E5 - getting the weigth down

I like my E-3, as it is.
I liked my E-330 as it was, and still is.

Today I was going for a long hike to try my 12-60, pulled out the 330 and 3 and sat them side by side. There really is not that much difference in size, the standout being the prism on top of the E-3. Sure, it's a little heavier, but I don't find the weight of a camera slung around my neck most of the time a huge burden. The chosen lens is far more dominant.

I like the streamlined 330, but anyday would trade it for the sparkling 3 viewfinder.
In fact, I chose the E-330 today.

Deep in the forest gloom , I missed IS. I missed brightness for final accurate focus, and when I downloaded the images I missed the image quality. I missed the E-3 body when it started to drizzle, and the 330 had to go into my bag.

Now if these advantages mean my E-3 has to be the size it is, not much more than the E-330, I will happlily live with that.
Cheers,
Don
 
I like my E-3, as it is.
[. . .]
Now if these advantages mean my E-3 has to be the size it is, not
much more than the E-330, I will happlily live with that.
Cheers,
Don
I don't engage in detailed photography technical discussions because I don't have the relative knowledge. But I do agree with all of what you said.

Most importantly, I would not mind a smaller/lighter E-3 with the condition that the features that I care most about in the E-3 are not compromised in the size-diminishing effort.

Whenver I go to take photos, I end up taking a camera bag with some lense(s) or accessories. Therefore it matters NOT - to me - if the E-3 shrunk to the size of an E-500 since I already have a bag that I carry. And if I don't want to carry a bag, then I'll just get a point-and-shoot camera which I can stuff in my shirt pocket - something that I can't do even with the E-410.

To re-iterate my personal, far from professional opinion: okay, make the E-3 smaller but don't compromise its features in the process (at least the potential features at its current chubby size). I haven't at all mentioned the cost factor.
 
They can't compete on price because they lack economies of scale. They need to produce a camera they can sell for MORE, not LESS.

And, while I happily accept the E3's weight as part of a lighter system, psychologically it is hard to sell - you are forever seeing (idiotic) statements around here about the E3 proving 4/3rds has no size advantage.

So, a premium product that makes a big fuss about being smaller and lighter. The same basic idea as now, with exotic materials (fancy composites body, plastic, high refractivity prism) and smart thinking (conventional and empty, skeletal grips included in the box).

No reason they can't work on the HDR sensor at the same time - it isn't the same people.

--
http://www.flickr.com/photos/acam
 
would make the camera far less useful for me. How are you supposed to change mode quickly if you can't store the mode in the presets, and how are you supposed to store the mode in the presets if you have a dial?

Cameras should either be all dial or all software, personally I much prefer the software route, and I'm glad Oly have gone that way. Now put the IS and software point configurations into the presets and increase the number of presets, and I will be happy!

--
http://www.flickr.com/photos/acam
 
The pre-sets are useful, any system losing these would be a retrograde step.

On another tack, why do we bother with the top LCD when all the info is available on the back screen? As long as this is face out I never look at the top one. Or am I missing something here?

And I agree with whoever said Oly should concentrate on sensor development, this is more important than camera size (where's the problem with the E3 size) or weight (lighter would be nice).

Rens
 
is that it is hard to sell the system as smaller and lighter when the headline BODY is the same weight as the competition. Now you know and I know that lenses weigh far more than bodies, so it doesn't really matter that much that the E3 is a bit portly, but it matters a LOT in the showroom.

Sensor and body development are not either / or - they will have to develop a new body because the E3 will soon be out of date. I'm suggesting a few design ideas.

Oh and guys, please don't lose the fill-in flash. Not having one on the D3 is SUCH a pain!

--
http://www.flickr.com/photos/acam
 
all these arguments have some merrit, however in all this discusion of materials I think your overlooking a few key factors.

all these materials mentions have both bennefits and liabilities

as an old retired gp bike racer(read "has been") I had to deal with these issues every time I made a change or upgrade on every component on the bikes I raced
cost, wieght, size, durability, performance.

For size vs. structural integrity, it is very dificult to do better than some form of a metal. lets take an extream example in mind: Pound for pound many woods are far stronger than steel - as far as tensil strength is concerned- I can't give you exact figures here so don't rip me if the figures don't add up. I don't want to take up the space getting to technical,

lets say you take a 5mm steel rod about a meter long, wieghts about 2pounds it would take about 1500 lbs of pull to tear the rod apart.

a meter long rod of wood say ordinary pine wieghing 2 pound would be about 50-60 mm ans would take about 2000lbs of pull to tear it apart

so you see wood is a better choice for some applications than metal, however in an application that requiers a compact size you don't want to use wood.

the point here is that while carbon fiber composites are a miracal in modern materials developement there is the issue of size, to use this material and retain the current integrity of the e3 chassie it would end up being much larger, which is what i believe the idea behind the 4/3 system is trying to avoid.

this is my humble look on things, I chose the e3 because it had a metal chassie and was weather sealed, when I recieved it, it was bigger than I expected but I like the way it feels in my hands, while the e 5xx and 4xx are great casmeras they feel to fragile for me, I'm pretty rough on my stuff and durability is a key issue.

thanks for reading
Paul
http://www.pbase.com/paulanton1/root
 
it is more complex than that. I'd point out CF is quite regularly used in applications where small size as well as light weight is required, but a whole CF chassis form scratch might be quite bulky. CF PANELS however would be both light and compact.

I'm VERY rough on my cameras too - the virtue of something light is that it is less prone to destroy itself when dropped, having far less energy to absorb.

I'm not trying to acheive miracles here, I don't want an E420 sized E5, but the camera really should be smaller than the competition, just as the E420 should be (and is) smaller than the cameras IT competes against.

When presented with a camera with a smaller sensor, people expect to get something for the noise sacrifice. The obvious thing to offer them is a size advantage. They get that through the lenses, but that is hard to explain in the shop. A smaller camera makes the point.
--
http://www.flickr.com/photos/acam
 
As more and more 35mmFF cameras come on stream, Oly will have to make
sure that the smaller and lighter aspects of the 4/3rds system are
fully realised, so that they can offer a smaller and lighter
alternative to the battleship cameras.

This is my only real disappointment with the E3, it weights to much
and is too big.

So - my ideas:

1) Replace the glass prism with same high refractive index plastic
stuff used on canon DO lenses (I assume?) and in my fancy eyeglasses.
This should greatly reduce size and weight. Would it work?
Oh, no... I guess - no. Just compare the weight of premium plastic sunglasses and made of real gluss. Their weight is quite similar...
2) Supply the camera with a properly integrated grip with its own
big battery, which can be removed and replaced with an E410 battery
to make a small, light 200 shot camera when needed.
Yesss! I want to have just another body! Please, add a well sculptured integrated bottom grip to accomodate BLL-1, and some simple plastic adaptors for BLM-1 and BLS-1 - and You'll have ability to choose 200, 700 or 1800 shots against weight. And higher body will allow to place a bigger, 3" high-res LCD (of course, tilt-swiewel), another small monochrome LCD to unload the upper one and make signs and characters on it more readable.Bigger rear surface will alsow allow to place more dedicated control buttons, for example - the PASM mode one. Then You'll not need PASM knob and no need to assign this function to Fn button as I do. If the body will have L-shape not to punch the LCD by your nose and keep the head straight up while shooting - that will be fantastic. And, of course, they have to add the second contrast AF system for live view.
3) Replace the cast body with something made of visibly high tech
composites - carbon fibre would look nice.
Doesn't matter.... I'll accept magnesium alloy or plastic composite, if it will be solid, rigid, convinient and weatherproof. In any case I'll have the lighter and more compact outfit than my colleagues with APS and FF cameras. But the eyepiece must be either placed in the corner of the body, as it was on E-1, ormust protrude from the rear surface of the body at least for 8-10 mm.

Forget about XD cards and leave them for consumer entry-level models. There is enough place for two CF-cards. Another wise solution is a CF and SD card combo - SD are cheaper and have no intention to break pins while changing cards in a hurry.

What else? Oh yes, as a reporter, I want 8 fps, a twice bigger buffer for continious shooting in RAW, and further improvement of AF system. I consider the AF system of E-3 a great step forward from E-1, but it's a big field for improvements to make the ultimate reporter camera. But if all this will be done, with Pro series lenses we'll have a really fantastic reporter's system.

And if Olympus wants to get a considerable share in PJ and reporters camera market - they have to do all this.
--
From Russia with Love -
Andrey Sudbin, Offroad journalist
 
But under the furious dieagreement you don't seem to eb actually disagreeing...
While there is no argument that the Olympus E line
philosophy is about offering quality results in a smaller package
than most, why make the leap that EVERY camera body in the line has
to be small and light.This does not make sense at all.
I'm not suggesting every body has to be small and light - nor do I think it possible. A high end camera with a big VF, reasonable shock resistance, waterproofing etc will always weigh more than a camera without those things. What I am saying is that an E series camera should, for marketing reasons as much as anything else, weight a bit less than the competition. The E3 doesn't, and that leaves people asking "why do I have to have a smaller, noisier sensor, if the camera is the same size?" The answer is "Because the lesnes are smaller you schmuck!" but marketing that relies on pointing out to the customer he's an idiot rarely does well... So we should see what could be done to produce a smaller camera without compromising performance.
First , the E3 body weight is quite similar to the other cameras that
it competes with ( Nikon D300 , Canon 40D).
Yes, that's the problem. See above.
Photo reviewers and
magazines can separate the DSLR markets in some silly sub markets (
photo enthusiast, semi pro etc...) the fact remains that there are
two kind of cameras as far as a pro is concerned

the ones you can rely on as your everyday tool and the others.
while the E4XX s and the Exxx s are nice cameras that produce great
results , a pro needs a camera with differents ( such as the bigger
viewfinder and the weather resistance treatment).
No disagereement - where have I suggested compromising the VF or the weather resistance?
The suggestions
that Louis are making would be unacceptable by most photographers
Why? I've removed weight and size, with no loss of performance and function, and suggested an optional (but supplied) skeletal grip for those who actually WANT size, plus portrait shooting.
another suggestion which i find rather illogical is to change the
battery to a smaller one. that's ridiculous . at time when the TSA
administration is implementing limits on spare batteries you can take
with you , I GUARANTEE you that having two different batteries ( and
or lower capacity batteries) for the two bodies in your bag does not
make ANY SENSE
So fit the grip. Then you have all day pro life, and another all day hit in ONE spare battery. On the other hand, if you are hiking, take the grip off and fit the small battery.
oh and by the way , this is why my back up body is a 500 and not a
400 because I don't want to carry more batteries and adapters that I
need
Perfectly sensible.
I found it odd to say it mildly that the owner of a nikon D3 would
complain about the weight of the E3
I complain about the weight of that too! But then the D3 was always going to be a heavy pig, Oly are selling the E system as light.
More importantly , for a pro , what matters is the weight of the
total system. As for me , getting older and all , the weight is a
issue ( and will be more of an issue in the future). This is why , I
appreciate that on critical assignments , I can have a relatively
light bag by selecting a E3 and some of the lightest lens on the
markets
I can also have a light E4xxxx or Exxx as a second back up body just
in case.
I agree. However, you are just looking at reality, and I am looking at perception. I doubt Oly have sold a whole load of E3s - the noise performance really IS worse than cameras with bigger sensors and, at a glance, to Joe Public, it is just as big and heavy. Now you know and I know that the overall system is lighter, how would like to get that message across? It would be a lot easier if the camera were lighter too.
when I read the posts on this forum , I suspect that the extra weight
comes from all these lenses that you guys have
maybe next time you go on the trip , you should think of the lenses
you REALLY need
I don't KNOW what lenses I'm going to need. That's the point. My standard E3 bag is the 7-14, 12-60, 50-200, 50mm macro, and TC1.4. That's manageable and very high quality (my equivalenet Nikon bag weighs a ton). Even so, a little less mass would be nice.
I also wonder why is this craze about battery grips on bodies shaped
like the E3 are you all shooting 10FPs or what.
I hate the stupid things myself. But some people like them.
Finally something on the E1 . I have one like it a lot but says that
since I have mastered the E3 , i don't see many reasons to use it. I
agree that there are some ergonomics choices which were superior on
the E1 but at the end of the day , it does not make better pictures ,
not even close
If there is another Oly pro body in the future ( I would suspect not
at least until 2009) let's hope that it would be an E4 and not an E5
. But please oly there is nothing wrong with the E4 weight.
E4 is unlikely because it mean death in Japanese, or something like that anyway (so I hear). You've just said above that you like smaller and lighter, so you seem, on one level to be contradicting yourself. Perhaps you mean that the E3's weight is fine if it takes that to get the performance? I agree - however changing the materials the prism and body are made of might well reduce weight while making the VF bigger and brighter and the body stronger. The only cost would be cost - glass and mag alloy are cheap, fancy optical plastics and carbon fibre are expensive.

--
http://www.flickr.com/photos/acam
 
When you pick lenses for glasses (yes, I am a four-eyed git) your choice is glass (heavy), plastic (same as glass but lighter), or high refractivity plastic (much thinner than ordinary plastic, and much more expensive).

Camera prisms are invariably glass. Is there a good technical reason for this? Make it of optical plastic and there is a huge weight saving. I was going to say use high refractivity platic and there is a big size saving too, but now I come to think of it...
--
http://www.flickr.com/photos/acam
 
yet i can see that its set for F4 Aperture Priority,
CW metering, Single Frame, 28mm, AF
and you know what else?
i can change any or all of that, and it still isnt turned on



--
Riley

in my home, the smoke alarm is the dinner bell (just)
 
Carbon is almost impossible to use by current technologies, because you cann't make high accuracy (with small details) parts made of carbon ;)
--
--
alexey.od.ua
 
and I can't see any benefit in being able to work with the camera off, why not just switch it on?

Having said that I greatly regret the disappearance of the aperture ring and the shutter speed dial, and if someone would like to bring those back I will forego the presets. However, so long as shutter speed and aperture ARE under software control, then I want EVERYTHING under software control so that i can store settings as bundles.

The worst of all worlds is having vital features like aperture hidden away in a jog dial and only visible on a screen / in the VF, while things like SAF/CAF are stored on a knob that the camera cannot be told to move itself.
--
http://www.flickr.com/photos/acam
 
hence CF panels. However, you are out of date - you get some very accurate CF components these days. I suspect they cost big money though.

But it doesn't have to be CF per se, the idea is to drop this obsession with producing mag alloy cameras because a bunch of middle aged men grew up thinking that was some kind of ultimate, and have a look around before picking materials and construction methods that are stronger and lighter.

A hell of a lot of cameras are sold to people who want high tech male jewelry, and any company that ignores that fact and produces what is best rather than what people want is doomed to fail. Even so, I think Oly have a problem at the high end, in that the smaller sensor does not translate to smaller cameras easily, so if they want to market the "smaller, smarter, lighter" idea of 4/3rds at the high end, they will have to start taking some design risks. The E3 is very clever in many ways, but the actual body is just ordinary. The E3xx shape was a step too far for most people, as you could see from the sales, but it really ought to be possible to come up with a means of construction that is not only better (that's the easy part) but more of an object of desire. London is currently awash with ads for a new mobile phone made of CF. Now I use a phone to make phone calls, and I don't give a flying eff what it is made of, but clearly the CF makes it an object of desire to many people. I think a camera that uses some visibly different, high tech material could finally overcome this absurd metal fetish that so many buyers have.

--
http://www.flickr.com/photos/acam
 
. . . is a homonym of the the symbol for death.

It is bad luck in any language that has cultural roots in Chinese phonetics.

Although, like number 13 in western tradition, they don't uniformly avoid it, and they don't avoid numbers like 14, 40, 400, 44 etc, because they do not sound like something bad.

--
--
Comments are always welcome.

Zach Bellino

'Nothing, like something, happens anywhere.”
-- from 'I Remember, I Remember'
Philip Larkin (1922-1985)
 

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