Using a sturdy Tripod

mysteryman44

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Hello, Iam just wondering what percentage of photographers use a tripod. I imagine everyone would love what is called a perfect photo. In handholding a camera, I’ve heard somewhere is no matter how still and steady one holds a camera, camera shake can be cause by just by a persons normal breathing. Thank goodness for Camera image stabilization. Anyway I have a good tripod and my problem is carrying it around on a trip. And I guess it’s nice to use knowing the camera is steady while taking a photo. Course a hand remote is necessary for the so called perfect photo. What are your thoughts.
 
Hello, Iam just wondering what percentage of photographers use a tripod. I imagine everyone would love what is called a perfect photo. In handholding a camera, I’ve heard somewhere is no matter how still and steady one holds a camera, camera shake can be cause by just by a persons normal breathing. Thank goodness for Camera image stabilization. Anyway I have a good tripod and my problem is carrying it around on a trip. And I guess it’s nice to use knowing the camera is steady while taking a photo. Course a hand remote is necessary for the so called perfect photo. What are your thoughts.
My answer is: it depends. Most of my shooting is birds & wildlife. Nearly all of that is done handheld, but I use a monopod when I shoot with a 400 f/2.8 lens. When I photograph landscapes and architecture I use a tripod. Also when I’m using very slow shutter speeds to blur action or for light painting.
 
I have a RRS tripod, BH-55 ballhead, RRS gimbal, and Gitzo monopods but haven't used any of these since moving from F to Z. I handhold all of my lenses including 400TC, 600TC, and 800 f6.3. I need the flexibility of handholding for subjects such as airshows and surfing. I use VR sport and try to keep the shutter speed although I'm resaonably successful at panning at 1/200 to get decent prop blur.
 
As others have said, it depends.

If I'm shooting (paid) a graduation, I'll put my 70-200 on a monopod because it's just too much to hand-hold for 2 hours (for me) and I'm locked in to one spot. If I'm shooting groups (paid) I put everything on a tripod so that I can look at my group away from the camera to see if there are blocked faces or blinkers.

For field sports, always a monopod because of the weight and the length of time. Sometimes I'll shoot hand-held, but it depends on the venue.

For indoor sports, always hand-held.

Everything else, hand-held. I used to pooh-pooh images stabilization - and then I started using it. It works really well, whether VR or IBIS or Synchro.
 
Hello, Iam just wondering what percentage of photographers use a tripod. I imagine everyone would love what is called a perfect photo. In handholding a camera, I’ve heard somewhere is no matter how still and steady one holds a camera, camera shake can be cause by just by a persons normal breathing. Thank goodness for Camera image stabilization. Anyway I have a good tripod and my problem is carrying it around on a trip. And I guess it’s nice to use knowing the camera is steady while taking a photo. Course a hand remote is necessary for the so called perfect photo. What are your thoughts.
I can't imagine having a camera and not a tripod. Not all the time, just when it's needed.
 
I have multiple tripods, all carbon-fiber. My sturdiest are the I-Footage ball-leveling tripods. But I have specific tripods for travel which are very compact, and also ball-leveling. Though I rarely use it, I always pack it.

That said, 99% of the time, I'm shooting handheld thanks to fast lenses, VR, and IBIS. The tripods are reserved mostly for ultra-long telephoto lenses mounted to a gimbal-head (I own multiple ball-, gimbal-, and fluid-heads).

If you have good handheld technique, are shooting at or above the reciprocal-rule, and using a modern lens/camera with VR/IBIS, I wouldn't fuss with the hassle of a tripod unless using an ultra-long tele-lens.

Plus, especially with longer exposures, I'll usually find something, anything, to help stabilize my stance; e.g., a wall, a railing, tree, etc.
 
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Tripods used to be a pretty good idea in many shooting situations since good sharpness could often not be achieved otherwise. That has changed fundamentally, so people who tell you that they "would never go without a tripod" simply aren't paying attention to changes in technology.

An excellent body/lens combination will give you 7-8 stops or more of stabilization these days. This means that you can theoretically shoot with a 50mm lens and exposure times of 2 seconds and more. That is indeed theoretical, but shooting at 1 second hand-held is not much of a challenge with such a body, and few people ever need that kind of slow shooting anyway.

Take an 800mm lens for comparison: 7 stops mean you can take sharp shots at 1/6s with an excellent IS system, and even a mediocre one with only 5 stops of IS lets you get away with 1/25s. Your shots are likely to suffer from subject movement long before they suffer from your body shake.

Tripods still make sense in two different scenarios: if you shoot with lenses too heavy to hand-hold, or if you decide you want to shoot with exposure times that are too long to hand-hold (say, several seconds) because you want to smooth out water movement or something like that. (Actually, MFT bodies feature computational modes that let you take such images with out a tripod, too, but Nikon does not offer that.)

My passion is bird shooting, and I make sure to buy only lenses I am able to hand-hold. I hardly ever use a tripod for that unless I sit in a hide or so. There is nothing to be gained by taking a tripod along on a walk, but it tends to get into the way quite quickly.

Mind you, I own two excellent tripods (FLM and Gitzo) - I just don't use them much anymore.
 
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The best tripod is the one you will carry with you.



83da145eea794038b339578264214df7.jpg



--
... Mike
... https://www.flickr.com/photos/198581502@N02/
 
Hello, Iam just wondering what percentage of photographers use a tripod.
I have several of varying weights and sizes. In my view they are one of the most important accessories available. Many feel that modern cameras support sufficiently high quality high ISO, but I still personally prefer a tripod.

When using my X2D the electronic shutter rolling shutter effect is so bad I don't have much choice. For that matter, the X2D rolling shutter effect is so bad i'm pretty sure I can get it even when it IS on a tripod :)

Having said that, as is the case with most things I preach, I don't always follow my own advice :)
camera shake can be cause by just by a persons breathing
In my case that rather depends upon whom I am photographing :)

--
Making good decisions is generally the result of experience. Unfortunately, experience is generally the result of making bad decisions.
 
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Hello, Iam just wondering what percentage of photographers use a tripod. I imagine everyone would love what is called a perfect photo. In handholding a camera, I’ve heard somewhere is no matter how still and steady one holds a camera, camera shake can be cause by just by a persons normal breathing. Thank goodness for Camera image stabilization. Anyway I have a good tripod and my problem is carrying it around on a trip. And I guess it’s nice to use knowing the camera is steady while taking a photo. Course a hand remote is necessary for the so called perfect photo. What are your thoughts.
Ahh tripods - a subject on on their own. I have an ancient Manfrotto 055CXPRO3 It's bulkier than many with fewer sections so only 6 cam levers to open therefore quick to set up with a 3 axis Arca Swiss head that my Manfrotto ball head has also been converted to. For a remote trigger, I still use a Hahnel Giga Pro but it doesn't recognise BBF so have a profile with shutter button AF for tripod/remote use.

If I was to start over, I'd buy a tripod with twist locking collars rather than cam levers. Anther consideration is to scrap the centre column or not.

I know some who use a tripod all the time for landscape photography.
 
For landscape, I use a tripod (and it's expensive, big, heavy, and thus stable)

For everything else, I don't.
 
With my 500mm lens, I very much prefer to shoot from a tripod. Besides sharpening the image, it makes it somewhat easier to line up on a small subject.

The alternative is basically higher shutter speed, and/or excellent VR. And to some extent sheer weight. (I find it a lot easier to hold my heavy 200-500vr lens steady than a lightweight 70-300.)

So, for wildlife, I'm going to make an effort to bring my Gitzo 3550. (I have lighter tripods, and not one of them holds a big lens steady. They were essentially a waste of money).

I don't carry a tripod for travel. My light travel tripods were simply not steady enough, so why bother. The Gitzo has to have the ball head removed to fit into a suitcase, so that limits it a lot for airplanes.

There is the concept of a string tripod. (One end attaches to camera tripod mount, the other end has a plate you step on, and when you pull the string taut, you have more camera stability.)
 
I already use a tripod frequently, for landscape, architecture, panoramas, bokeh panos/Brenizer and long exposure photography.

I use it frequently enough to invest in a high-quality tripod.

I currently use a Novoflex TrioPod TRIOC2840 + Novoflex MBAL20 MagicBalance.

I also use either a Feisol ballhead CB-50DC or my Novoflex VR-SYSTEM SLIM (multi-row panorama system) as needed.

For me, it offers a good compromise between very high-quality workmanship, good stability, and a moderate weight.

The same applies to the multi-row nodal adapter, which is very compact and lightweight, yet remains very high-quality.

For me, it's one of the most important accessories, so I'm not stingy when it comes to tripods/nodal adapter/ballheads....
 
Perhaps a better question would be what percentage of the time individual photographers use a tripod.

The coming of VR/!BIS and lenses without a shutter reduce the need for using a tripod to ensure getting a very sharp image.

Using a good tripod (combined with good tripod technique) can help get exact framing.

At age over 80 weight is an increasing consideration for me.

I now try to divide my photography into two broad scenarios – one where a tripod is likely to help a lot (usually combined with being near the car) and one way where potential tiredness from carrying a tripod is likely to be an overall hindrance – usually longer distance hiking.

The world evils – I can remember the era when quality indoor portraits required tungsten lighting and a tripod. The reason was the shutter speed was typically 1/30 for a full length or head and shoulders shot and 1/15 for a relatively close-up headshot.

A compromise - :-) if one can sit on the ground, knees raised, elbows on your knees; or elbows on a fence etc, many are able to take a shake free image at around 1/8 with a moderate telephoto lens with recent cameras and in lens VR/IBIS.
 
Hi!

I'm pretty happy with my latest tripod (RRS Ascend) especially for travel:

I have a few tripods, balheads and pano set ups. I mostly use RRS.

Pricey, but well built and I have a preference for using one supplier, in part because of compatibility issues.

Relatively light, versatile, decent support, and easy to transport.

No one tripod is ideal for all occasions and/or all photographers.

Ascend-14-BH-1-2024__86290.1746047282.png


Ascend-14-BH-10-2024__86370.1746047282.png


Folds up nicely

Ascend.1-1-1.03__48149.1746047282.jpg


Infographic_Product_Images_-_Ascend__17879.1746047282.png


I used to travel with a heavier tripod and ballhead, but for most of my particular needs, the Ascend works well.

(The RRS web page sj=hows this being used for a multirow pano. However I if I was doing multi-row panos I might use something else)

Used it on my most recent trip (to Bonaire)

This is one of four Bonaire Obelisks

original.jpg


Here's a video demonstrating some of the reasons why this works for me.

Video of RRS Ascend Tripod

Best Regards,

RB
http://www.dpreview.com/members/2305099006/challenges
https://www.nikonimages.com/member-photos/859
 
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I configure my Z8 to use aperture priority, 2x focal-length shutter speed, auto-ISO up to 6400, and it will yield sharp photos virtually every time.

In certain situations I switch to manual, so I can control both aperture and shutter speed, still using auto-ISO up to 6400, usually when I need a higher shutter speed than the focal length demands, e.g. to freeze action.

There are however situations where a tripod is handy. This is usually in low-light situations where I want to minimize ISO, typically landscapes.

A tripod is also handy to steady long lenses, which also tend to be heavy and tiring to hand-hold.
 
Nice tripod! Eye-watering price. I use an Arca-Swiss p0 Monoball ballhead on a regular tripod for a similar effect. I do wish more manufacturers would integrate a similar ballhead into their travel tripod offerings.
 
Tripods used to be a pretty good idea in many shooting situations since good sharpness could often not be achieved otherwise. That has changed fundamentally, so people who tell you that they "would never go without a tripod" simply aren't paying attention to changes in technology.

An excellent body/lens combination will give you 7-8 stops or more of stabilization these days. This means that you can theoretically shoot with a 50mm lens and exposure times of 2 seconds and more. That is indeed theoretical, but shooting at 1 second hand-held is not much of a challenge with such a body, and few people ever need that kind of slow shooting anyway.

Take an 800mm lens for comparison: 7 stops mean you can take sharp shots at 1/6s with an excellent IS system, and even a mediocre one with only 5 stops of IS lets you get away with 1/25s. Your shots are likely to suffer from subject movement long before they suffer from your body shake.

Tripods still make sense in two different scenarios: if you shoot with lenses too heavy to hand-hold, or if you decide you want to shoot with exposure times that are too long to hand-hold (say, several seconds) because you want to smooth out water movement or something like that. (Actually, MFT bodies feature computational modes that let you take such images with out a tripod, too, but Nikon does not offer that.)

My passion is bird shooting, and I make sure to buy only lenses I am able to hand-hold. I hardly ever use a tripod for that unless I sit in a hide or so. There is nothing to be gained by taking a tripod along on a walk, but it tends to get into the way quite quickly.
My keeper rate for shooting 50mm @ 1/6s is maybe 1 in 6, and thus not something I would rely on for critical shots. I would love to see some sharp, handheld shots taken at 800mm @ 1/6s.
 
Love my tripods

My light tripod is 3 legged thing Punks range Billy 2 - light and easy to carry and mostly OK. But with a big load and windy day becomes less reliable

Heavy tripod - Manfrotto MT057C3 - at least it's heavy for me. Harder to lug around but pretty much rock steady even with centre column fully extended.

Love my IBIS - great for general photography

Horses for courses.

I can hand hold my Zf to a 1/2 second max I think. After that tripod needed. Just depends how desperate I am for the photo

When I tripod I use the self timer of exposure delay mode
 
I shoot mostly hand-held with IBIS on. It's remarkably good. I use a tripod for macro, but also when I really care about composition. For either of those uses I've started using an inexpensive gear-head. That makes it easy to get perfect framing, but it's not a speed device!
 

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