Canon 5D3 Shooter Considering the Sony A7RII

 
Obviously the OP can spend his/her money the way he wants and ultimately it's the OP's decision.

However, what sometimes people don't consider up front with these shiny new things is the quality of service.

And here Canon rules over Sony.

Canon is not perfect; I'm sure there are anecdotal stories of Canon service failure. But overall Canon enjoys a great reputation in the camera industry for service. I recently attended a Canon presentation at my local camera store, someone mentioned a problem with their Canon camera, and the Canon rep gave him a name to contact at Canon service to make sure it got attended to. That's service.

However in the US Sony has to employ a third party service provider and there are numerous horror stories around. Consider this article by Lloyd Chambers:


or by Jorge Torralba:


These people love the Sony sensors, and in the case of Mr. Torralba, he loves the Sony system.

To quote Lloyd Chambers:

"The way I see it, Sony is a gadget company that understands next to nothing about photography or what a pro or serious photographer needs (hardware and software and service/support); they do a fantastic job on sensors and putting cool parts together, but it ends there."

As Lloyd mentions, if I were taking a camera to do an important job, or to a demanding location, I'd be very nervous about relying on Sony. For me personally, I would not be nervous at all relying on Canon or Nikon.

So before I'd spend over $3000 on a camera body I would want to be sure that the brand would back me up in case of trouble. If I buy a camera body costing over $3000, with Sony I have to rely on a 3rd party service provider. I expect more from such a large purchase.
 
Obviously the OP can spend his/her money the way he wants and ultimately it's the OP's decision.

However, what sometimes people don't consider up front with these shiny new things is the quality of service.

And here Canon rules over Sony.

Canon is not perfect; I'm sure there are anecdotal stories of Canon service failure. But overall Canon enjoys a great reputation in the camera industry for service. I recently attended a Canon presentation at my local camera store, someone mentioned a problem with their Canon camera, and the Canon rep gave him a name to contact at Canon service to make sure it got attended to. That's service.

However in the US Sony has to employ a third party service provider and there are numerous horror stories around. Consider this article by Lloyd Chambers:

http://diglloyd.com/blog/2015/20150518_1648-Sony-reliability-and-service.html

or by Jorge Torralba:

http://jorgetorralba.com/2015/05/16/sony-still-needs-to-mature/

These people love the Sony sensors, and in the case of Mr. Torralba, he loves the Sony system.

To quote Lloyd Chambers:

"The way I see it, Sony is a gadget company that understands next to nothing about photography or what a pro or serious photographer needs (hardware and software and service/support); they do a fantastic job on sensors and putting cool parts together, but it ends there."

As Lloyd mentions, if I were taking a camera to do an important job, or to a demanding location, I'd be very nervous about relying on Sony. For me personally, I would not be nervous at all relying on Canon or Nikon.

So before I'd spend over $3000 on a camera body I would want to be sure that the brand would back me up in case of trouble. If I buy a camera body costing over $3000, with Sony I have to rely on a 3rd party service provider. I expect more from such a large purchase.
This is why I stay with both Canon and Nikon. I trust both companies if something were ever to go wrong whether it's recalls or something needs to be fixed fast. Plus both companies have been proven in the work force for decades.

CaNikon for life! 😀
 
Cant agree with you on the heated seats or remote start because I dont live in a cold area, but DR -- the more the merrier, wherever you live.
 
I'm one of the Canon shooters who's sitting on the fence wondering if I should switch, after seeing all the excitement with the A7R II. But now it's starting to look like there are some deal-breaker compromises.

First, using ANY kind of adapter (whether it's Sony's own adapter or third-party like Metabones) will result in penalties, such as not being able to use some AF modes (lock-on AF, eye-AF, and a few other AF modes), or losing the 399 PDAF points (if you use the LA-EA4), or the AF is hit or miss, or you can't have video continuous AF unless you keeping holding down the half-press shutter button.

Second, even if you are willing to sell off all your Canon gear and start over with Sony gear, there are NO constant f/2.8 standard zoom options available in the FE lens lineup. You are restricted to f/4 on all zoom lenses in the FE line. Sony hinted at f/2.8 versions coming in the future, but no one know how far in the future. Could be years.

So if you want to actually use all of the fancy tech advances and new features you paid thousands of dollars for, you'll HAVE to use Sony's native E-mount lenses, but there are only f/4 versions of the important standard zoom ranges right now.

Yes, you can buy prime lenses, but there are many situations where a single f/2.8 standard zoom (24-70mm-ish) is a far better choice, especially if you want to switch between shooting portraits, landscapes, street, and videos constantly and repeatedly.

Talk about disappointing. I was so ready to pull the trigger too. Now I don't know if I'm willing to live with the compromise.
 
I'm one of the Canon shooters who's sitting on the fence wondering if I should switch, after seeing all the excitement with the A7R II. But now it's starting to look like there are some deal-breaker compromises.

First, using ANY kind of adapter (whether it's Sony's own adapter or third-party like Metabones) will result in penalties, such as not being able to use some AF modes (lock-on AF, eye-AF, and a few other AF modes), or losing the 399 PDAF points (if you use the LA-EA4), or the AF is hit or miss, or you can't have video continuous AF unless you keeping holding down the half-press shutter button.

Second, even if you are willing to sell off all your Canon gear and start over with Sony gear, there are NO constant f/2.8 standard zoom options available in the FE lens lineup. You are restricted to f/4 on all zoom lenses in the FE line. Sony hinted at f/2.8 versions coming in the future, but no one know how far in the future. Could be years.

So if you want to actually use all of the fancy tech advances and new features you paid thousands of dollars for, you'll HAVE to use Sony's native E-mount lenses, but there are only f/4 versions of the important standard zoom ranges right now.

Yes, you can buy prime lenses, but there are many situations where a single f/2.8 standard zoom (24-70mm-ish) is a far better choice, especially if you want to switch between shooting portraits, landscapes, street, and videos constantly and repeatedly.

Talk about disappointing. I was so ready to pull the trigger too. Now I don't know if I'm willing to live with the compromise.
 
 
I'm one of the Canon shooters who's sitting on the fence wondering if I should switch, after seeing all the excitement with the A7R II. But now it's starting to look like there are some deal-breaker compromises.

First, using ANY kind of adapter (whether it's Sony's own adapter or third-party like Metabones) will result in penalties, such as not being able to use some AF modes (lock-on AF, eye-AF, and a few other AF modes), or losing the 399 PDAF points (if you use the LA-EA4), or the AF is hit or miss, or you can't have video continuous AF unless you keeping holding down the half-press shutter button.

Second, even if you are willing to sell off all your Canon gear and start over with Sony gear, there are NO constant f/2.8 standard zoom options available in the FE lens lineup. You are restricted to f/4 on all zoom lenses in the FE line. Sony hinted at f/2.8 versions coming in the future, but no one know how far in the future. Could be years.

So if you want to actually use all of the fancy tech advances and new features you paid thousands of dollars for, you'll HAVE to use Sony's native E-mount lenses, but there are only f/4 versions of the important standard zoom ranges right now.

Yes, you can buy prime lenses, but there are many situations where a single f/2.8 standard zoom (24-70mm-ish) is a far better choice, especially if you want to switch between shooting portraits, landscapes, street, and videos constantly and repeatedly.

Talk about disappointing. I was so ready to pull the trigger too. Now I don't know if I'm willing to live with the compromise.

--
Rob
Art, music, photography, writings, and blog: www.ethereality.info
You bring up excellent points.

Also, if Sony ever did bring out constant f2.8 zoom lenses, they would be large and heavy...because regardless of camera body size, whether mirrorless or dslr, the size of the lens will be dictated by sensor size.

This is undoubtedly why Sony has yet to release any f2.8 zooms to the market, because they hope to sell their A7 series based on size/weight reductions.

So we're back to square one: the Sony system is not really that much of a weight/size saver compared to the dslr's. Even now many of their prime lenses are large and heavy.

And quite frankly, if I'm using a larger lens, it's probably better to have a bit larger body to put it on for better balance.

All in all, the Sony is a good camera but hardly this game changer some made it out to be. And one has to ask themselves if they want to gamble over $3000 with a Sony camera body, along with any associated lens and adapter costs.
 
Yep, I have similar thoughts. Sell my 5D3, use the a7r2 for landscape and compactness with primes, use my 7D2 for sports and wildlife. But then I remember to wait to see what the 5D4 brings before jumping ship.

Except you might want to spend some time with a Sigma DP2M or DP2Q to see what is really possible at the pixel level. I don't know if the a7r2 is there yet, I haven't done a comparison.
You're echoing me here, oddly enough I seem to be following your path all around.

however, the A7RII I'm hearing more and more that I don't like; things like

AF issues with FE lenses, AF issues with Canon lenses, some adapters don't handle IBIS + IS well, Sony cooks the raw with long exposures (can't turn it off), some other issues with long exposures, over heating issues, manual focus issues, bulb exposure RAW cooking, camera moves to 12 bit from 14 bit in alot of scenarios, compressed raw (still), etc. a camera that gets warm / hot internally means you are going to lose DR and increase noise substantially unless there is raw cooking involved.

there's some stuff coming out like this .. that makes me go hmmm:

http://mp.weixin.qq.com/s?__biz=MjM...p=CuJ6LsPqB,5571803389,CuJ6LsPqB,5571803389ct

http://mp.weixin.qq.com/s?__biz=MjM...f2230464ec16f266eacb&scene=21#wechat_redirect

Seems like alot for a 3200 USD camera that you can't even really get customer service for.

if this is correct ... means that for just about all shooting scenarios .. the D810 still wipes the floor out of just about everything.
It depends where your read
"read" being the key word there. that review didn't do anything with respects to the test cases that I linked. not to mention he compared it against the D750, not the D810.

and there's starting to be alot of user problems being reported around the internet, of course we should ignore them, and focus on reviews .. especially with a camera that sony plays fast and loose when it comes to service and support.
I see more positive reviews than complains, but well, as far as I know you can't use your Canon lenses on a Nikon D810... So what's the problem? that some Canon lenses don't work as expected on the Sony? Well, on the Nikon none of them work.

The other things can be solved with a firmware update.

The support depends on the region. Here in Spain is pretty good. I got 5 years of pro support with my A900, and for free.
 
--
Once you've done fifty, everything else is iffy.
$3899 if he plans to use his Canon lenses on a new 5DSR. so $3600 is actually cheaper.
I am just pointing out that the A7r II is more expensive than he indicated. Add to the $3699, the cost of a grip (whatever that may be) if one wants comparable battery life.
There are other, less expensive, alternatives to the Metabones, but it's true that I'd probably buy the Metabones. Less sure about a grip, but given the Sony's relatively short battery life, it's certainly a possibility.

And as I mentioned in another post, if I bought an A7RII, I'd probably also sell my Sigma 85 f/1.4 (might be able to get $650 if I'm lucky) and pickup a Batis 85 f/1.8.

So, buying into the A7RII would likely be quite an expense. At this point, I don't think it's worth it--to me at least.
 
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When the A7RII was first announced, I was very excited, and decided I'd probably buy one. But I was determined to wait for testing results and reviews before buying, and I also wanted to hear more about the (widely rumored and virtually certain) 5D4 before making a final decision.

It's still early days, but tests and reviews of the A7RII have started to come in. And I'd say the A7RII is shaping up to be a very fine camera, albeit with its own set of quirks and tradeoffs. Just as importantly, my initial enthusiasm (gear lust) has tempered somewhat, and I think I'm now better able to consider whether the A7RII is really a camera I need, or at least one I want badly enough to pay $3,200 for.

So, here's here's my current thinking . . .

42MP Sensor. Would certainly be nice to have, but will I really see the added detail? If I printed large, I'm sure I would. But I rarely print, and typically view my images on my monitor. And although I have a very high resolution monitor--the 5K iMac--I just don't think I'll see a significant improvement in detail after the 42MP images have been downsized to around 14MP for viewing on my monitor. Maybe they'll be very slightly sharper, but not much IMO.

Significantly Higher DR. I know this is a controversial subject, and I'll just state up front that I'd really like to see Canon make a significant improvement in this area (although I'm not holding my breath). But I understand that DR has to be considered as just one part of the total camera system. And I also understand that the true benefits of increased DR need to be put in perspective. For me, personally, with my shooting style, I just haven't found my 5D3's lower DR to be a significant disadvantage. I've generally been able to raise shadows as much as I've needed or wanted to. Sure, I'd like more DR, but I doubt I'd really see much difference in most of my shots. If I were a dedicated landscape shooter, I'd probably feel differently.

AutoFocus w/ Canon Lenses: Although a lot of testing remains to be done regarding the A7RII's ability to AF with Canon lenses via an adapter, I think a picture is beginning to emerge. And I think it's what most of us pretty much expected. Although the A7RII is much better in this regard than its predecessors, its AF performance with Canon lenses is looking to be somewhat hit and miss. Better with some lenses than others, and maybe even better at some focal lengths than others. In any event, it seems pretty clear to me that we're not going to be able to expect native AF performance with the A7RII. May be good enough with some lenses for some uses, but far less so with other lenses and for other uses (e.g., BIF and sports). So, at least as far as AF goes, I don't see the A7RII matching my 5D3. Which means that if I were to buy an A7RII, I'd almost certainly end up keeping my 5D3.

IBIS: Would really enjoy using my EF 24-70 f/2.8L II on the A7RII with its in body image stabilization. But the fact is, I haven't really missed having IS on the 24-70; I've aways been able to get the handheld shots I wanted without it. And my other two primary Canon lenses--the 70-200 f/4L IS and 100-400L II--both have IS.

Smaller Size and Weight: The A7RII's smaller size and weight pretty much become moot points when you put any of my Canon-mount lenses on it. (And I already have a Sony RX1R when I really want small and light.)

EVF vs OVF. Sort of on the fence on this one. I see advantages to both.

4K Video: Don't really shoot video.

So, I'll just keep waiting. Maybe the A7RII will get such glowing reviews that my gear lust will return and I'll buy one. Or maybe the 5D4 will be announced and turn out to be the camera of my dreams. Or maybe I won't buy either, and just keep shooting my 5D3 a while longer. We'll see.

Of course, this is a very personal/subjective analysis. Others will likely see things differently.
There is one other factor that gives me pause about the A7RII that I didn't mention before: It's a Sony. Sony doesn't have a very good reputation for customer service and support. This mirrors my own experience. Had such a bad time working with Sony to replace a defective TV that I didn't buy anything from them for over a decade. But I did eventually breakdown and buy an RX1R, and so far have no regrets. Just hoping that nothing goes wrong with it.
 
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There is one other factor that gives me pause about the A7RII that I didn't mention before: It's a Sony. Sony doesn't have a very good reputation for customer service and support. This mirrors my own experience. Had such a bad time working with Sony to replace a defective TV that I didn't buy anything from them for over a decade. But I did eventually breakdown and buy an RX1R, and so far have no regrets. Just hoping that nothing goes wrong with it.
3200 USD gets you this.. basically (and someone else mentioned this.. ) you almost need to purchase two sony A7RII's because the service is rated so poorly (not to mention you need to purchase at least two anyways if you want to use it for 4K video)

189337471725161a2f1be65356c788ef.png


Not to mention that with keeping the bodies being replaced every year or so, Sony's ability and also desire to maintain them post sale is obviously alot less.

while for a 600 USD APS-C A6000, who the heck cares if it dies. however, when you're talking a 3200 USD camera body. people aren't looking at it being disposable electronics anymore.
 
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There is one other factor that gives me pause about the A7RII that I didn't mention before: It's a Sony. Sony doesn't have a very good reputation for customer service and support. This mirrors my own experience. Had such a bad time working with Sony to replace a defective TV that I didn't buy anything from them for over a decade. But I did eventually breakdown and buy an RX1R, and so far have no regrets. Just hoping that nothing goes wrong with it.
3200 USD gets you this.. basically (and someone else mentioned this.. ) you almost need to purchase two sony A7RII's because the service is rated so poorly (not to mention you need to purchase at least two anyways if you want to use it for 4K video)

189337471725161a2f1be65356c788ef.png


Not to mention that with keeping the bodies being replaced every year or so, Sony's ability and also desire to maintain them post sale is obviously alot less.

while for a 600 USD APS-C A6000, who the heck cares if it dies. however, when you're talking a 3200 USD camera body. people aren't looking at it being disposable electronics anymore.
According to that Sony is about the same as Nikon and people love their Nikons.
 
Yep, I have similar thoughts. Sell my 5D3, use the a7r2 for landscape and compactness with primes, use my 7D2 for sports and wildlife. But then I remember to wait to see what the 5D4 brings before jumping ship.

Except you might want to spend some time with a Sigma DP2M or DP2Q to see what is really possible at the pixel level. I don't know if the a7r2 is there yet, I haven't done a comparison.
You're echoing me here, oddly enough I seem to be following your path all around.

however, the A7RII I'm hearing more and more that I don't like; things like

AF issues with FE lenses, AF issues with Canon lenses, some adapters don't handle IBIS + IS well, Sony cooks the raw with long exposures (can't turn it off), some other issues with long exposures, over heating issues, manual focus issues, bulb exposure RAW cooking, camera moves to 12 bit from 14 bit in alot of scenarios, compressed raw (still), etc. a camera that gets warm / hot internally means you are going to lose DR and increase noise substantially unless there is raw cooking involved.

there's some stuff coming out like this .. that makes me go hmmm:

http://mp.weixin.qq.com/s?__biz=MjM...p=CuJ6LsPqB,5571803389,CuJ6LsPqB,5571803389ct

http://mp.weixin.qq.com/s?__biz=MjM...f2230464ec16f266eacb&scene=21#wechat_redirect

Seems like alot for a 3200 USD camera that you can't even really get customer service for.

if this is correct ... means that for just about all shooting scenarios .. the D810 still wipes the floor out of just about everything.
All of the above is cause for concern, not to mention the light leak issue that has popped up. Lots of people have suggested it for weddings too as many into weddings have some of that fast Canon glass, but no dual card slots is a serious bummer.
 
There is one other factor that gives me pause about the A7RII that I didn't mention before: It's a Sony. Sony doesn't have a very good reputation for customer service and support. This mirrors my own experience. Had such a bad time working with Sony to replace a defective TV that I didn't buy anything from them for over a decade. But I did eventually breakdown and buy an RX1R, and so far have no regrets. Just hoping that nothing goes wrong with it.
3200 USD gets you this.. basically (and someone else mentioned this.. ) you almost need to purchase two sony A7RII's because the service is rated so poorly (not to mention you need to purchase at least two anyways if you want to use it for 4K video)

189337471725161a2f1be65356c788ef.png


Not to mention that with keeping the bodies being replaced every year or so, Sony's ability and also desire to maintain them post sale is obviously alot less.

while for a 600 USD APS-C A6000, who the heck cares if it dies. however, when you're talking a 3200 USD camera body. people aren't looking at it being disposable electronics anymore.
According to that Sony is about the same as Nikon and people love their Nikons.
According to that chart, most Nikon and Sony shooter should have been migrated to Canon by now and both of those company should be about to go bankrupt, LOL. I m no fan of Sony but a fan of the new Sony sensor, I am not a fan of Canon but a huge fan of TSE17 and 24 and 85L, I am no fan of Nikon but huge fan of D810.... come on, it's just a camera, not a life long commitment. just buy whatever you like or whatever that you think fits your need and no need to prove how stupid those buying into something you don't like.

The most frustrated experience I can remember was the 1D3 fiesco, mine went back to the store twice before I gave up, two of my friends camera back and forth to Canon 2, 3, times.... and that didn't stop me from buying the 1DS3 from them again. While Nikon has "poor rating", my D3 shutter replacement went super smooth and come back few days earlier than I was promised, my 24-70G has the "light leaking " issue and when I call, it only take them 10 minutes to make the arrangement for me to send it in for warranty repair, While Sony has "1 star" reliability on that chart, all the friends I know who shooting Sony A7 and A7R still clicking happily and even my ancient NEX 7 still clicking ( use at work for documentation purpose not photography purpose, but it still works after dropping it many times by clumsy assemblers in the production line), and the "1 star" rating sure won't prevent me from the A7RII either.
 
 
According to that chart, most Nikon and Sony shooter should have been migrated to Canon by now and both of those company should be about to go bankrupt, LOL.
not really, some don't care about support,etc - but it does show what alot of people have been saying .. that nikon deals historically more poorly in support than canon and sony was even worse historically.

One key difference is that sony has poor support that got even worse; while nikon and canon both have tried to improve their support post camera disasters in both camps.

Now for sony, you have to deal with two companies to affect a remediation of a problem if you are escalating.

how many times does that really work?

with canon / nikon you can escalate a problem to a manager,etc pretty quickly if you need to.

Roger from lens rentals states they get lenses unrepaired back from precision stating "too expensive to fix" for a relatively easy repair. they simply can't be bothered. and these are Sony/Zeiss lenses, not cheap kit ones. They don't even stock parts even.
 
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