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that's how I found it, even at Base ISO blue skies are peppered with noise and it hasn't the highlight recovery of the 40D - this is in RAW using C1 or another honest converter - the 50D has a better JPG engine, that's for sureNot truethe 50D is a different matter, it's very noisy and the DR is instantly noticably weaker ..
Then you must have a very unusual workflow, or failed to adapt it to the new camera.that's how I found it, even at Base ISO blue skies are peppered with noise and it hasn't the highlight recovery of the 40D - this is in RAW using C1 or another honest converter - the 50D has a better JPG engine, that's for sureNot truethe 50D is a different matter, it's very noisy and the DR is instantly noticably weaker ..
Having had both, I think all the changes to the body, operating system etc in the 50D were Positive (not massive upgrades but very worthwhile) but the sensor lets the 50D down and I prefer the image quality and less diffraction limiting of the 40D's 10Mp sensor - Believe me I'd not have gone back to the 40D and had to lose Microtuning & that better LCD as well as useful live view !! etc if I didn't think the sensor's DR was an issue - my workflow has no issue with the rest of the range I've owned or tried including the even more pixel packed 7D (I borrowed one) - However it's only a backup camera for me so YMMV ..
The 50D IMO should have had the 450D's 12Mp unit which I still feel was the best of the three sensors - all are sharp at pixel level, it's the difference in Noise and DR (Talking Natively in RAW here) which I've found separates them ..
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Please ignore the Typos, I'm the world's worst Typist
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--Sorry Jules, it was my Birthday Saturday, had a few beers!! so Sunday was a rest day lol.
I have the 40D it is my main camera with the 400D as backup, I put up with the low-res LCD as long as you know that some of the pictures might look soft, I can see the ones that are not good but I look at mine on the computer screen before I delete any, just to show you what the camera can do these were taken in the garden this afternoon, all are 50% crops, taken with the 70-200 f4 none IS with the Kenco Pro 300 1.4X
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Jim
Many people were confused by Phil's review, hence the very many threads at the time discussing it. At the time, phil had a very clear agenda, he seems to have dropped it now.Having read phil's review of the 50D I'm now more confused than ever.
Like most DPR reviews, noise judgments are made at 100% crop of JPEG images. If you look at the raw results of the 50D, they show a sensor with just about the same low light performance as the 40D (it really is very close, within the limits of sample variation). However, viewed 100%, the 50D looks worse, due to being viewed larger. Canon seems to have responded to the likelihood of poor reviews on the basis of 100% crop tests, and a desire to outdo the D300 at high ISO, to have put in really aggressive NR as the default at high ISO's. Just turn it down and you're OKSomethings seem to have gotten better than it's predecessor the 40D, and some, it seems, worse. namely the quality of the High ISO images.
This was discussed a lot at the time. Almost everyone who has used both agrees that the 50D is better than the 40D in every respect, including high ISO performance. There are one or two who still deny that, probably because they never used a RAW converter that works well with the 50D. The latest version of ACR gives excellent results with the 50D. I have extensively tested my 50D against my 20D. The 50D is about a stop better at high ISO than the 20D. No-one claimed that the 40D was better at high ISO than the 20D. If you are upgrading now, and can't afford the 7D, you should definitely go for the 50D over the 40D, unless the price difference makes it impossible.Having read phil's review of the 50D I'm now more confused than ever. Somethings seem to have gotten better than it's predecessor the 40D, and some, it seems, worse. namely the quality of the High ISO images. I'm stuck now.
jules