Iliah Borg
Forum Pro
You can try running both against a wider palette, like Finnish, or against a database of painter's pigments, which is relevant for one of the applications of MFs, reproduction.Hi Erik, here are results with and without hump:Erik Kaffehr wrote: What I would ask a bit about is the importance of the left peak on the red curve. How would rendition be affected by zeroing it out?
With Hump SMI = 99.9
Without Hump SMI = 94.4
Correlated Color Temperature of 4910 and 4908K respectively
They look like artist renditions to me which, once normalized, would seem to be fairly similar to a gaussian variant in the OP.My layman's conclusion from the work presented:
What is your take on the "Colour Science" presented by Phase One?
- There seems to be a strong relation between SMI and colour rendition accuracy using an optimized matrix. No big surprise really, as SMI really measures accuracy.
- It is not obvious that small overlaps are advantageous to colour accuracy, at least not in the SMI sense.
- The shape and distribution of the curves matter. That is also expected.
- It also seems that it is possible to get very high SMI for a CFA design that would approximate the SML curves for human vision.
The standard sensor, which I would assume describes the IQ3100 MP seems to have very high response in green and blue channels in near infrared, probably because it lacks an IR filter. But it does have the left peak on the R-channel which I have not seen on any of RIT curves I have plotted.
Would be interesting to see SMI calculated for the Trichromatic sensor. It could of course be that the curves are just "artist's vision" reminiscent of NASA's images of exoplanets and black holes colliding.
Jack
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