My first movie with EOS 5D Mark II

Well, I'm only half kidding.

The video is really quite exquisite. Congratulations on your elegant work.

But I really am curious: What is the piano accompaniment? It's great, too.
--

Waiter, hold the 1Ds Mark III; I'll have a 5D Mark II instead
 
This was very well done. I am very eager now to shoot video once I get my 5DII. I see such wonderful application for travel - producing a movie like you have, with a sound track overtop, to help capture the essence of a trip. For our own nostalgia and also to share with family and friends... Saves them from hundreds of stills (now I can show them a movie and only dozens of stills :-p)...

Can't wait to get my hands on this camera!!

Cheers and keep up the great work.

--
CW
 
Hi,

It's the new Spyro Gyra cd "A Night Before Christmas". The track is "Christmas Time is here".
 
What a lovely first try. I'm anxious to see what you do when you do get the hang of it LOL. The music added a lot--and you did a very nice zoom in/out that was very pleasing to me.

I'm, unfortunately, not one of the early adopters but will eventually buy one. The video excites me--I've been considering the possibilities of using it for very subtle videos.

Diane
--
Diane B
http://www.pbase.com/picnic/galleries
 
I agree with the jerkiness on the "Spinning wheel" top is pretty
annoying, but I think it is a combination of shutterspeed and motion
(the static center post is OK), not a problem with 50Hz lightning
(alone, at least)
It's very strange. Every fifth frame looks like it was taken slightly after when it was supposed to. Even the shadows of the people (those are people, right?) hanging from the wheel appear to speed up.

You can see it to some degree in every scene. People jump a little on every fifth frame on the street for example. You can see the water in the fountains drop a little faster in every fifth frame.

I hope someone can explain this.
 
I downloaded it and played it on my 50" TV. Even at the 960x540
resolution it played really well.
I've seen several 5D Mark II videos at half resolution on my 1080p display. Even at half resolution they look more stunning than all the HD I get through cable or an antenna!

Probably because these have only been re-encoded once.
 
HI Great video.
Seems over exposed on my screen though.

I hope they can cure the 25/30 frame problem
 
Stop making me want this camera.
 
..then this camera must be delivering on all that it is promising and much much more. Or you're not as much a beginner as you'd like us to believe. Anyway absolute fabulously well done. Great work !
 
I got my 5D Mark II thursday. Friday I went out to record some movie
clips. You are welcome to watch it, but please be aware that I am a
total movie beginner. Please don't expect The Vincent Laforet Style.
My little movie is just raw clips from the camera published in
reduced resolution with no enhancement. I love that camera!!!
Regards!

http://gallery.me.com/knyp#100225
Wow, great work on the video! The 5D MkII is looking like a fantastic camera. Thanks for posting.
 
Hey, can I ask you: where did you buy the camera? :)
I got my 5D Mark II thursday. Friday I went out to record some movie
clips. You are welcome to watch it, but please be aware that I am a
total movie beginner. Please don't expect The Vincent Laforet Style.
My little movie is just raw clips from the camera published in
reduced resolution with no enhancement. I love that camera!!!
Regards!

http://gallery.me.com/knyp#100225
 
Any TV that can display HD content can display both 25 and 30 FPS.
PAL and NTSC are analog standards that do not apply to the digital
era.
1. To capture video in an area (like Europe) with 50 Hz power feeding
electrical lights you may risk flickering footage if you use a 30 FPS
camera. This flickering effect is hard or impossible to compensate
for. Instead you prefer a camera with 25 or 50 FPS. But 30 FPS is
fine in US with 60 Hz power. This flickering depends of the kind of
artificial light source. In only sunlight it has no influence.
Hmmm... Most US movies are shot at 24 FPS with 60Hz lights... never saw any of this mismatch or flicker. Or are you saying they run special 48Hz power converters at US movie sites?
2. Broadcast in Europe and some other parts of the world use 25 FPS
TV (including 50i) because of the factor above. It is hard to
implement 30 FPS footage into 25 FPS timelines without causing
jittery motion. The broadcast in Europe is not done on a 30 FPS
timeline. Any normal video (PAL, HDV etc.) in Europe will not use 30
FPS to be compliant with the fact 1. above.
I've never done analysis on European video, but I've seen North American video switch from 24 to 30 and back several times in the same broadcast. The beauty of digital is you don't even notice. I suspect most European stuff is broadcast at 25 because it was made that way, but it could also be broadcast at 24 or 30 if it's a digital broadcast.

Don't get me wrong - I, too, would like to see some choice here. I find that 24 FPS gives a more authentic movie 'feel' to the motion. It's an emotional quality, which is what art is all about. I just think most of the attempts to quantify it are not really valid.
 

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