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Exactly.You mean like this : http://www.whatdigitalcamera.com/imageBank/e/ElinchromD-lite2twinhead1.jpgI will take my Elinchrom in a Octabank any day compared to a light that has a house bulb for a modeling light.
and this?
http://upload.wikimedia.org/wikipedia/commons/c/c9/Elinchrom_D-Lite_4_showing_bayonet.jpg
If we only could get Apple to make strobes, I think we all would be happy!It would be hard to be worse. I've noticed that most European companies are not at the top of their game when it comes to user interfaces.
I would suspect that has to do with the fact that in Europe (in most countries) companies simply cant get away with it, they probably would if they couldIs all this overselling / overpromising and under delivery something which is common practice throughout the Americas? There seems to be a lot of it around, apart from a few companies who do perform well whilst sticking to their core values.
This is almost beyond belief.Thanks for the link, I think it proves my point nicely. A flash you can use anywhere in the world, that is easy on the eyes, has consistent color (altho I have never tested this model), and doesn't look like someone made it in their basement with leftover coffee cans and parts from the local Radio Shack. I think Paul Buff could learn a lot if he could maybe hang out with Steve Jobs over at Apple, maybe some class would rub off on him and make a product that doesn't have amateur written all over it!
You guys are getting all worked up over a crappy drawing that he is trying to presell. What is he doing, seeing if someone would actually buy one before he tries to make it.
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http://www.pbase.com/ronkeele
I am very humored by this as well, no matter what I used to take the photograph only the final image is important.It just cracks me up there is so much talk about the asthetics of the lights as opposed to performance/features.
Even when I had chepo 150ws savage lights off of ebay. I never once had someone i was shooting say or even act like they would levave the studio because of my cheap plastic lights. In fact i would say the 90% of the people thought i was a pro becasue i was using lights, 5% could care less, and 5% would say they have some AB that blow those things out of the water.
Ryon
Indeed. Like I said earlier, anyone can lock and load, but not everyone can hit the target.Doesn't Ron's choice of pseudonyms tell us something about his online personality? He's just trolling for a fight.
Ron should "think" a bit harder, before he posts.Thanks for the link, I think it proves my point nicely.
A flash you can use anywhere in the world,
That's a matter of taste. As far as I'm concerned, the not quite black, tapering to the rear plastic case of the Elinchrom "D-Lite" screams "this is the lowest possible cost injection molding we could get". I wonder if that cheap looking case is also the reason the D-Lite is limited to 100W modeling lights: does it melt if you use a higher wattage?that is easy on the eyes,
has consistent color (altho I have never tested this model),
Such as how to make a flash with more usability based features than his competition? Paul Buff seems to be shredding Elinchrom...and doesn't look like someone made it in their basement with leftover coffee cans and parts from the local Radio Shack. I think Paul Buff could learn a lot if he could maybe hang out with Steve Jobs over at Apple,
It appears that Paul C. Buff Einstein and Alien Bees products are already either inspired by Apple, or actually styled by Apple.maybe some class would rub off on him and make a product that doesn't have amateur written all over it!
Oh look, real pictures of the real product.You guys are getting all worked up over a crappy drawing that he is trying to presell.
You don't really want a list of UK products that were oversold or overpromissed, do you?Bowens Travellers do/did that with automatic voltage switching too from back to 1986.... The extrusion has dovetails on top, bottom, and sides so that you can unlock the light mount from the bottom and move it to the top of the light so that the controls are all right-side up when it's on an overhead rail. Put the mount on the side and it's properly oriented for a boom arm.
I've not had any experience with PCB's products, but if user interfaces can be likewise generalised throughout America - judging by the Quantum Trio which still doesn't work yet, I wouldn't want to hold out much hope for any other successes.It would be hard to be worse. I've noticed that most European companies are not at the top of their game when it comes to user interfaces.and hope the interface is better than Elinchrom’s.
Is all this overselling / overpromising and under delivery something which is common practice throughout the Americas?
The problem with such parochial views is that there's always someone with global market experience around to dismantle them on you.There seems to be a lot of it around, apart from a few companies who do perform well whilst sticking to their core values.
Given how you pass off your opinions and experience in this thread i assume you see your self as that person ?The problem with such parochial views is that there's always someone with global market experience around to dismantle them on you.
Since you were the one making generalisations and cross Atlantic comparisons, and we're talking about photographic equipment, sure, why not? Substantiate your claim.You don't really want a list of UK products that were oversold or overpromissed, do you?I've not had any experience with PCB's products, but if user interfaces can be likewise generalised throughout America - judging by the Quantum Trio which still doesn't work yet, I wouldn't want to hold out much hope for any other successes.It would be hard to be worse. I've noticed that most European companies are not at the top of their game when it comes to user interfaces.
Is all this overselling / overpromising and under delivery something which is common practice throughout the Americas?
I was thinking of Lumedyne. They're in Port Richey, Florida FYI. Now what could a small town boy like me be doing using them - yet alone, even knowing about them ?The problem with such parochial views is that there's always someone with global market experience around to dismantle them on you.There seems to be a lot of it around, apart from a few companies who do perform well whilst sticking to their core values.
From May '08Didn't they even invent their own effective WS to make them appear good ?
That was beautiful. It said it all, and not a single letter in excess. You have far more patience to make an attempt at unraveling the Gordian knot of a brand centric-Madison Avenue owned mind than I have, and I salute you!Ron should "think" a bit harder, before he posts.Thanks for the link, I think it proves my point nicely.
A flash you can use anywhere in the world,Of the two flashes under discussion, it is the Einstein, not the D-Lite that can be used anywhere in the world. Ron is simply wrong. I won't say whether it's an innocent mistake (lack of research) or an outright lie.
- The Elinchrom D-Lite does not have a shield (a metal mesh grid or Pyrex dome) over modeling lamp or flash tubes, as is required (by law and by insurance underwriters) for commercial use in many countries. It uses 220V bulbs for its modeling light. It does not have an up-converting power supply, you need to switch to 110V bulbs for use in 110V countries. It uses Edison E27 base bulbs, a socket normally only used for 220V bulbs, 110V bulbs use E26 sockets, so you don't swap 110V and 220V bulbs accidentally. This works against Elinchrom users who need to be able to swap bulbs to change voltages.
- Paul C. Buff Einstein (this thread is about the Einstein, remember) has a Pyrex dome over the flash tube and modeling light, for use anywhere, even in European countries with strict codes. It uses a 110V bi-pin bulb that is easy to get anywhere in the world. It downconverts (PWM is so easy when you're reducing voltage) automatically when used with a 220V supply.
Added bonuses, Ron keeps on bringing up Apple and usability. The Einstein trumps the D-Lite in usability of that modeling light...
- the Einstein can take a 250W modeling lamp while the D-Lite is limited to 100W. 2.5x the power, 1.3 stops more modeling light. If you don't want that much modeling light (product photography working very close to the subject, baby photography, food photography where the modeling light can melt you subject) you can compensate the modeling light downward in 1/10 stop increments.
- the Einstein has a quartz halogen light, 400K cooler than orange light of the UK household tungsten bulb in the D-Lite.
- the Einstein has the modeling light filament in the plane of the flash tube, not 2 inches in front of it like the D-Lite. Combine that with the frosted Pyrex dome, and you've got modeling light that has exactly the same pattern as the flash. No more surprises because your pattern with a beauty dish, snoot, or grid is different with the modeling light and the actual flash.
That's a matter of taste. As far as I'm concerned, the not quite black, tapering to the rear plastic case of the Elinchrom "D-Lite" screams "this is the lowest possible cost injection molding we could get". I wonder if that cheap looking case is also the reason the D-Lite is limited to 100W modeling lights: does it melt if you use a higher wattage?that is easy on the eyes,
But I can tell you, from personal experience with three different series of Elinchrom (R, RX, S, and Style) that the "trademark" handle at the back of the Elinchrom is one of the weak points in the system. They break quite easily: MPW isn't the only studio in town with the handles on its Elinchroms all taped up. Not what I call "easy on the eyes". Heck, that handle is rather vestigial even when it's not broken.
We won't even get into other usability issues, like the ugly light pattern from the short, straight sided Elinchrom stock reflector. Or the way large soft boxes to tear off the Elinchrom speedring unexpectedly.
has consistent color (altho I have never tested this model),So, the Einstein has more consistent color than
- Elinchrom D-Lite does not have "consistent color". It uses the same sort of charging voltage control that the Photogenic model Ron mentioned earlier uses, as well as most other Elinchrom monolight series from the last 10 years (R series, S, Style, etc). So, just like Ron's Photogenics, Elinchrom R or S monolights, Novotrons, Paul Buff Alien Bees, the color temperature of the Elinchrom D-Lite will drop some 700-800K over its power range.
- The Paul C. Buff Einstein uses IGBT time control, like the Photogenic Solaire that Ron doesn't have, or the Broncolor Grafit and Scoro (which we can assume Ron doesn't have, either).
- Anything Elincrom sells.
- Anything you can buy from Photogenic unless you spend twice the price of the Einstein. Solair 500 Radio is the closest thing Photogenic sells to an Einstein. Einstein is a bit more powerful, and the Einstein CyberComander lets you control everything (power control, modeling light compensation, action mode) while the Solair just has a radio trigger and a totally flaky IR power control system.
- Anything that Ron apparently owns or has conducted his "extensive tests" on.
Such as how to make a flash with more usability based features than his competition? Paul Buff seems to be shredding Elinchrom...and doesn't look like someone made it in their basement with leftover coffee cans and parts from the local Radio Shack. I think Paul Buff could learn a lot if he could maybe hang out with Steve Jobs over at Apple,
It appears that Paul C. Buff Einstein and Alien Bees products are already either inspired by Apple, or actually styled by Apple.maybe some class would rub off on him and make a product that doesn't have amateur written all over it!
Behold, the Apple Cube!
--That was beautiful. It said it all, and not a single letter in excess. You have far more patience to make an attempt at unraveling the Gordian knot of a brand centric-Madison Avenue owned mind than I have, and I salute you!
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Voyager