video, and haven't used the Advance A+ mode at all, so can't really speak to either.
... I was concerned about having fewer physical controls on the R50 compared to the M6II. While I am very much a direct control person, I am finding this to be not as serious of an issue as I feared - the things I most frequently change are straightforward enough
While I wish there was one more button, this remains a very minor annoyance.
... One downside with lenses for the R50 is the serious gaps in the RF-S lens range.
The RF-S 10-18 has helped close one gap, and the RF 28mm f/2.8 is also nice, relatively small option (but not RF-S). Still waiting for the RF-S version of EF-M 32mm f/1.4.

Of course if needed being able to slap on the 800mm f/11 or 200-800mm, along with extender if needed, to get up to 1600mm (2560mm effective with 1.6x crop) is pretty amazing for such a light and inexpensive camera.
Do I recommend the R50?
  • It’s the obvious option for anyone looking for the cheapest possible, or the smallest/lightest R camera.
Since this review Canon came out with the even cheaper R100. So the R50 is no longer the cheapest, but the R100 cuts a lot of corners.

I am very much enjoying the light weight of the R50 and the relatively small size.
... I wish that as Canon introduces more APS-C R cameras, they disassociate “compact” and “beginner / low-priced.” They should look to produce an R camera that is small as possible while not sacrificing advanced features. Small doesn’t need to mean inexpensive or "entry level."
Still wishing for a M6II or smaller sized R that is at least as capable as the R50. And also on my wishlist for such a camera would be:
  1. Sensor cleaning
  2. 32MP or higher resolution
  3. IBIS
In the meantime the R50 is serving well as my light travel camera, with good performance, great image quality, and flexibility to use a lot of lenses.
 
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I'm close to buying the R-mount version of the 18-150mm. Thoughts on whether it is any better than the EF version?
If you mean the M version, than not really. It's not a bad lens, but, well, not great either.
@you and @ali:

I did love the R50 but I found the kit RF-S lens a bit soft. I eBayed it off and just recently got the (full-frame) R8, with Canon's 35mm f1.8 lens. The body was/is on-sale for $1299--quite a bargain. With the much better glass, I'm getting great results.

It was between the Nikon Zf and the R8 because I still am partial to Nikon *if* the specs are comparable. But, even the new Zf can't hold a candle to the R8 (or my ex-R50) in the focusing department, so after a little research, I got the Canon.

--
I don't feel the need to "defend" Nikon when genuine problems are credibly demonstrated. I don't reflexively claim that "user error" or lack of "skill" are to blame.
 
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