manual_focus
Senior Member
I may be late to this feature so I apologize up front if this is known information.
With the K3iii there are something like 11 different Tones and within each Tone there are 7 sub-adjustments that can be used to process the Raw file into a jpg image.
If you save your files as JPGs, the Finishing Tone values are used to "process" the Raw file into the saved JPG. But there is another way to get the same image file.
Here's the "trick". Pentax adds the selected Custom Image - Finishing Tone to the RAW file. It is needed so that the RAW file can be viewed on a monitor, including the camera's back monitor. This is the same information that is used when you save an image as a JPG in the camera. If you save the image as a RAW (PEF/DNG) you can easily resave (same name or change it) the file as a JPG which uses the same embedded Finishing Tone values.
Using Digital Camera Utility v5, simply select any or all files and right-click, which allows you to select the "Extract JPG" command. Now you have both a RAW and JPG file.
You can also make changes to a file within LABORATORY (after selecting whatever images you want to change) and then right click on the image thumbnail and Copy/Paste Parameters to any and all other files (these Commands are also on the Menu bar). You can then right-click and select "Process Multiple Files" and select JPG as the file format (jpg/tif-8 or -16 bit). It makes the changes in the background. To see the new changed files be sure and go back to BROWSER and hit the REFRESH/F5 button.
I believe you can do most of this with other camera bodies except you don't have the 7 sub-adjustments which make changes to the various Finishing Tones.
While not an earth shaking bit of information it might prove useful. I see no reason to save in both RAW and JPG and really, as I would always like a RAW image file, I don't see much of a reason to save in just JPG either. YMMV ;-)
With the K3iii there are something like 11 different Tones and within each Tone there are 7 sub-adjustments that can be used to process the Raw file into a jpg image.
If you save your files as JPGs, the Finishing Tone values are used to "process" the Raw file into the saved JPG. But there is another way to get the same image file.
Here's the "trick". Pentax adds the selected Custom Image - Finishing Tone to the RAW file. It is needed so that the RAW file can be viewed on a monitor, including the camera's back monitor. This is the same information that is used when you save an image as a JPG in the camera. If you save the image as a RAW (PEF/DNG) you can easily resave (same name or change it) the file as a JPG which uses the same embedded Finishing Tone values.
Using Digital Camera Utility v5, simply select any or all files and right-click, which allows you to select the "Extract JPG" command. Now you have both a RAW and JPG file.
You can also make changes to a file within LABORATORY (after selecting whatever images you want to change) and then right click on the image thumbnail and Copy/Paste Parameters to any and all other files (these Commands are also on the Menu bar). You can then right-click and select "Process Multiple Files" and select JPG as the file format (jpg/tif-8 or -16 bit). It makes the changes in the background. To see the new changed files be sure and go back to BROWSER and hit the REFRESH/F5 button.
I believe you can do most of this with other camera bodies except you don't have the 7 sub-adjustments which make changes to the various Finishing Tones.
While not an earth shaking bit of information it might prove useful. I see no reason to save in both RAW and JPG and really, as I would always like a RAW image file, I don't see much of a reason to save in just JPG either. YMMV ;-)
