winparkman
Veteran Member
Nev, quit confusing your opinion for facts.
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OK, not so purely a hobby.
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OK, not so purely a hobby.
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--A crucifix in a jar of urine was supposed to be art too, wasn't it? That doesn't make it so...If I smear a turd on a piece of plywood and say it's art, does that mean it is? Not likely.
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I got no fancy film learnin'.
You're debating what particular manner of aging damage???
I'm sorry but for me artistic merit has it's limits, and these photos cross the line.
As far as I'm concerned the effect is urine, vinegar and food colour, shot with a 1MP phone camera, printed on a $40 printer and smudged! The only emotion they illicit is the same one that I have when my food comes back up.
They are THAT bad.
I can think of one good legitimate use for photos like this - as a stage or movie prop.
A second one that isn't so legitimate is as a prop for criminal fraud.
I feel similarly about most Sepia - why pretend your photos have been damaged by selective fading and chemical tea staining?
I once saw a painting - a canvas painted half way between mid and dark grey with no detail titled "Untitled Grey" hanging in a large state gallery. That wasn't art either.
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Sammy
A crucifix in a jar of urine was supposed to be art too, wasn't it? That doesn't make it so...If I smear a turd on a piece of plywood and say it's art, does that mean it is? Not likely.
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I got no fancy film learnin'.
And unlike fine art, the merits of which can be argued forever, who says the photographer is calling these images "art"? Most likely they're part of his bag of tricks that he offers to clients upon request. If they like it, they buy it and take the prints home. Everybody's happy, even if the curators over at the Louvre remain less than impressed.It's art if the creator calls it art.
I didn't say they weren't allowed to exist, or that the OP didn't have any right to ask the question. I just said that they are junk. I too have a right to express this opinion.1. It doesn't matter if you think that they're junk. They have a right to exist and the original poster has a right to ask how to make them without being harassed.
This is an Internet forum and I'm writing quickly in my spare time without an editor and without being so pedantic. You can stop being so pedantic too at any time.2. Stop misspelling "its."
That's how you learn. Regardless of the art form, you learn from copying others. When you can see an effect (regardness of how you feel about it) and figure out how to duplicate it, you learn something. I like to manually try to duplicate a canned effect, then you can make it your own.Why on earth would you intentionally strive to make your art to look like someone else's?
1. I'm not a pro. I don't have clientsLets see a show of hands. Be honest. If a client asked for this look, how many of you would be able to do this?
You're welcome to this particular technique. While you're at it please take sepia too.Once you've mastered tack-sharp images and accurate color then producing looks like this is the next step. I for one would love to have this tool in my bag of tricks. Post-processing is probably more important than the actual image capture.
--1. I'm not a pro. I don't have clientsLets see a show of hands. Be honest. If a client asked for this look, how many of you would be able to do this?
2. If I were a pro, I would never allow my name to be attached to such images for anything but a very specific set of uses - mainly prop work for tv/movie.
3. Emulating damage is not as hard as you've made out. It's a lot easier and allows a lot more artistic license than image restoration or refinement. Any idiot can put ugly colour washes over an image wit bad filters. It's much harder to use software to remove that damage.
4. Suggesting people with enough taste to find this repulsive are just jealous is LAUGHABLE.
You're welcome to this particular technique. While you're at it please take sepia too.Once you've mastered tack-sharp images and accurate color then producing looks like this is the next step. I for one would love to have this tool in my bag of tricks. Post-processing is probably more important than the actual image capture.
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Sammy
I am not the arbitrer of good taste but I maintain that without any context showing these images to average joes and photo enthusiasts and asking if you consider these "good photos" you'd receive a resounding no, and if you asked if they looked "damaged by age" you'd receive a resounding yes.You are the arbiter of taste because you have enough taste to find them repulsive?
I disagree.The photos aren't damaged, they files have simply been modified.
If you kept a copy of the original and it didn't look like that out of camera you can do anything to the image you like. However turning it into something this awful is a waste of time and energy.If they were shot in RAW, restoring them is quite easy.
Seriously, i do not wish to learn how to do that. I have zero interest in vomiting rainbows and coffee stains over my images. It's hideous. That's my opinion. I'm not saying that the photographer shouldn't be allowed to do that nor am I trying to restrict him. I'm just saying that it's not a worthy goal.Your plan is to get better and learn...being offensive, close-minded and presumptuous are hardly going to get you there.
--I can say something nice, but it wouldn't be genuine. It also isn't nice watching someone produce what you consider horrible and not letting them know.
Even calling this effet hideous isn't nasty. I haven't abused the photographer, or said he shouldn't be allowed to do this. I've expressed what I frankly think would be the majority view. If the photographer is going to expend time and effort duplicating the technique he may as well get a sense of what people are going to think of it.
If someone asked you how to take out of focus overexposed pictures that were badly framed, would you not feel the need to warn them that people aren't going to like them?
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Sammy