For example?if you really read a lot of what he has to say, it's largely
useless.
I find the opposite true. If you know how to use him, he can be a very helpful tool. It's just like talk radio.
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For example?if you really read a lot of what he has to say, it's largely
useless.
I meant it at that time, but I know think I was wrong about that.So what did you mean when you said that the bokeh was a wash on the 85?
If by prepare, you mean actually USE the camera...yes.Ken has said a lot of silly things, but I don't take those bits too
seriously. He does have some interesting findings to share. He also
frequently posts very early about gear that has just come out. More
"proper" reviews tend to come out later since they take time to
prepare.
--
http://aminphoto.blogspot.com
http://aminsabet.tumblr.com
I mostly ignore the stuff that doesn't include samples.If by prepare, you mean actually USE the camera...yes.
Ken has posted "reviews" on cameras he has never touched.
I'm pretty sure he makes it obvious and that we should take it mostly as a joke. Have you read his "about me" page?Ken has posted "reviews" on cameras he has never touched.
oka larger sensor has the ability to capture more light
no, this would depend on how many pixels the sensor hasgreater detail
no, again this would depend on how many pixels the sensor hasresolution
no, only pixel size affects dynamic range and not sensor sizeand dynamic range.
I found it extemely interesting. Great article!I too went back and had a look at some samples from the 85L on the
30D and 135L on the 5D. In fact, I believe the 85L may render nicer
bokeh when DOF, perspective, and FOV are the same. I put one example
in a blog post today. It's very limited, but you might find it
interesting ->
http://aminphoto.blogspot.com/2007/12/canon-lenses-on-full-frame-vs-crop.html
Does this mean that the background blur of the image from the crop
sensor will look the same as the background blur from the FF image
(when the image is printed at the same size)?
For the same FOV and DOF, yes.
FF has a more shallow DOF for the same f-ratio. Since FF lenses are at least as fast as crop lenses, that means that FF has greater capability for shallow DOF than smaller formats.I realized that you answered that question when you pointed out the
DOF of the D2x vs 5D images. One was shot using an 85mm lens and the
other was with a 50mm. However, the F-ratio's were the same so the 5D
shot had less DOF.
So FF DOES have an out-of-focus blur advantage.
In my opinion, "better" and "more film-like" are often at odds with each other.It's not enough for me to hear someone just say that FF just looks
better and is more film-like.
2) The MTFs of some FF lenses exhibits a sudden drop at the exteme
edges. This means that cropped sensor systems using FF glass will
not experience this sudden drop, as this portion of the image is
cropped out, and the extreme corners (5% of the total image area) may
be sharper, even though the rest of the image will be softer.
If the glass is not sharp enough to resolve the smaller pixels of the smaller sensor, it will be softer.softer because of?
3) While I know of no example where cropped glass is sharper by a
factor of the crop factor, most cropped glass is sharper than their
FF counterparts. Thus, while FF will still be sharper overall, the
difference is not as exteme as some make it out to be.
Yes.And this is because the balls hit the larger squares more easily than
they do the smaller squares (assuming the same number of squares on
both setups)?
why else would landscape photographers be using
a tripod and MLU?).
Landscapes often have very high detail throuhgout the entire image, thus even a small amount of shake can produce a noticable blur since landscape images are often printed large enough to notice, and also because fine detail is present throughout the entire image.I thought it was macro photographers that used MLU. It seems that the
amount of shake the mirror would induce wouldn't affect a landscape
capture.
Finally, there's print size. For an 8x12 print,
300 PPI only requires 8.64 MP. On the other hand, 300 PPI for a
12x18 print requires 19.44 MP. So, how big are you printing? Even
so, just how big of a difference will 200 PPI, or even 150 PPI vs 300
PPI matter to you?
Absolutely, but it requires a larger print to notice. At 12x18, it most likely is a factor in high ISO images, but at 8x12, it isn't, for the reasons mentioned above.Doesn't more MP's mean finer grained noise that is less noticable?
It's important to understand the advantages/disadvantages of the
equipment. But this can all too easily be taken to an extreme where
it is well past the point of having any meaningful purpose.
Exactly. However, people have different "quality thresholds". A huge difference to one person is an insignificant difference to another. This is why I'm always so keen on people presenting images to back up their claims. An opinion out of context is meaningless, and, in photography, the context is the image.I'm pretty sure this is true now, but it makes me wonder when people
say things like, "Guess which camera I'm going to grab when quality
matters?" It's as if they're implying that there is a HUGE difference
in IQ and that it would be silly to use the other cameras.