I've ended up with some horrendously horrible histograms in a
picture that looks OK but a sky with light cloud for instance can
start to go "painting by numbers" very easily.
That arguement makes a lot of sense to me. It is part of why I
wanted a camera that could shoot RAW. My question is does it make
a difference visually in the final print? I've done some pics with
"horrible" histograms after modifications, but they look great even
as a well enlarged print.
mmm... this may be a litte late for me to pick up on this thread
again, but it would seem that there are some folks with a little
interest in the 'science' behing achieving HIGH quality! After all
that IS why you bought a decent camera.
Re 16 bit processing there is no dubt in my mind (eye) that for the
ultimate quality this is best. Let me explain: A long time ago I
took a picture ( a snapshot!) of a raging storm at a pier near
where I live – no time for ND grads or a tripod or to check the
settings just to capture the shot as quickly as I could before
freezing or being blown into the sea. That picture has sold many
times over through a local gallery but NOT at the size I would like
– BIG. the problem is that if I increase the size from the original
jpeg, then all the processing (dodge, burn, curves) I did or had
to do to make the picture work is magnified – the posterisation is
not visible small, but enlarge it and its there. I can see it.
The moral of the story is that I still sometimes forget to check
the camera settings (RAW. ISO, etc) whatever, but I have learned
through countless other examples as well that RAW gives me the very
best. When I shoot jpeg I make sure that I get the exposure and
white balance 'right' that way I do not have to do much or any
after work in photoshop. So YES you can get brilliant pics from
jpeg – just don't get caught in a storm!
Malcolm