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Joe,"Lust" is an interesting word. Are you sure the "lust" is directedI've now checked out the sites and can confirm that they look
good,very good.
My bank manager may become upset with you as you have made me lust
after a Fuji S2.
at the camera, and not the attractive models?
It is okay with me - I have big shoulders - but I cry easily.I intend to explain that it is your fault entirely.
I hope you are correct about the "simple" description. Usually,I have also printed off the many kind replies I received and am
going to work my way through them. This looks as though it will
take some time.
my guess is that the problem is probably a simple one
this stuff is not simple at all. In fact, it is pretty darn
difficult.
Below is a link to a reply I made (a tongue-in-cheek type of reply)
regarding having problems with color management. My reply is
absolute fact (with ultra dry humor and total disgust for the
entire color management process). This will give you an idea of
the kind of cr?p I went through to get everything perfect
(perfect?, well at least until I have to buy Epson's newly
reformulated inks for my 1270 printer).
http://www.dpreview.com/forums/read.asp?forum=1014&message=3128010
Well, now that I know your display is set up okay, I will read your
original post again to see if I can figure what might be going
wrong for you.
Good luck to all of us, and "Happy Color Managemant, One and All".
Sincerely,
Joe Kurkjian
Joe,"Lust" is an interesting word. Are you sure the "lust" is directedI've now checked out the sites and can confirm that they look
good,very good.
My bank manager may become upset with you as you have made me lust
after a Fuji S2.
at the camera, and not the attractive models?
It is okay with me - I have big shoulders - but I cry easily.I intend to explain that it is your fault entirely.
I hope you are correct about the "simple" description. Usually,I have also printed off the many kind replies I received and am
going to work my way through them. This looks as though it will
take some time.
my guess is that the problem is probably a simple one
this stuff is not simple at all. In fact, it is pretty darn
difficult.
Below is a link to a reply I made (a tongue-in-cheek type of reply)
regarding having problems with color management. My reply is
absolute fact (with ultra dry humor and total disgust for the
entire color management process). This will give you an idea of
the kind of cr?p I went through to get everything perfect
(perfect?, well at least until I have to buy Epson's newly
reformulated inks for my 1270 printer).
http://www.dpreview.com/forums/read.asp?forum=1014&message=3128010
Well, now that I know your display is set up okay, I will read your
original post again to see if I can figure what might be going
wrong for you.
Good luck to all of us, and "Happy Color Managemant, One and All".
Sincerely,
Joe Kurkjian
See my post of 2hrs ago,
EVERYTHING IS ALLRIGHT!
I was using the wrong profile on my printer.
It may not be perfect, but I've got a perfectly usable match!
So, until my next disaster........
Thanks for all the help.
I'll e-mail this to you as well as I don't want you expending
unneccessry brainpower on a solved problem.
Thanks for all your help,
--
DaveMart
Yes, that was a mistakeMy mistake was that I had a monitor profile associated with my
printer.
Converting the document color space to the printer/paper color space doesn’t make sense. The document color space should be independent from the output color space. If you specify the correct output profile, the necessary conversion will take place on the fly, when printingI specified the correct Epson Premium photo quality profile for my
printer, Opened the shot in the new icc and assigned the
profile, converted to Epson Premium Glossy photo in PS and printed.
While this can work, I don’t thing this is the best approach, because you would have to recalibrate your monitor whenever you change the paper type and/or printer. As a last resource, you can adjust settings on the printer driver.Went back and adjusted the brightness etc on my monitor until it
matched the print , adjusted the shot until it was how I wanted it
then re-printed.
Mistaken terminology.I meant the output space.Yes, that was a mistakeMy mistake was that I had a monitor profile associated with my
printer.
Converting the document color space to the printer/paper colorI specified the correct Epson Premium photo quality profile for my
printer, Opened the shot in the new icc and assigned the
profile, converted to Epson Premium Glossy photo in PS and printed.
space doesn’t make sense. The document color space should be
independent from the output color space. If you specify the correct
output profile, the necessary conversion will take place on the
fly, when printing
I only plan to use 2 types of paper, Epson Premium Glossy and a matt paper with an associated Epson profile, brand still to be decided amounst the recommendations of people on the forum.While this can work, I don’t thing this is the best approach,Went back and adjusted the brightness etc on my monitor until it
matched the print , adjusted the shot until it was how I wanted it
then re-printed.
because you would have to recalibrate your monitor whenever you
change the paper type and/or printer. As a last resource, you can
adjust settings on the printer driver.
Thanks for that. I've printed it out.I recommend one excellent article about printing in this url:
http://www.computer-darkroom.com
In the main page, select “Feature Articles/Printing from
PhotoShop”
But in that case what we see on the monitor will be different, I myself tested using my epson 810 profile & assigned that to the image & printed from PS letting the printer color management to take care. Results came much better than assigning sRGB to the same image. The difference I found was that the image in srgb was darker on the monitor & when printed it was always lighter, assigning epson profile to the image lightens the image on the screen thus giving the true impression of how the printer will print the colors.Converting the document color space to the printer/paper color
space doesn’t make sense. The document color space should be
independent from the output color space. If you specify the correct
output profile, the necessary conversion will take place on the
fly, when printing
I agree that we need to change monitor setting if we change the paper, but surprisingly this technique works as long as we are printing on the same paper. I only use premimum photoglossy paper, so it works for me.While this can work, I don’t thing this is the best approach,Went back and adjusted the brightness etc on my monitor until it
matched the print , adjusted the shot until it was how I wanted it
then re-printed.
because you would have to recalibrate your monitor whenever you
change the paper type and/or printer. As a last resource, you can
adjust settings on the printer driver.
