Secondly, where a tripod isn't practical, I've tried a number of techniques to stabilise the camera, from a bean bag, monopod or just a stick you can brace between one thigh and the arch of the other foot, then brace the camera against the stick. My current favourite is the little Manfrotto Pixi tripod - with the legs together it makes a decent handle for the camera and I can often brace it against a nearby body part.
Even with decent shutter speed, for me, it's all too easy to sway, altering the distance from the subject, which can ruin a sequence. I need whole body (mine, not the camera) IS really, the camera can only help so much!
I’ve had my TG7 for about a year and it always amazes me. It’s become an almost permanent side kick camera when out with my “real” cameras….. and of course does a great job on its own. The sensor is still only 12 mpx, but takes readily to uprezing for good size printing. I have entered three 12x16 prints from cropped and uprezed TG7 prints for our annual club exhibition and they are just fine. Uprezed and printed at 300 dpi.
I've now given up on my TG-7 - I just didn't bond with it and found myself picking up other cameras instead. I've traded it towards a Sony RX100VII - which I've had for less than 24 hours and already like significantly better - although different beast, I realise. I will miss the close up capabilities of the TG-7 and the LED ring light was genius.