I, too, as surprised, as my measurements put the K20D behind the 40D
and the D300 (I haven't measured the A700). Does the article say how
the DR was measured, as from JPEG or raw and using what measurement
calculations (Imatest?)?
Dmitry, yes I always compare to the K10D. In looking at the link to
the review of at the same site for the Nikon D300, it seems that they
use the DXO test suite, about which I don't know very much, but if
these are the results I can't really believe them. Perhaps the
testing puts more emphasis on highlight recovery than on true full
range Dynamic Range (DR) into the deep shadows, much as to the
reviews on this site, DPReview.
DR numbers can be influenced by how much recoverable highlight
"headroom" there is in the images as well as the noise floor in the
raw readings. Since I do my analysis based on raw images and the
highlight "headroom" can be adjusted by making proper "expose to the
right" exposure settings in the first place, I base my judgements on
the noise floor. Both Oleg_V and I have measured the noise floor of
the K20D and agree more or less on the results and that they are
higher than those of the Canon 40D and Nikon D300 by about a factor
of three or four at the lowest ISO sensitivities and also has
somewhat higher noise than either at higher ISO's.
Compared with the K10D (and the K200D), the K20D has quite a bit
higher noise flloor at lowest ISO's but that is somewhat compensated
in that it does not have scanline pattern noise VPN (or much less).
It has about the same noise floor as the K10D (and the K200D) at
higher ISO's, but that is confused a little bit by the small amount
of noise reduction that is applied to raw image data for ISO's of
1600 and up for the K20D.
I would expect that a DR test on raw data for the K20D using Imatest
will show that the K20D has about a stop less DR than the top cameras
right across the range and somewhat less DR than the K10D at low ISO
sensitivities.
Of course, high DR in the deep shadows only matters to those who push
process their images by several stops or compress a wide scene DR by
boosting the tone curve in the shadows, and the K20D produces
excellent image qualtiy otherwise. Also, many confuse wide DR with
the ability to capture highlights without either clipping or too much
roll off of highlight detail due to too contrasty a tone response
curve in JPEG processing, and the K20D has taken steps to try to
avoid this.
Regards, GordonBGood