Is 1.3 crop factor the ultimate for use with....

...
The only real sacrifice to going full-frame is the cost.
...
Some would say the reduced frame rate is a very real loss too.
That isn't a necessary sacrifice of a larger sensor, it's a necessary sacrifice of a sensor with higher pixel count until technology catches up with the necessary throughput.

--
Lee Jay
(see profile for equipment)
 
The crop factor on my Mark II is perfect-- gives me a little more reach on my telephotos when I need it but still gives me good wide angle coverage with "regular" lenses like the 17-40 and 24-70. I think you're pushing it on the resolution for a new camera though-- I have no desire for that kind of pixel count and the noise and storage implications. I'd welcome an improvement to 12MP if the current shot rate could be maintained, which would likely require a new IP chip set. The digic II chip is getting a bit old at this point so that may be the next step.
 
than why the cost? The 5 D is not that expensive compared with the
1 series.
I'm comparing the 5D to the 20D. The larger sensor is the main reason the cost is higher.
Are you saying that FF format gives gives you a better
picture quality than 1.3 crop factor?
All other things being equal (sensor technology, pixel density, processing), yes.

--
Lee Jay
(see profile for equipment)
 
I have a 5D, 10D and a 20D. I have NO vignetting with any of my
lenses, NOR is there any appreciable "softness" or "tearing" at
corners!
This cannot possibly be true. Let's see a 17mm f4 shot focused hyperfocally on a distant target with a lot of detail from the 5D.

--
Lee Jay
(see profile for equipment)
 
...
The only real sacrifice to going full-frame is the cost.
...
Some would say the reduced frame rate is a very real loss too.
That isn't a necessary sacrifice of a larger sensor, it's a
necessary sacrifice of a sensor with higher pixel count until
technology catches up with the necessary throughput.

--
Lee Jay
(see profile for equipment)
Well, I have to compare cameras that are available to me now, not what might be released in the future. There must be some limit on the computing power and data throughput, so there will always be a difference in speed within the same generation of cameras if they have different sensor sizes.
 
What I originally said in context was right:
No. Anything the 1DII can do, the 5D can do better image-quality wise.
The only real sacrifice to going full-frame is the cost.
In other words, I was talking about image-quality, not the rest of the body features.

Nevertheless, many of us feel the 1DII and 1DsII will be replaced by a fast (8fps) full-frame body (22MP) in fall of 2006. That should eliminate any speed concerns. For now, the 1DII is the king of speed.

--
Lee Jay
(see profile for equipment)
 
The crop factor on my Mark II is perfect-- gives me a little more
reach on my telephotos when I need it but still gives me good wide
angle coverage with "regular" lenses like the 17-40 and 24-70. I
think you're pushing it on the resolution for a new camera though--
I have no desire for that kind of pixel count and the noise and
storage implications. I'd welcome an improvement to 12MP if the
current shot rate could be maintained, which would likely require a
new IP chip set. The digic II chip is getting a bit old at this
point so that may be the next step.
I would also be happy with a "12MP 1D2" and would rather see even more useful high ISO rather than more pixels, if that is a trade-off that makes technological sense. That would be great for wildlife, sports and low-light shooting like concerts.
 
The crop factor on my Mark II is perfect-- gives me a little more
reach on my telephotos...
The 1DII has the same reach as the 5D, less reach than the 1DsII and much less reach than the 20D.

--
Lee Jay
(see profile for equipment)
 
Actually, full frame gives you choices. On the 5D for example, the pixel pitch/density are equal to the 1DS MKII and therefore, one can crop the image (if desired) by 1.3 without loosing resolution (over the 1D). It's your choice, and you can make that choice after the shot, if desired. The reality is that the soft corner/vignetting issue is mainly a problem on wide angle lenses at larger apertures where the corners are outside the DOF anyway. If I want to maximize DOF, I must stop down. With a reasonably good quality lens, stopping down will sufficiently eliminate the vignetting and soft corners. I have many good images taken with a good wide angle lens. To get the equivalent angle of view with a crop sensor, I would have to get an even wider angle lens which leads to even more problems such as distortion and diffraction. I'll stick with full frame and crop if I care to.
 
Actually, full frame gives you choices. On the 5D for example, the
pixel pitch/density are equal to the 1DS MKII
I think you meant 1DII, not 1DsII.
and therefore, one
can crop the image (if desired) by 1.3 without loosing resolution
(over the 1D). It's your choice, and you can make that choice
after the shot, if desired. The reality is that the soft
corner/vignetting issue is mainly a problem on wide angle lenses at
larger apertures where the corners are outside the DOF anyway. If
I want to maximize DOF, I must stop down. With a reasonably good
quality lens, stopping down will sufficiently eliminate the
vignetting and soft corners. I have many good images taken with a
good wide angle lens. To get the equivalent angle of view with a
crop sensor, I would have to get an even wider angle lens which
leads to even more problems such as distortion and diffraction.
I'll stick with full frame and crop if I care to.
--
Lee Jay
(see profile for equipment)
 
Canon has already said it's 1.3x sensor line has ended, which is why the sensor wasn't touched when the 1D2N was put out.

Did everyone have problems with edges on their film SLRs?? If it's a problem for you, simple crop it in PP!!
 
Cropping is a new thing?

"Projecting slides"?!?

In the past, no one ever went out to buy $5000 of camera kit just to create slides to project. Well, probably someone did, but that would be considered nutty by people who didn't have money to burn as well as professionals who knew it was just stupid.

And in the past, people never "mainly print[ed] full frame at 8x10." Printing full frame at 8x10 is something students do for practice, portrait photographers do for Mom and Dad, and everyone else does once in a blue moon if ever.

In the past, people did exactly the same things people do with cameras and images now - with a little more thought because it was a nuisance to develop hundreds of lousy exposures. It's just that when you hand someone a digital SLR, it apparently bestows a mistaken sense of competence and cluefulness that rarely happened in the good old days when someone used a plain old film SLR.

Apparently, millions of person-years of experience with the things you can do with a 24x36mm rectangle isn't something that Mr."What Is the Perfect Sensor Size for Me to Buy" is going to let stand in the way of an off-the-cuff remark.

-joseph
The lenses are designed for 24x36 but I feel the use of the lenses
have definitely changed with digital cameras. People are not mainly
printing full frame at 8x10 or projecting slides anymore but rather
cropping heavily for composition as well as magnification. Not the
best way to get good quality but very tempting to do as it's so
easy. If this is the future of image making it would be great to
have improved lenses with better resolution power.
--
Canon.
 
Cropping is a new thing?

"Projecting slides"?!?

In the past, no one ever went out to buy $5000 of camera kit just
to create slides to project. Well, probably someone did, but that
would be considered nutty by people who didn't have money to burn
as well as professionals who knew it was just stupid.

And in the past, people never "mainly print[ed] full frame at
8x10." Printing full frame at 8x10 is something students do for
practice, portrait photographers do for Mom and Dad, and everyone
else does once in a blue moon if ever.

In the past, people did exactly the same things people do with
cameras and images now - with a little more thought because it was
a nuisance to develop hundreds of lousy exposures. It's just that
when you hand someone a digital SLR, it apparently bestows a
mistaken sense of competence and cluefulness that rarely happened
in the good old days when someone used a plain old film SLR.

Apparently, millions of person-years of experience with the things
you can do with a 24x36mm rectangle isn't something that Mr."What
Is the Perfect Sensor Size for Me to Buy" is going to let stand in
the way of an off-the-cuff remark.

-joseph
Charming.

English isn't my first language so excuse me if I don't make sense occasionally.

"8x10" was a mistake, I meant "regular size prints" which are of course smaller. Too much in a hurry writing that to do the math from metric.

What I mean is that more non-pros, that don't have a good understanding of what size photos is "normal" for this format, do things with the equipment today with the help of digital post processing that they never did in the film days. Ten years ago I very seldom did anything other than order the standard pack of prints or use the slides as-is in my projector. Now a lot of people take for granted they can crop to their hearts content and still have good quality.

I don't think we have a difference of opinion, though I do take offence to your tone.
 
I'm comparing, of course, to the full-frame film camera my Mark II replaced, which has the same "reach" as the full-frame 5D. I'm not sure we are talking about the same thing-- I'm referring only to crop factor.
The crop factor on my Mark II is perfect-- gives me a little more
reach on my telephotos...
The 1DII has the same reach as the 5D, less reach than the 1DsII
and much less reach than the 20D.

--
Lee Jay
(see profile for equipment)
 

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