Rudis Electronics Lab
Member
Thanks for trying this!Hi Trazan,
I setup the Mixpre 'stereo out' so that it can generate timecode and audio (split mode).
Z8 recoded this special signal into the video's audio track.
This way, I made 3 video (with audio/tc) files (.MOV) along with a Mixed Pre .WAV file.
Fed these files into Tentacle Sync Studio software (downloaded , 2 week free trial).
The files are nicely time synchronized. Then generated .XML file for Final Cut Pro.
Loaded this .XML file into FCP and filed are synced. It worked!!!
But there is a problem with the split file.
MixPre records the timecode signal into the R channel and the audio signal into the L channel. But the L channel is not clean. The timecode signal is leaking into the audio signal.
I have thought of this route as well, but two things keep me from doing it:
- Having to use additional software (Tentacle Sync Studio) creates extra complexity and an extra step in the workflow compared to the HDMI timecode route the MixPRE is claimed to support
- I like to have the Z8 analogue input as a backup recording, preferably stereo for two channels, but if need be, monophonic. But timecode spillover would spoil this (regardless of whether the crosstalk is in the MicPRE or in the Z8...)
Why this strong desire for a backup? Well, last week, I used the MixPRE in a recording rig, it started recording properly; and at some point, it claimed there was no SD card in it any more. Back home, the card (a high-quality Lexar one) turned out to be dead, I could not read it or connect to it at all. No matter whether the card itself or the MixPRE was the culprit, this emphasised for me the need for a backup!
Having that said, I am, happy you tried this and showed this is a potential solution.
Best, Rudi
Nikon Z8, Z7, D500, D800E, FujiFilm X100, Sony RX100MK3, Mamiya 645PRO