DPR Forum Feature

Kjell Lundman, Lumix G1, Hexanon 85mm F1.8 at F1.8, Ss 1/100s, Iso 400.
Kjell Lundman, Lumix G1, Hexanon 85mm F1.8 at F1.8, Ss 1/100s, Iso 400.
Your image reminds me of the work of Magnum photographer, Trent Parke. He had a series called Minutes to Midnight. Many shots in the series have a person overexposed against a background.

Minutes to Midnight-Trent Parke (Not to be used for Forum Feature...obviously ;) )
Minutes to Midnight-Trent Parke (Not to be used for Forum Feature...obviously ;) )
Oooh, thats spooky! I've never seen that idea before. Thanks.

Kjell
 
So many gorgeous shots! Here are some of mine attempts. I have almost exclusively been shooting with adapted lenses since 2010 when I got my Lumix G1. I like the sport of it and have nailed tons of sharp ears along the way. Occasionally however I get the focus right and that is rewardingly enough for me. So here are some of my shots. Normally I forget what aperture I'm using since it's an in the moment decision. Some lenses though are quite charachteristiqe and I can see if it is wide open or not. And often I'm just chasing all the light I can get. All adapters are dumb fleebay stuff.

Kjell Lundman, Lumix G1, Hexanon 85mm F1.8 at F1.8, Ss 1/100s, Iso 400.
Kjell Lundman, Lumix G1, Hexanon 85mm F1.8 at F1.8, Ss 1/100s, Iso 400.
Kjell,

This last shot is very dramatic. If you wished to show your subject clearly then you would have to use spot metering and make sure that you could pick up metering off the subject's face or light coloured clothing. Otherwise use M mode and experiment with the shutter speed.

Another way of dealing with this is to seriously reduce the camera EV setting - in this case maybe even to -2.0.

I think here the metering picked up the blacked out window and therefore overexposed to give this very dramatic look. Which certainly makes a statement.

This would be a very difficult shot to capture whilst facing directly into the spotlights with the need to not leave the other actors as mere silhouettes.

--
Tom Caldwell
This was sometime ago and I probably was shooting in manual mode to avoid motion blur. I believe I did more 'properly' exposed shots but liked this the best. I even like the magenta contours.
Yes I am not commenting on the style or art of the shot which is good. I was merely relating my own experiences of theatrical which I have done quite a lot and the sudden extremely over exposed shot when the camera picks up is metering from a dark part of the image. Normal exposure metering is quite capable of coping with the spotlit variations between extreme light and dark but I have had more than the one over-exposed whoopsie. I tend to turn my EV compensation down to adjust and have a safety factor. This has worked fairly well in conjunction with spot exposure settings.

--
Tom Caldwell
 

Stacey Kay using a Nikon 85mm f2 rangefinder lens on Sony A7 1/80 sec at F2.8 ISO 800

Photographer: Stacey Kay
Lens: 1950's vintage Nikon 85mm f2 rangefinder lens in Leica m39 screw mount
Adapter: generic helical focusing adapter
Camera: Sony A7
Shutter speed/aperture/ISO: 1/80 f2.8 iso 800

--
Stacey
Unfortunately most of my performance images have been taken with Canon EF lenses on Canon dslr bodies. Only very recently have I been experimenting with EF lenses on M4/3 bodies using Metabones adapters.

--
Tom Caldwell
 

Stacey Kay using a Nikon 85mm f2 rangefinder lens on Sony A7 1/80 sec at F2.8 ISO 800

Photographer: Stacey Kay
Lens: 1950's vintage Nikon 85mm f2 rangefinder lens in Leica m39 screw mount
Adapter: generic helical focusing adapter
Camera: Sony A7
Shutter speed/aperture/ISO: 1/80 f2.8 iso 800

--
Stacey
Unfortunately most of my performance images have been taken with Canon EF lenses on Canon dslr bodies. Only very recently have I been experimenting with EF lenses on M4/3 bodies using Metabones adapters.

--
Tom Caldwell
Yeah normally I would use an FX Nikon and my 80-200 f2.8, but I wanted to try out my A7 and this lens. Happy I did :)

--
Stacey
 
Stacey, I am also having fun with the a7II . It does offer some things I like that my Nikons do not have but the Df is still my favourite and the IQ of the a7II does not top my D750 and for higher iso I will go for one of my Nikons. The 70-200vr 2.8II stays on the D3s for most events (works on the Df but a bit different in ergonomics and speed of use :) . I actually find that the small sized files from the D700 are still extremely good. Haven't down sampled the a7II files to compare.

I've looked at the 85 f2 Ais a couple of times. My selection of 75mm-135mm is getting quite large ;) and hopefully, the Batis 85 is on its' way ;). I'll call the dealer now!

I like that 2nd Minolta image a lot.

Edit: the new silent shutter on the EM1 works a treat. Wish I had that one the a7II. I sometimes use the 300 2.8 and shoot from a distance greater than need be just because of the shutter sounds.

--
Anticipate the Light and wing it when you get it wrong
Tom
http://taja.smugmug.com/
http://images.nikonians.org/galleries/showgallery.php/cat/500/ppuser/165169
 
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dd751304e82c427ea9be89f3a04a85fe.jpg

have my pictures featured on DPR ;-)

Photographer Tim Zhou
Lens Voigtlander 15mm L39
Adapter Metabones Leica M to Sony + L39 to Leica M
Camera Sony 5N
Shutter speed 1/640/aperture f8 /ISO: 400

--
Tim
 
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Alright people! Thanks so much for the contributions! If I chose one of your images you should be getting a PM for me asking for more info. Thank you to everyone and feel free to keep submitting!

-Sam
 
DDR Zeiss Jena 135 f/3.5 - Candle and red wine

DDR Zeiss Jena 135 f/3.5 - Candle and red wine

Minolta MD 50 f/2 - Leaves on a lightbox

Minolta MD 50 f/2 - Leaves on a lightbox

Tokina RMC 17 f/3.5 - At the cobbler's shop

Tokina RMC 17 f/3.5 - At the cobbler's shop

Minolta MC Rokkor 55 f/1.7 - Children on bench

Minolta MC Rokkor 55 f/1.7 - Children on bench

Minolta MD 35-70 'Macro' - Shed repairs

Minolta MD 35-70 'Macro' - Shed repairs

Minolta Rokkor 35 f/2.8 - Full moon and mist

Minolta Rokkor 35 f/2.8 - Full moon and mist

Helios 58 f/1.8 - A nice pair of bullocks

Helios 58 f/1.8 - A nice pair of bullocks

Tokina RMC 17 f/3.5 - Salvador Dali

Tokina RMC 17 f/3.5 - Salvador Dali

Minolta Rokkor 55 f/1.7 - Music school concert

Minolta Rokkor 55 f/1.7 - Music school concert

Minolta Rokkor 55 f/1.7 - Fairground workers

Minolta Rokkor 55 f/1.7 - Fairground workers
 
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Just share some old shots by Contax G lenses




Contax g 28mm f8






Contax g 28 f8






Contax G 90 f2.8






Contax g 28mm f8



--
Tim
 
Here are a few from my Minolta collection. Images from only two of my dozen lenses...


Scott Spike, Minolta MD 100mm 2.5, Rainbow Imaging Adapter, Samsung NX100, 1/400, f/2.5, ISO 200


Scott Spike, Minolta MD 100mm 2.5, Rainbow Imaging Adapter, Samsung NX100, 1/640, f/2.5, ISO 100


Scott Spike, Minolta MD 100mm 2.5, Rainbow Imaging Adapter, Samsung NX100, 1/400, f/2.5, ISO 400


Scott Spike, Minolta MC 300mm f/4.5, Rainbow Imaging Adapter, Samsung NX100, 1/1000, f/4.5, ISO 400



Scott Spike, Minolta MD 100mm 2.5, Fotodiox, Fuji X-E1, 1/400, f/2.5, ISO 400

This last image you should see at full size to understand the potential of the lens...

Of all my Minolta lenses, the 100mm is easily my favorite. The more modern coatings, compact size, light weight and impressive sharpness... It's a tiny little marvel.
 

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Beautiful !
 


Photographer: Stacey Kay
Lens: 1950's vintage Canon 50mm f1.8 rangefinder lens in Leica m39 screw mount
Adapter: generic helical focusing adapter
Camera: Sony A7
Shutter speed/aperture/ISO: 1/80 f2 iso 800

--
Stacey
 
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I give up.... I have never had so many issues adding pictures to a forum.

Photographer: Me
Lens: Canon FD SSC 35/2.8 Tilt/Shift
Adapter Fotodiox FD to NEX
Camera NEX-7
Shutter speed/aperture/ISO: 1/320, F4, ISO100

7826370936_b52c4184e3_o.jpg

Camera
NEX-7
Exposure
1/320s
ISO
100





Photographer: Me
Lens: Rokkor MC SI 28/2.5
Adapter: Big_is MD to NEX
Camera: NEX-7
Shutter speed/aperture/ISO: 1/400, f2.5, ISO100

8986931236_1183fe1b37_o.jpg

Camera
NEX-7
Exposure
1/400s
ISO
100





Photographer: Me
Lens: Topcor R 135/3.5
Adapter: Fotodiox Exakta to NEX
Camera: NEX-7
Shutter speed/aperture/ISO: 1/125, F3.5, ISO250

8994070184_08187f309e_o.jpg

Camera
NEX-7
Exposure
1/125s
ISO
250





Photographer: Me
Lens: X-Fujinon 28/1.8
Adapter: Fotodiox Pro FX to Sony(E)
Camera: A7r
Shutter speed/aperture/ISO: 1/400, f1.9, ISO100

15352221081_8ae8e7be00_o.jpg

Camera
ILCE-7R
Exposure
1/400s
ISO
100





Photographer: Me
Lens: Topcor RE 85/1.8
Adapter: Fotodiox Exakta to NEX
Camera: A7r
Shutter speed/aperture/ISO: 1/250, f1.8, ISO100

14899145218_73ec5199d1_o.jpg

Camera
ILCE-7R
Exposure
1/1250s
ISO
100





Photographer: Me
Lens: Konica Hexanon 21/4
Adapter: Konica AR to NEX
Camera: A7r
Shutter speed/aperture/ISO: 1/400, f5.6, ISO100

15509684554_7afcf1793d_o.jpg

Camera
ILCE-7R
Exposure
1/400s
ISO
100




https://c2.staticflickr.com/8/7556/15509684554_7afcf1793d_o.jpg

Photographer: Me
Lens: Voigtländer 15/4.5 Super Wide Heliar (Version 3) AKA: CV15III
Adapter: Voigtländer VM-E close focus helical adapter
Camera: A7r
Shutter speed/aperture/ISO: 3.2 seconds, f5.6, ISO100

17260426992_e9bc4aebbe_o.jpg

Camera
ILCE-7R
Exposure
3.2s
ISO
100




https://c2.staticflickr.com/8/7679/17260426992_e9bc4aebbe_o.jpg

Photographer: Me
Lens: Contax G 45/2, Optics have been transplanted into a Rokkor MC 55/1.7 & is now M mount.
Adapter: Voigtländer VM-E close focus helical adapter
Camera: A7r
Shutter speed/aperture/ISO: 1/800, f5.6, ISO100

22635762114_2b4512c023_o.jpg

Camera
ILCE-7R
Exposure
1/800s
ISO
100




https://c2.staticflickr.com/6/5701/22635762114_2b4512c023_o.jpg

Photographer: Me
Lens: Kominar-E 7.5cm/3.5 (Enlarger lens)
Adapter: Novoflex M39 macro bellows that was modified to M mount on the camera side, Voigtländer VM-E close focus helical adapter
Camera: A7r
Shutter speed/aperture/ISO: 1/100, f4.5, ISO320



9310861920_90d3d0644e_o.jpg




https://c2.staticflickr.com/6/5518/9310861920_90d3d0644e_o.jpg

--
I don't have any AF lenses, so if I want a picture, I have to do more than squeeze a button.
Interested in Adapting lenses? head here: http://www.dpreview.com/forums/1065
My shots:
http://www.flickr.com/photos/lightshow-photography/
My lenses:
http://www.fredmiranda.com/forum/viewprofile.php?Action=viewprofile&username=LightShow
You can't depend on your eyes when your imagination is out of focus.
-Mark Twain
Reputation is the shadow. Character is the tree
-Abraham Lincoln
####Where's my FF NEX-7 ?????
 
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I give up.... I have never had so many issues adding pictures to a forum.
By give up, I mean I will no longer post pictures till this is fixed.

I'm using current FireFox 43.0.2 Win7Pro
 
Wintering Monarch Butterflies

Wintering Monarch Butterflies

Photographer: Brian Zhou; Image link:
Lens: Konica Hexanon AR 100mm f/2.8; Adapter: no name Konica AR to NEX adapter

Camera: Sony NEX 5N; ISO 400; 1/200s; Aperture f/4?

Wildflowers in the Rain

Wildflowers in the Rain

Photographer: Brian Zhou; Image link:
Lens: Olympus OM Zuiko 100mm f/2.8; Adapter: no name OM to NEX adapter

Camera: Sony A6000; ISO 320; 1/500s; Aperture f/5.6?

California Wildflower - Woodland Stars

California Wildflower - Woodland Stars

Photographer: Brian Zhou; Image link:
Lens: Olympus OM Zuiko 100mm f/2.8; Adapter: OM to EOS adapter, EOS to NEX helicoid adapter

Camera: Sony A6000; ISO 250; 1/1000s; Aperture f/2.8?

California Wildflower - Douglas Iris

California Wildflower - Douglas Iris

Photographer: Brian Zhou; Image link:
Lens: Canon FD 200mm f/4 Macro; Adapter: no name FD to e-mount adapter

Camera: Sony NEX 5N; ISO 400; 1/160s; Aperture f/5.6?

California Wildflower - Larkspur

California Wildflower - Larkspur

Photographer: Brian Zhou; Image link:
Lens: Konica Hexanon AR 135mm f/3.2; Adapter: no name Konica to e-mount adapter

Camera: Sony A7; ISO 200; 1/200s; Aperture f/3.2

Aspen, Colorado

Aspen, Colorado

Photographer: Brian Zhou; Image link: https://flic.kr/p/zqMysi

Lens: Contax Vario-Sonnar 35-70mm f/3.4; Adapter: no name C/Y to e-mount adapter

Camera: Sony A7; ISO 640; 1/200s; Aperture f/8?
 
people do not always want to carry around pen and paper, these are some digital approaches, but none of them fully automatic, of course:

1. Exif level: there's nothing like having the correct data written in your exif. Notes written on paper can be lost or thrown away too soon
  • If you own an app compatible Sony NEX or A7 camera, consider buying the lens compensation app. You can set and save the name of the lens, aperture and focal length. I really like it. You can also correct distortions, CA or vignetting for your jpeg in camera, but it's not nearly as fast as in any RAW developer...
    Saved profiles can be copied onto other cameras.
    Remember that you won't get exif data if you use another app like Sky HDR or none app at all.

  • If you own a Canon DSLR, consider buying an AF-confirm-chipped adapter for each of your adapted prime lenses. Make sure the chip is programmable, which is a little annoying in the first place, but really, REALLY helps. For Zoom lenses... forget about it, it's a pain in the buttocks. Believe me, you don't want to set the focal length this way every time!
  • watch out for equal features on other camera models, they might get it or already have it?
2. talk is cheap. Use a voice recorder, you're not the first and certainly will not be the last. Have one hanging around your neck on location, it's one of the fastest ways to memorize. Make sure to edit your exif at home or save the audio files with your pictures.

3. take notes digitally. Preferably cloud solutions. You have to edit your exif data manually afterwards or take good care of your notes, maybe save a text file in each folder with your photos.
  • I really like Evernote. It's for free and can be used online or offline
  • iOS users may sync their notes with the iCloud instead
 
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