Full Specs released

more than 30min is good for filming a performance (theater, play etc). where you want it all and then edit later - a cut at 29min just in a good bit would be very problematic!
In the UK, it's practically impossible to photograph / video a school play or whatever - since the world became terrified.
Or for timlapse/capturing an event with unknown start time... e.g. a sealed tin of beans on an electric hob :)
I see, interesting!

Cheers

Brian
--
Join our free worldwide support network here :
http://www.ukphotosafari.org/join-the-ukpsg/
UK, Peak District Local Olympus Safari Group : http://snipurl.com/bqtd7-ukpsg
Keep up with me here : http://twitter.com/alert_bri
 
Like the sun set!

Pitty the OMD won't be able to use your 11-22 fully!

Don't get me wrong I love oly - and think the OMD will be a good camera...

Its just we are at a point in time where it could and should be so much more - it will be long in the tooth very quickly - Bar the IBIS (and possibly the 3D tracking) it has not pushed forwards on any other front.... and everyone else is. So much computing power not utilized - sony gets it... panasonic kinda get it... oly just give you more art filters - sigh!
 
Yeh the UK .... parranoia....

You can't point a camera at a kid hear! - you will be banged up in the pedo cell in no time... pitty because childhood is a very valid photography subject... but should i point a camera into a playground....

Oh and don't photo: banks, big buisnesses, gov buildings, policemen, transoprt hubs or shopping malls...
 
for the 4/3 lenses, what is the point?

More megapixels?

Just get a GX-1 and be done with it.
Built-in EVF, support for wireless TTL flash, and IBIS, to name a few.
So, then get an E-p3 and a VF-2 and be done with it.
Don't you mean "get an E-P3, VF-2 and a ziploc bag and be done with it"?
You would be suprised how weather resistant the PENS already are.

Anyway, you can always adapt a Nokonos Amphibious 35mm lens to your PEN if you are really concerned!

TEdolph
 
for the 4/3 lenses, what is the point?

More megapixels?

Just get a GX-1 and be done with it.
Built-in EVF, support for wireless TTL flash, and IBIS, to name a few.
So, then get an E-p3 and a VF-2 and be done with it.
Don't you mean "get an E-P3, VF-2 and a ziploc bag and be done with it"?
You're forgetting the special magic adapter that lets you plug in the VF-2 and the FL-50 at the same time.
--
just use the FL-50r off camera in RC mode.

What is the big deal?
TEdolph
 
for the 4/3 lenses, what is the point?

More megapixels?

Just get a GX-1 and be done with it.
Built-in EVF, support for wireless TTL flash, and IBIS, to name a few.
So, then get an E-p3 and a VF-2 and be done with it.
Don't you mean "get an E-P3, VF-2 and a ziploc bag and be done with it"?
You're forgetting the special magic adapter that lets you plug in the VF-2 and the FL-50 at the same time.
Exactly. So apart from the weather sealing, (probably) improved IBIS, (probably) better sensor, ability to use a flash and EVF simultaneously, and various other likely improvements, the new body has nothing over an E-P3 + VF-2 combo.
Puleeaze!

E-pl1 owners have been using their VF-2 and Fl-36r/50r's and even their optical slave flashes off camera for years now.

Whazza matter?

your left hand got chopped off?

TEdolph
 
for the 4/3 lenses, what is the point?

More megapixels?

Just get a GX-1 and be done with it.
Built-in EVF, support for wireless TTL flash, and IBIS, to name a few.
So, then get an E-p3 and a VF-2 and be done with it.
Don't you mean "get an E-P3, VF-2 and a ziploc bag and be done with it"?
You're forgetting the special magic adapter that lets you plug in the VF-2 and the FL-50 at the same time.
And you're also forgetting the fact that the E-P3 sensor is about one stop worse at high ISO than the G3/GX1 sensor presumably used by the E-M5. Besides, I do want the EVF built-in, not add-on, and there are quite a few other more or less important bells and whistles you get with the E-M5 that you won't have with an E-P3 + VF-2 although they will cost just about the same if the rumors are right. What about new five-axes IBIS, metal body, weather sealing, improved AF, and improved frame rate?
 
Many museums, particularly in Europe, ban cameras when the real objective it to protect paintings from flash exposure, from all those P&S cameras that make it difficult to disable auto-flash. (But they do not ban camera-phones!)
Protecting paintings may be one of their concerns, but excessive light exposure is only one of several reasons for such bans. There are also the annoyance factor for other patrons and the security issues.

I am a regular photographer in the UK's National Archives at Kew near London. There is no camera ban there but there is a ban on flash and tripods (people tend to fall over them and threaten to sue). Until recently you had to apply for a special photography sticker to be added to your reader's ticket. When I applied for this some time ago I had to sit through a boring lecture on why there was a flash ban. I pointed out that the main camera I use for document copying is a small sensor one with a built in flash. I suggested that before issuing me with the aproved photographer sticker that they should test that I knew how to make an exposure without flash. The sheer technicality of this suggestion frightened them and they admitted that most archives and museums prefer to operate an outright ban on photographic devices simply because their staff do not understand them.

Many such places have a long way to go before logic prevails... :-(
I think you're right about the fright factor.

I used a monopod for awhile in a museum, with no complaints from any staff, until a nasty docent acted like I'd snatched the Staff of Ra from a mummy. The difference between a tripod (banned) and a monopod (not banned) was lost on her, so I put the Evil Camera Stick away.
Ra used a monopod too huh?

Clever god that Ra was!
To kill flashes, maybe they could provide a piece of opaque, easy release tape for visitors to place over their flashes. I think that's work fine for most cameras.
--
http://453c.smugmug.com/
TEdolph
 
Got it. My GH2 does that, too, so it didn't seem like anything special when I read the specs.
--

Bokeh is the aesthetic quality of the blur in out-of-focus areas of an image, or the way the lens renders out-of-focus points of light. Bokeh is not the same as depth of field (DOF).
 
A whole .03 inches shorter. That'll fit in my shirt pocket for sure!
--

Bokeh is the aesthetic quality of the blur in out-of-focus areas of an image, or the way the lens renders out-of-focus points of light. Bokeh is not the same as depth of field (DOF).
 
They use the same size sensor for both 4:3 and micro 4:3. They use different mounts, that's what makes them different (basically).
Is the sensor, 4/3 size sensor , like the ones olympus us to make, or is it micro four thirds sensor??
 
The 4/3 and m4/3 use exactly the same sensors - its just with m4/3 the lens is 20mm from the sensor and in 4/3 its 42mm (I think its 42, close to that anyway)....

Olympus never made sensors they outsource that to other companys - originaly kodak with the E-1 and now panasonic make all Olys sensors.... including the one on the OMD ;)
 
What for timelapse? no can't do that..... light varies from day to night...
 
2 frames, "auto-gain" in raw. Is this built-in HDR?
--

Bokeh is the aesthetic quality of the blur in out-of-focus areas of an image, or the way the lens renders out-of-focus points of light. Bokeh is not the same as depth of field (DOF).
That probly would be JPEG only so..don't care.
It explicitly says RAW.
That's good then, I'd likel;y use it a lot.
--
Brian Schneider

I just ordered a black body from adorama. I don need no steenkin reviews!
I think this thing will be a winner.
--
Brian Schneider

 
Got it. My GH2 does that, too, so it didn't seem like anything special when I read the specs.
--

Bokeh is the aesthetic quality of the blur in out-of-focus areas of an image, or the way the lens renders out-of-focus points of light. Bokeh is not the same as depth of field (DOF).
With canon you need to go to the 1D mk4 before you get that.
--
Brian Schneider

 
I love my EP3 for reasons that are not easily measured. The quality of the build, feel of the camera, placement of controls, overall responsiveness, configurability. And a few wonderful features like IBIS and touch shutter to sweeten the deal.

Watching the EM5 in use in the videos it is obvious this camera is even more of the same and better in most measurable ways than the EP3 (IQ still to be determined). And it has even sweeter features thrown in like weather sealing, fast CAF and optional hand-grip.

At $1000 its a bargain and I already have it on order.

It is very obvious that this
at 43Rumors.

Read that list and tell me that this camera isn't lust-worthy.
. . . Just the 5 stop IBIS is enough for me. Add to that the magnesium weather sealed body and this camera is too much for me to resist no matter whether it has a hump or not. If it turns out that this 3D tracking is the real deal, I'm putting my 5DmkII and all of my Canon lenses up for sale. I might be doing that anyway because the 75/1.8 and 35-100/2.8 will fulfill all of my needs with lenses and I've been slowly learning how to utilize the fast single shot AF of my E-PL3 better and better and apparently this E-M5 OMG camera will be even faster regardless of how well the 3D tracking works..
 

Keyboard shortcuts

Back
Top