"Tips and secrets of the 1D"

I always set CF13 to 1.

This reduces the user-selectable AF points to 11, and (more
importantly) links the spot-metering to the active AF point.

Now if Canon would make all 11 of these points like the center AF
point, I'd be in heaven.
Precisely! Often I found myself having to stay in 43-point mode just to have access to all 7 in the middle. After a while, I got used to the roughly 5x9 matrix.
 
Thank you David .
There is evident noise and , at ISO3200 , very acceptable but I don't see
noticeable banding where I get some from ISO200 ...

Looks more and more like my 1D is going to be tortured at the CPS Repair Center . I don't like that idea at all !
Best regards ,

Danny
I'm not on a good monitor for seeing banding in shadows at the moment.

Compare to this ISO3200 shot from my 1D.

http://www.neonlightsimaging.com/images/chad_unprocessed.jpg

--
http://www.outboundmusic.com
Your link to independent music!
--
Wheelie
webmaster http://www.canonians.com
Shooting the world from a wheelchair !
 
This will kill all layers (at least in PS7) which i always positively trying to avoid.
I do:
  • Stamp visible (creates new layer = summary of everything underneath).
  • Blending mode - to "luminosity"
  • Do all USM on this new layer - same effect as sharpening "lightness" in Lab.
  • [optional] add mask to this "sharpened" layer and selectively cover/uncover desired areas.
Gleb
. I convert mainly
with FVU , sharpening set to 0 . Matrix 4 . For sharpening , I use
1. Go to Image -> Mode -> Lab Color
2. In Channels select the "Lightness" channel
3. Filters - Sharpen -> Unsharp Mask
Amount: 150%
Radius: 1.5
Threshold: 2
4. Image -> Mode -> RGB Color

Best regards ,

Danny
Hey guys, I thought it would be nice to have a thread where we
(newbies, there are lots of us here) could get some "tips and
secrets" of the 1D.

Whiskey

BTW, who here got their 1D within a month ago?
--
Wheelie
webmaster http://www.canonians.com
Shooting the world from a wheelchair !
 
Totally agree.
Can't beleive just a 2 yrs ago i was shooting with something else! :)

Gleb
-Weii as a new owner of the 1D, I am stunned by the image quality
at least in Raw mode anyway. Superb detail and great tonal range. I
am very glad I bought this camera. I may get another to go with it
if I can find one.-
Chris Clark
 
Were those samples compressed very much? Very odd patterns... I don't think I see those on my 1D. I'm afraid to look now.

--Matt
Hi Nill ,

Here's what I get in not optimal light conditions but we don't
shoot always
in a studi , don't we ?
http://www.canonians.com/1dbanding.htm
Please , tell me your opinion about .
Maybe it's me expecting too much ...

Best regards ,

Danny

--
Wheelie
webmaster http://www.canonians.com
Shooting the world from a wheelchair !
 
... set CF4 to 2. This lets you half-press the shutter button to auto-focus and the * button temporarily stops auto-focus. The exposure isn't set until you take the picture.

Considering that most sports shooters will want to auto-focus constantly and only stop the auto-focus rarely, it makes sense to me that the easiest button to press (the shutter button) should start the focus, and the more awkward button (the * button) should be used to pause it.
Set CF4 to 1 so that you press * to AF, and release to stop AF.
Half-pressing the shutter locks the exposure. Works great with
AI-Servo.

Give it a week, and you may never shoot any other way.

--
http://www.outboundmusic.com
Your link to independent music!
 
... set CF4 to 2. This lets you half-press the shutter button to
auto-focus and the * button temporarily stops auto-focus. The
exposure isn't set until you take the picture.

Considering that most sports shooters will want to auto-focus
constantly and only stop the auto-focus rarely, it makes sense to
me that the easiest button to press (the shutter button) should
start the focus, and the more awkward button (the * button) should
be used to pause it.
I've always been a CF4-1 guy, mainly because I've never understood exactly how CF4-2 worked. With your explanation, I've realizeed that CF4-2 is much more natural for me, anyway.
 
Hey guys, I thought it would be nice to have a thread where we
(newbies, there are lots of us here) could get some "tips and
secrets" of the 1D.

Whiskey

BTW, who here got their 1D within a month ago?
I got mine today. A monster of a camera. Can't wait until the sun comes up.

Allan
 
I can lock focus on a back row passer and not have to worry about any other players passing in front of the lens briefly throwing the focus off. I also use it to track a hitter. When they plant to jump I release the * button and focus is locked. Then I follow their jump and release the shutter when they swing. I don't have to worry about accidentally focusing on a blocker's back or a back row passer that happened to get in my way breifly.

Mike
 
10Der upgrading to 1D. Comes in tomorrow. I am seriously excited and this thread has saved me a lot of headaches!! Thanks.

Bob
Hey guys, I thought it would be nice to have a thread where we
(newbies, there are lots of us here) could get some "tips and
secrets" of the 1D.

Whiskey

BTW, who here got their 1D within a month ago?
--
Bob Bennett
 
depends on what you are doing:

CF4 = 2/3 for sports

CF4 = 1 for all other situation, focus lock on the main subject with , recompose the frame and shot (more natural for me).
... set CF4 to 2. This lets you half-press the shutter button to
auto-focus and the * button temporarily stops auto-focus. The
exposure isn't set until you take the picture.

Considering that most sports shooters will want to auto-focus
constantly and only stop the auto-focus rarely, it makes sense to
me that the easiest button to press (the shutter button) should
start the focus, and the more awkward button (the * button) should
be used to pause it.
I've always been a CF4-1 guy, mainly because I've never understood
exactly how CF4-2 worked. With your explanation, I've realizeed
that CF4-2 is much more natural for me, anyway.
 

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