Oooh, thats spooky! I've never seen that idea before. Thanks.
Kjell
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Oooh, thats spooky! I've never seen that idea before. Thanks.
Yes I am not commenting on the style or art of the shot which is good. I was merely relating my own experiences of theatrical which I have done quite a lot and the sudden extremely over exposed shot when the camera picks up is metering from a dark part of the image. Normal exposure metering is quite capable of coping with the spotlit variations between extreme light and dark but I have had more than the one over-exposed whoopsie. I tend to turn my EV compensation down to adjust and have a safety factor. This has worked fairly well in conjunction with spot exposure settings.This was sometime ago and I probably was shooting in manual mode to avoid motion blur. I believe I did more 'properly' exposed shots but liked this the best. I even like the magenta contours.Kjell,So many gorgeous shots! Here are some of mine attempts. I have almost exclusively been shooting with adapted lenses since 2010 when I got my Lumix G1. I like the sport of it and have nailed tons of sharp ears along the way. Occasionally however I get the focus right and that is rewardingly enough for me. So here are some of my shots. Normally I forget what aperture I'm using since it's an in the moment decision. Some lenses though are quite charachteristiqe and I can see if it is wide open or not. And often I'm just chasing all the light I can get. All adapters are dumb fleebay stuff.
Kjell Lundman, Lumix G1, Hexanon 85mm F1.8 at F1.8, Ss 1/100s, Iso 400.
This last shot is very dramatic. If you wished to show your subject clearly then you would have to use spot metering and make sure that you could pick up metering off the subject's face or light coloured clothing. Otherwise use M mode and experiment with the shutter speed.
Another way of dealing with this is to seriously reduce the camera EV setting - in this case maybe even to -2.0.
I think here the metering picked up the blacked out window and therefore overexposed to give this very dramatic look. Which certainly makes a statement.
This would be a very difficult shot to capture whilst facing directly into the spotlights with the need to not leave the other actors as mere silhouettes.
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Tom Caldwell
Unfortunately most of my performance images have been taken with Canon EF lenses on Canon dslr bodies. Only very recently have I been experimenting with EF lenses on M4/3 bodies using Metabones adapters.
Stacey Kay using a Nikon 85mm f2 rangefinder lens on Sony A7 1/80 sec at F2.8 ISO 800
Photographer: Stacey Kay
Lens: 1950's vintage Nikon 85mm f2 rangefinder lens in Leica m39 screw mount
Adapter: generic helical focusing adapter
Camera: Sony A7
Shutter speed/aperture/ISO: 1/80 f2.8 iso 800
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Stacey
Yeah normally I would use an FX Nikon and my 80-200 f2.8, but I wanted to try out my A7 and this lens. Happy I didUnfortunately most of my performance images have been taken with Canon EF lenses on Canon dslr bodies. Only very recently have I been experimenting with EF lenses on M4/3 bodies using Metabones adapters.
Stacey Kay using a Nikon 85mm f2 rangefinder lens on Sony A7 1/80 sec at F2.8 ISO 800
Photographer: Stacey Kay
Lens: 1950's vintage Nikon 85mm f2 rangefinder lens in Leica m39 screw mount
Adapter: generic helical focusing adapter
Camera: Sony A7
Shutter speed/aperture/ISO: 1/80 f2.8 iso 800
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Stacey
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Tom Caldwell
By give up, I mean I will no longer post pictures till this is fixed.I give up.... I have never had so many issues adding pictures to a forum.
By give up, I mean I will no longer post pictures till this is fixed.I give up.... I have never had so many issues adding pictures to a forum.
I'm using current FireFox 43.0.2 Win7Pro