Ralf Strathmann
New member
Hi, I’ve never responded to an article in forum, even after spending many informative hours reading everybody’s opinions.
I shoot album / CD covers for a living, mostly on location, always under some sort of pressure.
I have either owned or rented every professional camera available. I’ve worked in a lab years ago and still make my own prints.
About a year ago I bought an Olympus E10 on impulse for $ 1600.00. (An amount I normally budget on film for one job)
I tried it on a magazine shoot. (In raw mode) The initial results where a little disappointing, but once I started discovering and using all the available post production tools (genuine fractals, quantum mechanics, many photoshop plug-inn’s)
I started to love the camera.
Since then I’m almost ashamed to admit I’ve shot many jobs with the E 10, backed up by film, shot on Hasselblad and Mamiya 7. Most of the time I haven’t processed the film, because the client was more than happy with the shots from the E 10. We’re talking about poster campaigns, billboards and Magazine covers.
Granted, the file coming out of the E10 doesn’t look anything like the pics I send my clients. I treat these shots like I’m in the darkroom. Since I know what I’m looking for in a “real” photograph the raw files from the E10 plus all the digital tools available make it possible to create them.
Since I totally believe that digital image acquire will be the future of our business I’ve been seriously looking to upgrade my equipment.
I spend weeks in December 2001 testing various options. I hated all backs that go on medium format cameras, because the tether requirements and the fact that they nearly double the focal length of the lenses. ( cables and to many batteries on location just don’t work)
All the Nikon and Canon’s etc. remind me of Porsche Kit-cars build on a VW chassis.
I don’t believe in the philosophy to adapt a small CCD to a 35mm standard lens and loose the best qualities of both components.
I returned a E 20 I bought after finding that all the improvements over the E10 were software based.
Hopefully there will be a full size CCD 35 mm SLR in the near future.
Since then I’m going to take some amazing shoots on my E 10.
Ralf Strathmann
http://www.ralfstrathmann.com
I shoot album / CD covers for a living, mostly on location, always under some sort of pressure.
I have either owned or rented every professional camera available. I’ve worked in a lab years ago and still make my own prints.
About a year ago I bought an Olympus E10 on impulse for $ 1600.00. (An amount I normally budget on film for one job)
I tried it on a magazine shoot. (In raw mode) The initial results where a little disappointing, but once I started discovering and using all the available post production tools (genuine fractals, quantum mechanics, many photoshop plug-inn’s)
I started to love the camera.
Since then I’m almost ashamed to admit I’ve shot many jobs with the E 10, backed up by film, shot on Hasselblad and Mamiya 7. Most of the time I haven’t processed the film, because the client was more than happy with the shots from the E 10. We’re talking about poster campaigns, billboards and Magazine covers.
Granted, the file coming out of the E10 doesn’t look anything like the pics I send my clients. I treat these shots like I’m in the darkroom. Since I know what I’m looking for in a “real” photograph the raw files from the E10 plus all the digital tools available make it possible to create them.
Since I totally believe that digital image acquire will be the future of our business I’ve been seriously looking to upgrade my equipment.
I spend weeks in December 2001 testing various options. I hated all backs that go on medium format cameras, because the tether requirements and the fact that they nearly double the focal length of the lenses. ( cables and to many batteries on location just don’t work)
All the Nikon and Canon’s etc. remind me of Porsche Kit-cars build on a VW chassis.
I don’t believe in the philosophy to adapt a small CCD to a 35mm standard lens and loose the best qualities of both components.
I returned a E 20 I bought after finding that all the improvements over the E10 were software based.
Hopefully there will be a full size CCD 35 mm SLR in the near future.
Since then I’m going to take some amazing shoots on my E 10.
Ralf Strathmann
http://www.ralfstrathmann.com