Counterpoint: if EF-S doesn't have what you want, why not just go FF?

I've gone the opposite way from FF to APS-C. I am retired now and no longer want to carry around my 5D3 and a bunch of L glass except when I'm close to home. (In film days I carried 2 pro SLR's and big lenses.) No one pays me to carry a heavy load anymore, and I am happy for now with my relatively cheap and oh-so-light Rebel. Actually, I wanted to move further down to a G-series camera but was unhappy with the compromises. So to me my Rebel T6s is feature-laden compared with the all-in-ones. Exposure accuracy suffers some and I don't obsess about noise anymore. If I'm still around in a few years, I may move up to the 7DII equivalent, but that's as far as I'm going.

My back and shoulders thank me.
 
I think if you spend real money on glass, you are crazy not to have both. Each lens then effectively becomes two lenses.
 
I've gone the opposite way from FF to APS-C. I am retired now and no longer want to carry around my 5D3 and a bunch of L glass except when I'm close to home. (In film days I carried 2 pro SLR's and big lenses.) No one pays me to carry a heavy load anymore, and I am happy for now with my relatively cheap and oh-so-light Rebel. Actually, I wanted to move further down to a G-series camera but was unhappy with the compromises. So to me my Rebel T6s is feature-laden compared with the all-in-ones. Exposure accuracy suffers some and I don't obsess about noise anymore. If I'm still around in a few years, I may move up to the 7DII equivalent, but that's as far as I'm going.

My back and shoulders thank me.
You could have moved down to 6D and non L glass though. But if this works for you then it works for you.
 
OP has a very good point. In terms of cost, size and weight APS-C has very little (if any) advantages over FF. The 17-55mm f2.8 is as large and expensive as the 24-70mm f4. The (Sigma) 50-100mm f1.8 is as large and almost as expensive as the (Tamron V2) 70-200mm f2.8. A 50mm f1.8 has nothing that comes close to the same aperture, size or price in terms of 30/35mm lenses. So why do I and others complain about the EF-S lens selection?

In short it's because the whole system is manipulative. Canon makes six (!) different APS-C DSLR cameras. They heavily market them. And even though it is clearly possible to make good APS-C lenses (Tokina makes good f2.8 ultrawides, Sigma makes 30mm f1.4 normal lenses and the 18-35mm and 50-100mm f1.8 zooms) Canon chooses not to. Even though they are trying to get as many people as possible to buy APS-C interchangable lens cameras. In essence they are trying to manipulate as many as possible to buy full-frame lenses that are suboptimal on APS-C cameras, which then makes people feel like they need to buy full frame cameras. And I don't like feeling manipulated.

So yes, full frame is a perfectly acceptable solution, we don't need to use APS-C cameras. But in addition to not liking feeling manipulated, the full frame cameras we find ourselves needing after buying one, two or three full frame lenses are much much more expensive than APS-C cameras. It makes no sense to compare an 80D with a much more advanced focusing system than the 6D and a long list of extra features. Maybe the new 6D2 will be more comparable, but it will probably debut at around 2000 dollars. That's almost twice as much as the 80D, or ~900 dollars more. For an average enthusiast with 3 or 4 lenses a difference of 900 dollars is a lot.
 
OP has a very good point. In terms of cost, size and weight APS-C has very little (if any) advantages over FF. The 17-55mm f2.8 is as large and expensive as the 24-70mm f4. The (Sigma) 50-100mm f1.8 is as large and almost as expensive as the (Tamron V2) 70-200mm f2.8. A 50mm f1.8 has nothing that comes close to the same aperture, size or price in terms of 30/35mm lenses. So why do I and others complain about the EF-S lens selection?

In short it's because the whole system is manipulative. Canon makes six (!) different APS-C DSLR cameras. They heavily market them. And even though it is clearly possible to make good APS-C lenses (Tokina makes good f2.8 ultrawides, Sigma makes 30mm f1.4 normal lenses and the 18-35mm and 50-100mm f1.8 zooms) Canon chooses not to. Even though they are trying to get as many people as possible to buy APS-C interchangable lens cameras. In essence they are trying to manipulate as many as possible to buy full-frame lenses that are suboptimal on APS-C cameras, which then makes people feel like they need to buy full frame cameras. And I don't like feeling manipulated.

So yes, full frame is a perfectly acceptable solution, we don't need to use APS-C cameras. But in addition to not liking feeling manipulated, the full frame cameras we find ourselves needing after buying one, two or three full frame lenses are much much more expensive than APS-C cameras. It makes no sense to compare an 80D with a much more advanced focusing system than the 6D and a long list of extra features. Maybe the new 6D2 will be more comparable, but it will probably debut at around 2000 dollars. That's almost twice as much as the 80D, or ~900 dollars more. For an average enthusiast with 3 or 4 lenses a difference of 900 dollars is a lot.
Maybe, perhaps, if someone complain for a missing lens is not that is fully unsatisfied of its apsc system. It is just missing something. Should i throw a system that is 90% working for me just because i miss that 10%? Maybe not.

PS: The 17-55 has the same DOF of the 24-70 but the f2.8 defeats the ISO advantage of a FF f4.0.
 
OP has a very good point. In terms of cost, size and weight APS-C has very little (if any) advantages over FF. The 17-55mm f2.8 is as large and expensive as the 24-70mm f4. The (Sigma) 50-100mm f1.8 is as large and almost as expensive as the (Tamron V2) 70-200mm f2.8. A 50mm f1.8 has nothing that comes close to the same aperture, size or price in terms of 30/35mm lenses. So why do I and others complain about the EF-S lens selection?
IMO, APS-C has a big advantage when you want more reach or for macro. Sure you can crop a 5DSR but that body costs far more than an 80D.
In short it's because the whole system is manipulative. Canon makes six (!) different APS-C DSLR cameras. They heavily market them. And even though it is clearly possible to make good APS-C lenses (Tokina makes good f2.8 ultrawides, Sigma makes 30mm f1.4 normal lenses and the 18-35mm and 50-100mm f1.8 zooms) Canon chooses not to. Even though they are trying to get as many people as possible to buy APS-C interchangable lens cameras. In essence they are trying to manipulate as many as possible to buy full-frame lenses that are suboptimal on APS-C cameras, which then makes people feel like they need to buy full frame cameras. And I don't like feeling manipulated.

So yes, full frame is a perfectly acceptable solution, we don't need to use APS-C cameras. But in addition to not liking feeling manipulated, the full frame cameras we find ourselves needing after buying one, two or three full frame lenses are much much more expensive than APS-C cameras. It makes no sense to compare an 80D with a much more advanced focusing system than the 6D and a long list of extra features. Maybe the new 6D2 will be more comparable, but it will probably debut at around 2000 dollars. That's almost twice as much as the 80D, or ~900 dollars more. For an average enthusiast with 3 or 4 lenses a difference of 900 dollars is a lot.
Couldn't agree more!
 
I think if you spend real money on glass, you are crazy not to have both. Each lens then effectively becomes two lenses.

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Ed Rizk
All you need to do is to get the 5DSR. If you crop the 50,6 Mpixel to the same size as a Canon APS-C camera, you get 20 Mpixel. This camera has a x1,6 extender built in, without image quality loss, and without one stop of light loss.

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Stupid is as stupid does - Forrest Gump
Interesting point.

You can get the 6D and 80D for about the same price, though. Then you have a back up and the option of carrying both.

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Ed Rizk
I guess the opposite argument would be if I had the 5DSR, I only have to carry one camera with me because it does the job of your two.
 
In short it's because the whole system is manipulative. Canon makes six (!) different APS-C DSLR cameras. They heavily market them.
Every manufacturer makes more APS-C bodies than full frame and every maker markets them more as well. I assume this is because the vast majority of people entering the DSLR market are going to do so through an APS-C body because of the cost. These are the people that most of the marketing is geared toward.
And even though it is clearly possible to make good APS-C lenses (Tokina makes good f2.8 ultrawides, Sigma makes 30mm f1.4 normal lenses and the 18-35mm and 50-100mm f1.8 zooms) Canon chooses not to.
Canon makes many good APS-C lenses. The 10-18mm STM, 18-135mm STM, 55-250mm stm and 24mm stm are all really great lenses. Other than the pancake one, they don't have wide apertures, but they are great lenses.

How many examples that you gave a big selling lenses? The Sigma 18-35mm has a lot of owners, but I don't think there are that many people who own the others...
Even though they are trying to get as many people as possible to buy APS-C interchangable lens cameras. In essence they are trying to manipulate as many as possible to buy full-frame lenses that are suboptimal on APS-C cameras, which then makes people feel like they need to buy full frame cameras. And I don't like feeling manipulated.
Who told you full frame lenses are suboptimal on APS-C? They are just as good as APS-C lenses are for the most part. I really don't think Canon is trying to manipulate people that much.

I think it's really much simpler than you guys are making it out to be. If Canon makes an EF lens, it will work on all full frame AND APS-C bodies. If they make an APS-C lens, it doesn't work for many of their bodies, and ON AVERAGE, full frame users most likely purchase more lenses than APS-C users. So, unless there is a large advantage to making a lens APS-C only... why would you?
 
A new 6D is $1270, a refurbed one is $1200. The 80D, which is comparable in level of control and design, is $1100.
So you think 11 AF points with only one cross type and no f8 focusing is comparable to 45 all cross type points with 27 of them f8 compatible?
No, which is why I mentioned other aspects of the 80D's autofocus. I was talking about the body (i.e. materials) and controls (i.e. control wheels and dials).

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Sometimes I take pictures with my gear- https://www.flickr.com/photos/41601371@N00/
The 5D III is twice the price of the 80D. Its not only the sensor size.

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Stupid is as stupid does - Forrest Gump
The 6D is not. The 7D2 costs more than the 6D. What's your point?
The 6D has the AF capabilities of my 10 year old Rebel while the 5D3 which can compare to the capabilities of the 80D is still way more expensive than it. The point is FF is significantly more expensive if you compare similar capabilities.
I went from a t2i to the 6d, and while they're AF systems may look similar on paper, I have found the 6d AF to be much faster and more accurate than the old t2i, particularly in low light.
 
For an average enthusiast with 3 or 4 lenses a difference of 900 dollars is a lot.
Is it really though, when most fast glass costs $400-600 on either format?
 
No matter how you slice it, there are a lot of compelling reasons to move up. A lot of the reasons people cite are just flat out wrong or lacking context.
No need to prove anything, no right or wrong answer, only personal preference, I got my first FF 1DS MK II more than 10 years ago, but I always have APS-C, APS-H and FF up until today, I have to admit the APS-H is the least favor format for from day one I picked up the 1DMK II, so I hardly use this format any more, sold the 1D MK IV but still have a dinosaur 1D MK II which I keep just for fun. it brings back some good old memory and reminds me we came a long way.
 
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No matter how you slice it, there are a lot of compelling reasons to move up. A lot of the reasons people cite are just flat out wrong or lacking context.
No need to prove anything, no right or wrong answer, only personal preference, I got my first FF 1DS MK II more than 10 years ago, but I always have APS-C, APS-H and FF up until today, I have to admit the APS-H is the least favor format for from day one I picked up the 1DMK II, so I hardly use this format any more, sold the 1D MK IV but still have a dinosaur 1D MK II which I keep just for fun. it brings back some good old memory and reminds me we came a long way.
I also find it necessary to have multiple formats... it's all in what you need for the moment. However, I tend to use the 1D4 as often as the APS-C's and find it very useful for air shows. I also get more hits with it than my 7D2. I'll be keeping mine until it just breaks down :-)

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https://www.flickr.com/photos/128728392@N05/albums/72157648429825829
 
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No matter how you slice it, there are a lot of compelling reasons to move up. A lot of the reasons people cite are just flat out wrong or lacking context.
No need to prove anything, no right or wrong answer, only personal preference, I got my first FF 1DS MK II more than 10 years ago, but I always have APS-C, APS-H and FF up until today, I have to admit the APS-H is the least favor format for from day one I picked up the 1DMK II, so I hardly use this format any more, sold the 1D MK IV but still have a dinosaur 1D MK II which I keep just for fun. it brings back some good old memory and reminds me we came a long way.
I also find it necessary to have multiple formats... it's all in what you need for the moment. However, I tend to use the 1D4 as often as the APS-C's and find it very useful for air shows. I also get more hits with it than my 7D2. I'll be keeping mine until it just breaks down :-)
 
No matter how you slice it, there are a lot of compelling reasons to move up. A lot of the reasons people cite are just flat out wrong or lacking context.
No need to prove anything, no right or wrong answer, only personal preference, I got my first FF 1DS MK II more than 10 years ago, but I always have APS-C, APS-H and FF up until today, I have to admit the APS-H is the least favor format for from day one I picked up the 1DMK II, so I hardly use this format any more, sold the 1D MK IV but still have a dinosaur 1D MK II which I keep just for fun. it brings back some good old memory and reminds me we came a long way.
I also find it necessary to have multiple formats... it's all in what you need for the moment. However, I tend to use the 1D4 as often as the APS-C's and find it very useful for air shows. I also get more hits with it than my 7D2. I'll be keeping mine until it just breaks down :-)
 
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PS: The 17-55 has the same DOF of the 24-70 but the f2.8 defeats the ISO advantage of a FF f4.0.
Full-frame has a 1 and 1/3 stop advantage at same f-number (at equivalent focal length, i.e. 50mm f1.8 on APS-C compared to 80mm f1.8 on full frame). But this is simply because the entrance pupil, i.e. the actual aperture diameter is equal to the focal length divided by the f-number. So even though the f-number is the same the actual aperture is larger. For equal aperture equivalent lenses (in this example a 50mm f1.8 on APS-C and a 80mm f2.9 on full-frame, both 28mm aperture) the amount of light gathered is equal for equal angle of view (i.e. equivalent focal length). Assuming both sensors can collect the same number of photons before overflowing the image quality will be exactly the same for the same exposure time.

So it's the most correct way to compare lenses across sensor sizes to find the equivalent both focal length as well as f-number. This will result in lenses with the same aperture diameter and the same angle of view that collect the same amount of light and have the approximately same amount of glass (unless one needs to be much more retrofocal than the other because of the flange distance, as is the case for 30/35mm on crop vs 50mm on FF).
Canon makes many good APS-C lenses. The 10-18mm STM, 18-135mm STM, 55-250mm stm and 24mm stm are all really great lenses. Other than the pancake one, they don't have wide apertures, but they are great lenses.
While the lenses have good image quality their aperture is horrible! The 10-18mm is a 16-29mm f7.2-9 FF-equivalent! The 18-135mm is a 29-216mm f5.6-9 and the 55-250mm is a 88-400mm f6.4-9. Meanwhile the full frame Sigma 100-400mm f5-6.3 is being disparaged for having too small an aperture! Finally the 24mm is a full frame equivalent of 38mm f4.5. I wouldn't call that a wide aperture.

To be fair I like some of these lenses. I have the 55-250mm and I love it, and I'm planning to get the 24mm. But the problem is that Canon could make wider aperture EF-S lenses that could compare to full frame lenses on full frame bodies. Sigma proves this. They would cost similarly to full-frame lenses of course, but there's a lot of people that want to buy one or two big expensive lenses like this, while still having the option of using their cheap small aperture lenses and not having to buy an extremely expensive full frame body. Canon chooses not to offer this option for the single purpose of 'forcing' people to buy full frame. This is what p*sses so many people off.
Who told you full frame lenses are suboptimal on APS-C? They are just as good as APS-C lenses are for the most part.
Full frame lenses are made for a larger image circle than APS-C lenses. Look at the Sigma 30mm f1.4 ART. It costs 500 dollars. Canon have two similar focus length full frame lenses that are the same size and cost the same, a 28mm and a 35mm. But their aperture are f1.8 and f2. The point I'm making is that either you are paying for more glass than you use, or you're stuck with a larger aperture than it could have been if it were a crop lens. Lenses like the 18-35mm and 50-100mm would either have to be a smaller aperture, or much larger and more expensive if they were full-frame.
For an average enthusiast with 3 or 4 lenses a difference of 900 dollars is a lot.
Is it really though, when most fast glass costs $400-600 on either format?
It's the difference between having a certain set of lenses and having a similar set of lenses + one more. I would say that is a significant difference.
 

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