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Hi Kenn, I think what the OP is trying to say is this:Also, you haven't yet addressed the main issues I brought up. I
really want to know why the heck prime lenses suddenly jumped in
the conversation.
I've never used any of the dSLR continuously driven sensor implementations, but this seems like something you could throw a combination of brute force and clever engineering at to make almost tolerable. It will be very expensive...Well, I'm no fan of EVFs (I doubt many DSLR users are), but I don't
have anything against live view. The thing is, most of the
arguments against EVFs hold for live view as well (delay
Absolutely. But then again, it will probably be very large..power
I'm not sure why this is would be an issue.. Not a jab, I'm really clueless on this point.framerate in low-light
Ironically, as you zoom/crop the scale factor of the LCD resize would get larger. Cheating, sure, but one could argue that it works towards solving this problem without even upping the LCD res! Hey now!low resolution
I don't see how you could solve the problem in the optical domain when it's inherently not an optical mechanism. However, it seems to me like a possible solution. Is it the best solution? Probably not. Is it a good solution? Maybe. Butler Lampson: "the best is the enemy of the good."and neither
would solve the FOV problem when using the optical VF, so it's not
a solution here.
Well, I'm no fan of EVFs (I doubt many DSLR users are), but I don't
have anything against live view. The thing is, most of the
arguments against EVFs hold for live view as well (delay, power
usage, framerate in low-light, low resolution, etc.), and neither
would solve the FOV problem when using the optical VF, so it's not
a solution here.
Also, you haven't yet addressed the main issues I brought up. I
really want to know why the heck prime lenses suddenly jumped in
the conversation.
Yeah, too fast on the draw hereYep, I'm not the OP. No worries.
Expensive, yes. But this is a pro flagship cam, so I'd let that slip. However, from a user perspective, it'd be incredibly confusing and complex too, which is mainly why I think it would be a no-go.Kenn Hwang wrote:
I've never used any of the dSLR continuously driven sensor
implementations, but this seems like something you could throw a
combination of brute force and clever engineering at to make almost
tolerable. It will be very expensive...
Analogy is full-open f/stop in an optical viewfinder. In order to let you see your subject in an EVF/Liveview, digicams slow the framerate to allow more light in (so each frame shows you 1/5sec instead of 1/30sec) for the display. If you have a P&S cam, you can see the display lags a lot more in low light. This would be unacceptable in a pro camera in non-studio settings (and in a studio setting, you wouldn't need HSC or a "continuous" crop setting).I'm not sure why this is would be an issue.. Not a jab, I'm reallyframerate in low-light
clueless on this point.
This isn't really the same issue I'm addressing - at any crop the current resolution of EVFs/LCDs is still inadequate to reliably manual focus or confirm AF. It's already incredibly difficult with smaller optical VFs like the D70! And again, showing how it may work with "extreme zoom" at max HSC demonstrates a specialized and expensive feature is only useful at the margins - not very practical imo!Ironically, as you zoom/crop the scale factor of the LCD resizelow resolution
would get larger. Cheating, sure, but one could argue that it works
towards solving this problem without even upping the LCD res! Hey
now!
HSC essentially masks the sensor. The D2x's solution for matching the VF view to the masked sensor is by electroncially masking the VF with a blacked-out LCD frame. If you don't use an EVF, the only real solutions you have to display a "continuous HSC" mode is either to have an insanely silly number of separate LCD masks for every crop range between 1.1x and 2.0x (and a 2.0x crop on a FF view would be TINY, to the point of near-uselessness), or an optical solution that uses a mechanism to "zoom" viewfinder to correspond to the crop. P&S cameras still do this (though the view is of course not TTL), and olld rangefinders had pop-up magnifying lenses for use with different lenses. Again, expensive, impractical, and antithetical to the exacting precision and clarity Nikon/Canon demand for their pro flagship cameras.I don't see how you could solve the problem in the optical domainand neither
would solve the FOV problem when using the optical VF, so it's not
a solution here.
when it's inherently not an optical mechanism. However, it seems to
me like a possible solution. Is it the best solution? Probably not.
Is it a good solution? Maybe. Butler Lampson: "the best is the
enemy of the good."
But it still makes no sense to have brought up primes unless you're ready to say that this feature will only work with primes. Unless you're saying that now, you still haven't addressed the issue with regard to zooms.Kenn, read the post in this thread called "Source AND speculation".
That's where I mentioned the "prime" connection.
Of course it's not changing the crop factor that changes the effective focal length of the lens, it's the pixel pitch so unless the pixels can get bigger or smaller on demand this idea is pretty much dead in the water!Hi Kenn, I think what the OP is trying to say is this:Also, you haven't yet addressed the main issues I brought up. I
really want to know why the heck prime lenses suddenly jumped in
the conversation.
By changing the crop size of the sensor you effectively change the
focal length of the lens (a 300mm lens on full-frame becomes 450mm
at 1.5x). If you could alter the crop size continuously you could,
in effect, zoom with a prime lens.
I don't know how possible this is and I know absolutely nothing
about any D3. I just thought I'd try to help clear this specific
point up![]()