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It's very strange. Every fifth frame looks like it was taken slightly after when it was supposed to. Even the shadows of the people (those are people, right?) hanging from the wheel appear to speed up.I agree with the jerkiness on the "Spinning wheel" top is pretty
annoying, but I think it is a combination of shutterspeed and motion
(the static center post is OK), not a problem with 50Hz lightning
(alone, at least)
I've seen several 5D Mark II videos at half resolution on my 1080p display. Even at half resolution they look more stunning than all the HD I get through cable or an antenna!I downloaded it and played it on my 50" TV. Even at the 960x540
resolution it played really well.
Wow, great work on the video! The 5D MkII is looking like a fantastic camera. Thanks for posting.I got my 5D Mark II thursday. Friday I went out to record some movie
clips. You are welcome to watch it, but please be aware that I am a
total movie beginner. Please don't expect The Vincent Laforet Style.
My little movie is just raw clips from the camera published in
reduced resolution with no enhancement. I love that camera!!!
Regards!
http://gallery.me.com/knyp#100225
I won't buy this camera after seeing this video. The fifth-frame jerky motion is unacceptable.Stop making me want this camera.
I got my 5D Mark II thursday. Friday I went out to record some movie
clips. You are welcome to watch it, but please be aware that I am a
total movie beginner. Please don't expect The Vincent Laforet Style.
My little movie is just raw clips from the camera published in
reduced resolution with no enhancement. I love that camera!!!
Regards!
http://gallery.me.com/knyp#100225
--can you please tell us the editing software used?
http://www.wedshooter.gr/blog
Hmmm... Most US movies are shot at 24 FPS with 60Hz lights... never saw any of this mismatch or flicker. Or are you saying they run special 48Hz power converters at US movie sites?1. To capture video in an area (like Europe) with 50 Hz power feedingAny TV that can display HD content can display both 25 and 30 FPS.
PAL and NTSC are analog standards that do not apply to the digital
era.
electrical lights you may risk flickering footage if you use a 30 FPS
camera. This flickering effect is hard or impossible to compensate
for. Instead you prefer a camera with 25 or 50 FPS. But 30 FPS is
fine in US with 60 Hz power. This flickering depends of the kind of
artificial light source. In only sunlight it has no influence.
I've never done analysis on European video, but I've seen North American video switch from 24 to 30 and back several times in the same broadcast. The beauty of digital is you don't even notice. I suspect most European stuff is broadcast at 25 because it was made that way, but it could also be broadcast at 24 or 30 if it's a digital broadcast.2. Broadcast in Europe and some other parts of the world use 25 FPS
TV (including 50i) because of the factor above. It is hard to
implement 30 FPS footage into 25 FPS timelines without causing
jittery motion. The broadcast in Europe is not done on a 30 FPS
timeline. Any normal video (PAL, HDV etc.) in Europe will not use 30
FPS to be compliant with the fact 1. above.