Will the 5D4 & 1D X II really get new sensors?

My default are zeros on every slider. When a file clips in this condition, you know the profiler got heavy handed.
What you see with the sliders top right all at '0' is probably just an arbitrary 9 stop consumer curve, or whatever.

With newer cameras, and especially if you want tone compressed "high DR" images, you'll want to set contrast to -10 to -15, shadows at +8-15 and maybe highlights to -5 to -10 or so.

You do that ONCE, then save that as default Development Settings for that camera and that's what you're going to get with every import after that. If you like noise reduction, then you can set default settings on a 'per ISO' basis—and include NR in the default settings as well (and of course lens corrections and all that).

You can of course also go back and 'reset' development settings on older pictures—they will then pick up these new settings.

0 on the right side of the development settings doesn't really mean much. You can try the LR profile on the left side: Zeroed. That will further flatten the image.

If you don't want to make adjustments like these, then that's fine. But the "problem" isn't with the software—and you certainly don't need to buy additional stuff to "correct" this.
 
Wrong. I want to asses the full capabilities of the sensor.
LOL! So we agree. Because you will absolutely never - ever - see the full capabilities of the sensor using Adobe's (current) software.

This is how bad you're off using Adobe's software:

 
Wrong. I want to asses the full capabilities of the sensor.
LOL! So we agree. Because you will absolutely never - ever - see the full capabilities of the sensor using Adobe's (current) software.

This is how bad you're off using Adobe's software:

http://www.dpreview.com/forums/post/57099728
It's really not worth getting worked up about. I don't have any problem with Adobe software at all. It's actually been great with most of my cameras after I've profiled them properly. Granted, Adobe's profiles for the 5Ds/r are a PITA, and I've actually got better results with that camera with older (CS5) ACR versions requiring DNG conversion and custom profiles.

The point I'm making is that DPP performs chromatic and luminance NR of all photos, at any ISO, and there's nothing you can do about it. Why would I want NR performed on an ISO 100 shot? Why would I want thin coloured lines to get desaturated by chroma NR? That's a pain in the rear for technical photography. I expect that from in camera JPEGs, but not from raw converters. At least I have a choice with the third party options. I can profile to my hearts content with most software, but I can't turn off the damned NR in DPP. So no, DPP doesn't let you get as close to the actual raw data as you can in other software. That doesn't mean that DPP doesn't do good work, just that It's not ideal for some work.
 
What does the new 80D sensor suggest? Some thought this sensor would be a precursor.

RAW here:

https://app.box.com/s/yy0jd0m8p8ycc5fdxyh0rrdsl24cx3k4

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Once you've done fifty, everything else is iffy.
Nice that Canon has got rid of banding , 6D was cleaner in the shadows but couldn't compare against D800 series regarding color reproduction, signal / noise in the lower levels, I think I can see the same in the 80D, Canon has come closer to a cleaner results but there still remains more work
Since the D800 isn't without noise during a severe shadow lift, the same could be said of it: there's more work to be done.
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Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Sony . Phantom 2+
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Once you've done fifty, everything else is iffy.
one thing is that Canon 80D has got lower colour noise and banding compared to 5dmk3, 1DX etc due the read out but there IMO at least one stop more DR from Nikon d800 series

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Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Sony . Phantom 4
 
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Well, once again the comparisons suffer greatly from the super contrasty Adobe Raw profiles used for the 5DsR. Just compare the blacks. For the 80D they've apparently abandoned these "new" profiles which make the 5DsR look like sh.. .
Do you (or does anyone) have a favored workaround for the ACR profiles? I agree - for a lot of my photography, the super contrasty ACR profile for the 5DSR does "...look like sh.."!!
I have been using a 3rd party profiler, Huelight, even before the 5DsR profiles were launched. $15 per camera.
Thanks for the information! I just ordered it.
Great. Tell us what you think. Several other shooters on the forum use Huelight too
I bought it and I don't use it. I like Camera Standard. After editing using exposure highlights and shadows and setting of white point and black point I don't see the advantage of this profile. That's for how I edit my pictures, others clearly have other opinions.
 
one thing is that Canon 80D has got lower colour noise and banding compared to 5dmk3, 1DX etc due the read out but there IMO at least one stop more DR from Nikon d800 series
I can't disagree with this but I was working with your previous wording.
 
What does the new 80D sensor suggest? Some thought this sensor would be a precursor.

RAW here:

https://app.box.com/s/yy0jd0m8p8ycc5fdxyh0rrdsl24cx3k4

--
Once you've done fifty, everything else is iffy.
I've been wondering if perhaps Nikon made a licensing deal with Sony back in 2010 to get access to the column ADC technology. The D7000 (Sept 2010) was the first Nikon to have clean shadows, and no one other than Sony and Nikon had that for a few years, so maybe it was an exclusivity thing.
(OT) I thought the D3x (2008) was the first Nikon with a Sony sensor. If you look at Claff's PDR chart, the camera had the best DR for several years (and the highest resolution). I shot with the D3x for several years without knowing that I could jack up the shadows with impunity. I treated it more like a Canon file. :)
Yep, I think you're right about the D3x. I was suffering from a little APS-C fixation there! Thanks for the correction.

How could you not jack up the shadows!? I thought that was mandatory! :-)
That was then. Now, I know what to do.

I have been working on a year long project to re-process all of my files (4900 and counting) to the dimensions of my 'new' 4k monitor. it just so happens that today I am working on 2011 photo trips and I have this series of images shot at dawn in Rocky Mountain National Park with the 5D2 and the D3x.

Unprocessed
Unprocessed

Processed
Processed

Unprocessed
Unprocessed

Processed
Processed

No massive shadow lift but this is the light I remember. Both brands do a good job.
Is it just a coincidence that 5 years later, Nikon have released a camera that doesn't seem to benefit from Sony technology? Was it a 5 year deal that specifically sought to stop Canon using such technology? Seems a bit odd that at the same time Nikon appears to have stopped using column ADCs, Canon appears to started.

Anyway, IF that's the case, I would expect Canon sensors to be much improved in terms of low ISO shadow noise, and since that looks like what has happened with the 80D and 1Dx II, yes, they (and the 5DIV) really have got new sensors.
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Once you've done fifty, everything else is iffy.
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Once you've done fifty, everything else is iffy.
 
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What does the new 80D sensor suggest? Some thought this sensor would be a precursor.

RAW here:

https://app.box.com/s/yy0jd0m8p8ycc5fdxyh0rrdsl24cx3k4

--
Once you've done fifty, everything else is iffy.
I've been wondering if perhaps Nikon made a licensing deal with Sony back in 2010 to get access to the column ADC technology. The D7000 (Sept 2010) was the first Nikon to have clean shadows, and no one other than Sony and Nikon had that for a few years, so maybe it was an exclusivity thing.
No, they just bought Sony sensors.
Is it just a coincidence that 5 years later, Nikon have released a camera that doesn't seem to benefit from Sony technology?
The D2H, D3, D3s, D4, D4s sensors didn't benefit from Sony technology. The D4 and D4s have on-chip ADCs, but not column parallel ones. I have a theory that the D5 also has on chip-ADCs, but that they are just the Analog Devices devices (as used on Canons and the D3 and D3s) integrated onto the chip. AD does sell their devices as IP blocks. Maybe they did that because the ADC IP for the D4 was from Aptina, who is under different ownership and might not have been willing to sell (or that the patent swap that Aptina and Sony did prevents it).
Was it a 5 year deal that specifically sought to stop Canon using such technology? Seems a bit odd that at the same time Nikon appears to have stopped using column ADCs, Canon appears to started.
Column ADCs are not exclusive to Sony. Panasonic, Toshiba and Samsung also use them. Now Canon does too.
Anyway, IF that's the case, I would expect Canon sensors to be much improved in terms of low ISO shadow noise, and since that looks like what has happened with the 80D and 1Dx II, yes, they (and the 5DIV) really have got new sensors.
The new Canon column ADCs are all their own work, I would wager. No Sony input.
they have not stooped to use column ADC, they don't use it D5, big difference

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Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Sony . Phantom 4
Maybe you have an inside line at Nikon and you know far more than me (I hope so!), but it's a little odd that Nikon have released their most expensive DSLR ever with worse low ISO shadow noise than the model it replaces. I hope you're right, I really do, because no one wants to take a step backwards in image quality, no matter how small.

I guess the D500 will tell us whats going on one way or the other.
Why they don't use Sony in D5 ? high iso optimised camera , using their own IP (looks like a continuation of D3s) and this was made by another vendor than Sony, earlier D3s sensor was made together with Renesas. Today Renesas is own by Sony.
Renesas isn't owned by Sony. Sony just bough the fab line that Nikon used from Renesas. Renesas, as a company is still running. I would also say it's not quite accurate that the D3s was made 'together with Renesas'. Renesas was acting as a foundry, that is contract fabrication. All the design, so far as we know, was Nikon (though very possibly they bought in IP for the ADC on the D4)
Only Nikon knows , but that it is not the same as Nikon wouldn't use Sony in their D500 or or in the next generation of D800 series cameras
The top line Nikons have used a Nikon sensor since the D2H (though D2X was Sony, though very much made to Nikon specs just for Nikon). It's something they won't drop, just like Canon won't drop fabbing their own sensors, even if it makes no sense. It's corporate pride.

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Bob.
“The picture is good or not from the moment it was caught in the camera.”
Henri Cartier-Bresson.
Do we know that Canon is using column ADC solution as Sony ? A bird whispered in my ear that it can very well be a question of every 4th, 8th etc row solution (like Aptina)

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Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Sony . Phantom 4
 
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What does the new 80D sensor suggest? Some thought this sensor would be a precursor.

RAW here:

https://app.box.com/s/yy0jd0m8p8ycc5fdxyh0rrdsl24cx3k4

--
Once you've done fifty, everything else is iffy.
I've been wondering if perhaps Nikon made a licensing deal with Sony back in 2010 to get access to the column ADC technology. The D7000 (Sept 2010) was the first Nikon to have clean shadows, and no one other than Sony and Nikon had that for a few years, so maybe it was an exclusivity thing.
(OT) I thought the D3x (2008) was the first Nikon with a Sony sensor. If you look at Claff's PDR chart, the camera had the best DR for several years (and the highest resolution). I shot with the D3x for several years without knowing that I could jack up the shadows with impunity. I treated it more like a Canon file. :)
Yep, I think you're right about the D3x. I was suffering from a little APS-C fixation there! Thanks for the correction.

How could you not jack up the shadows!? I thought that was mandatory! :-)
That was then. Now, I know what to do.

I have been working on a year long project to re-process all of my files (4900 and counting) to the dimensions of my 'new' 4k monitor. it just so happens that today I am working on 2011 photo trips and I have this series of images shot at dawn in Rocky Mountain National Park with the 5D2 and the D3x.
Nice shots. Nice countryside. I'm a night owl, but one of these days I'll have to try that "dawn" thing :-)
No massive shadow lift but this is the light I remember. Both brands do a good job.
If it looks the way you saw it, then it's a good result. That's about as far as I personally would want to go with a shadow lift. I hate HDR haloing, so it would need blending of two different developments to go any further IMHO, and that's quite a bit of work if you've got lots of files!
Is it just a coincidence that 5 years later, Nikon have released a camera that doesn't seem to benefit from Sony technology? Was it a 5 year deal that specifically sought to stop Canon using such technology? Seems a bit odd that at the same time Nikon appears to have stopped using column ADCs, Canon appears to started.

Anyway, IF that's the case, I would expect Canon sensors to be much improved in terms of low ISO shadow noise, and since that looks like what has happened with the 80D and 1Dx II, yes, they (and the 5DIV) really have got new sensors.
--
Once you've done fifty, everything else is iffy.
--
Once you've done fifty, everything else is iffy.
 
I am not being snarky but perhaps you need to learn how to use DPP properly...

http://www.dpreview.com/forums/post/33567631
Hello MG. In these instructions from your link, I cannot find the tab for Tool Palette. I have a version of DPP 4. I am willing to try DPP 4. My last stab at DPP was back in Ver 3.
Tools|Preferences|Tool Palette

Under Default NR Settings select Set as Default and move the sliders to "0"

Requires a restart of DPP.

Now, when you bring up the Tool Palette for an image, all NR sliders will be "0"

Interesting information from Canon on NR and DPP:

http://www.usa.canon.com/dlc/controller?act=GetArticleAct&articleID=1407
The bolded sentence below is what gives me pause if I am reading it correctly. Canon presents this as a good thing while others would prefer a faithful and accurate representation off the sensor that they can manipulate for themselves.
"Canon Digital Photo Professional software ("DPP") : (Stand-alone program also included with EOS Digital SLRs) Unlike RAW Image Task, DPP software uses different calculations for processing the finished "look" of Canon EOS RAW files. It does not attempt to faithfully duplicate the in-camera DIGIC processor, but rather produces high-quality RAW images with a look of its own. Some critical users feel that Digital Photo Professional software gives the finest overall image quality for RAW images of any available software.

"However, while DPP can read the camera settings in effect at the time the images are taken, it tends to downplay the effect of the camera’s High ISO Noise Reduction. You may see little difference if you compare two RAW files, one with NR active, and one with it turned off. However, DPP has another option: its own separate Noise Reduction tools. For RAW images, DPP allows the option to reduce chrominance or luminance noise, or both. And, unlike the camera’s High ISO Noise Reduction, you can apply it in medium or strong quantities, using a variable on-screen slider. Finally, if you don’t shoot RAW images, Digital Photo Professional still has an answer. For JPEG images, or TIFFs that you’ve created in an image-editing program, you can reduce chrominance noise using a slider control on-screen. "

--
'The question is not what you look at, but what you see'
Thoreau
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Once you've done fifty, everything else is iffy.
 
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Canon got a good buy on Nikon bodies and uses a Stanley Wonder Bar to pry out their sensor and Gorilla Glue to put them in the Canon cameras. They figure no one will be the wiser and they can now match Nikon's Dynamic Range.
Too bad that Nikon had NOTHING to do with developing the sensor nor rarely EVER has on ANY sensors thu out their history of digital cams, DSLRs OR P&S !!

Canon does so much more themselves than Nikon has EVER done, so sure Nikon can contract Toshiba, Sony and others for sensors, even got FujiFilm to do their DSPs & its F/w- quite a bit harder to build it all/most from scratch yourself !!

I would even say that Nikon lens are NOT superior to Canon, not like for like, but at least Nikon actually designs and makes their LENS !!

So hearing ANY Nikon fan brag about their sensors is like an rich Idiot bragging about his Ferrari, he bought it, nothing more than $, Nikon BOUGHT their sensors, Sony just does NOT think Nikon an adversary so pity & $ bought those Sony sensors !!

But then Sony is selling 1" sensors to Canon - so does this make Sony a whore willing to sell to anyone ??
 
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Canon got a good buy on Nikon bodies and uses a Stanley Wonder Bar to pry out their sensor and Gorilla Glue to put them in the Canon cameras. They figure no one will be the wiser and they can now match Nikon's Dynamic Range.
Too bad that Nikon had NOTHING to do with developing the sensor nor rarely EVER has on ANY sensors thu out their history of digital cams, DSLRs OR P&S !!
That is simply untrue. Crude Canon fanboy posts don't add anything to this discussion.
Canon does so much more themselves than Nikon has EVER done, so sure Nikon can contract Toshiba, Sony and others for sensors, even got FujiFilm to do their DSPs & its F/w- quite a bit harder to build it all/most from scratch yourself !!

I would even say that Nikon lens are NOT superior to Canon, not like for like, but at least Nikon actually designs and makes their LENS !!

So hearing ANY Nikon fan brag about their sensors is like an rich Idiot bragging about his Ferrari, he bought it, nothing more than $, Nikon BOUGHT their sensors, Sony just does NOT think Nikon an adversary so pity & $ bought those Sony sensors !!

But then Sony is selling 1" sensors to Canon - so does this make Sony a whore willing to sell to anyone ??
It makes Sony a commercial company, doing what commercial companies do. Selling their products.
 

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