Can You Provide an Objective Defintion of "Noise" ? ...

We've already got some general acceptance on a cluster definition for "noise", so I don't see a reason /in principle/ why the scratched-record case wouldn't be admitted.
Maybe I'm just an outlier.
On 2nd thought, let's not give up so soon on that. What's the current accepted definition of noise?
Source: Oxford English Dictionary.

Noise:

Definition [2]: technical Irregular fluctuations that accompany a transmitted electrical signal but are not part of it and tend to obscure it.

Definition [2.1] Random fluctuations that obscure or do not contain meaningful data or other information.

From: http://www.oxforddictionaries.com/us/definition/american_english/noise
That works quite nicely for me.
Whether one is describing periodic readout components (generated within the imaging device itself) existing within recorded image-data that are unrelated to the scene recorded, or whether one is describing physical scratches existing on a vinyl disc used for reproducing recorded audio sounds producing sounds unrelated to the originally recorded sounds, ...

... both cases of such (aesthetically undesired, and clearly unrelated to the original scene or sounds intended to be represented) phenomena propagating through and to the output of any deterministic system(s) (as defined on the Wikipedia web-page quoted from and linked-to above) represent what may be reasonably considered to constitute undesirable components (arising soley out of the machinery involved in recording, processing, storage, or reproduction).

Both examples presented above are (for most viewers/listeners, anyway) considered to constitute what are undesirable components that are clearly not related to the original scene/sounds intended to be recorded, processed, and subsequently presented to our sensory faculties.

The premise that - rather than incorporating such phenomena into differentiations between that which is in presentation desired and that which is undesired (as in the perhaps simplisticly, but understandably, worded rhetorical categories of "signal" and "noise") - a third category must be created (in order to satisfy a particular individual definition of "noise" as having to necessarily only apply to random components), seems to me to be substantively counter-productive in what (seem to be) reasonably understandable processes of determining (including numerically quantifying) what may amount to components perceived by human beings as being "desired" and "undesired" components existing within representations of scenes/sounds which are output by systems in visual or auditory presentations provided to our sensory faculties.
Systematic "undesirable components", such as banding and flare would not be sources of noise, in my opinion (which is not to say, of course, that they are not more "evil" than noise itself).
Aha ! Finally, a "peep" out of his eminence Lord Bustard. So ... if we are going to endeavor to fashion "metrics" surrounding image-sensor "righteousness/awesomeness/gooderness", does it not make sense to (at least attempt to) "factor in" such "evils" existing within said devices ? Please advise ...
Absolutely.
Not sure what you mean by that, sire. Are you conceding my point made in the most recent post on your inspirational thread entitled, 'Sensor "efficiency"', which is, as follows:

It simply makes no "conmon sense" to me whatsoever to attempt to construct an image- sensor "gooderness" (or whatever) "metric" without (also) numerically including periodic readout noise.
As I said, systematic "undesirable components", such as banding and flare can most certainly be more undesirable than noise.
You are (in essence) repeating yourself, my friend. Not necessary.
Please note that flare results from optical sources interacting with lens-systems - whereas "banding" (which you have stated that - though "evil" - you do not consider to be "noise") arises within the very image-sensors that you were recently hoping to fashion a "metric" for ...
Indeed.
And what does that imply regarding elements to be included within an (image-sensor) "metric ?
While I get the reference to my post title, I'm afraid we listen to different music: ... ... ;-)
.

Oh my goodness; oh my dear ! I cannot bring myself to re-publish written materials potentially so offensive to female readers. And, it insults my dear boyhood hearthrob (Jane Fonda) to boot !

DM ... :P
 
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We've already got some general acceptance on a cluster definition for "noise", so I don't see a reason /in principle/ why the scratched-record case wouldn't be admitted.
Maybe I'm just an outlier.
On 2nd thought, let's not give up so soon on that. What's the current accepted definition of noise?
Source: Oxford English Dictionary.

Noise:

Definition [2]: technical Irregular fluctuations that accompany a transmitted electrical signal but are not part of it and tend to obscure it.

Definition [2.1] Random fluctuations that obscure or do not contain meaningful data or other information.

From: http://www.oxforddictionaries.com/us/definition/american_english/noise
That works quite nicely for me.
Whether one is describing periodic readout components (generated within the imaging device itself) existing within recorded image-data that are unrelated to the scene recorded, or whether one is describing physical scratches existing on a vinyl disc used for reproducing recorded audio sounds producing sounds unrelated to the originally recorded sounds, ...

... both cases of such (aesthetically undesired, and clearly unrelated to the original scene or sounds intended to be represented) phenomena propagating through and to the output of any deterministic system(s) (as defined on the Wikipedia web-page quoted from and linked-to above) represent what may be reasonably considered to constitute undesirable components (arising soley out of the machinery involved in recording, processing, storage, or reproduction).

Both examples presented above are (for most viewers/listeners, anyway) considered to constitute what are undesirable components that are clearly not related to the original scene/sounds intended to be recorded, processed, and subsequently presented to our sensory faculties.

The premise that - rather than incorporating such phenomena into differentiations between that which is in presentation desired and that which is undesired (as in the perhaps simplisticly, but understandably, worded rhetorical categories of "signal" and "noise") - a third category must be created (in order to satisfy a particular individual definition of "noise" as having to necessarily only apply to random components), seems to me to be substantively counter-productive in what (seem to be) reasonably understandable processes of determining (including numerically quantifying) what may amount to components perceived by human beings as being "desired" and "undesired" components existing within representations of scenes/sounds which are output by systems in visual or auditory presentations provided to our sensory faculties.
Systematic "undesirable components", such as banding and flare would not be sources of noise, in my opinion (which is not to say, of course, that they are not more "evil" than noise itself).
Aha ! Finally, a "peep" out of his eminence Lord Bustard. So ... if we are going to endeavor to fashion "metrics" surrounding image-sensor "righteousness/awesomeness/gooderness", does it not make sense to (at least attempt to) "factor in" such "evils" existing within said devices ? Please advise ...
Absolutely.
Not sure what you mean by that, sire. Are you conceding my point made in the most recent post on your inspirational thread entitled, 'Sensor "efficiency"', which is, as follows:

It simply makes no "conmon sense" to me whatsoever to attempt to construct an image- sensor "gooderness" (or whatever) "metric" without (also) numerically including periodic readout noise.
"Sensor gooderness" would require a whole host of factors, such as size, pixel count, QE, read noise, and periodic "noise". What I was looking for was a metric for just noise, period, and that would exclude pattern "noise".
As I said, systematic "undesirable components", such as banding and flare can most certainly be more undesirable than noise.
You are (in essence) repeating yourself. Not necessary.
As I said, systematic "undesirable components", such as banding and flare can most certainly be more undesirable than noise. ;-)

More seriously, what I mean is that noise is not the only metric to sensor "performance", and I would consider banding to be a separate issue from noise.
Please note that flare results from optical sources interacting with lens-systems - whereas "banding" (which you have stated that - though "evil" - you do not consider to be "noise") arises within the very image-sensors that you were recently hoping to fashion a "metric" for ...
Indeed.
And what does that imply regarding elements to be included within an (image-sensor) "metric ?
While I was looking for a simplistic measure of sensor "efficiency" with regards to noise, Bob set me straight by saying that you can't lump read noise and photon noise in the same boat. The irony is that I was trying to do so, yet was already separating banding out as separate. In my defense, both photon noise and read noise are, in fact, noise, whereas banding is not, at least in the way I think of noise.
While I get the reference to my post title, I'm afraid we listen to different music: ... ... ;-)
Oh my goodness; oh my dear ! I cannot bring myself to re-publish written materials potentially so offensive to female readers.
Well, there is Hardee's version for the badonkadonk challenged:

Flat buns
I like flat buns
Flat buns
I like flat buns

Galileo, galileo
The world is flat
But not as flat
As my shorty’s back

I like ‘em really hot
I like ‘em really flat
I like ‘em lookin just
Like a pancake stack

If her butt is bony
She got it goin’ on
I think i saw her on
Flatbuns.com

Flatter
Makes a better rear
Stand sideways, girl
You disappear

Flat buns
I like flat buns
Flat buns
I like flat buns

Well we are
Itty, bitty booty committee
On a one way bus
To flat bun city

Got no hiney?
I call you your hineous
In anatomy class
You got a butt minus

Flat buns
I like flat buns
Flat buns
I like flat buns

And, it insults my dear boyhood hearthrob (Jane Fonda) to boot !

DM ... :P
Now we got all sorts of buns covered. ;-)
 
We've already got some general acceptance on a cluster definition for "noise", so I don't see a reason /in principle/ why the scratched-record case wouldn't be admitted.
Maybe I'm just an outlier.
On 2nd thought, let's not give up so soon on that. What's the current accepted definition of noise?
Source: Oxford English Dictionary.

Noise:

Definition [2]: technical Irregular fluctuations that accompany a transmitted electrical signal but are not part of it and tend to obscure it.

Definition [2.1] Random fluctuations that obscure or do not contain meaningful data or other information.

From: http://www.oxforddictionaries.com/us/definition/american_english/noise
That works quite nicely for me.
Whether one is describing periodic readout components (generated within the imaging device itself) existing within recorded image-data that are unrelated to the scene recorded, or whether one is describing physical scratches existing on a vinyl disc used for reproducing recorded audio sounds producing sounds unrelated to the originally recorded sounds, ...

... both cases of such (aesthetically undesired, and clearly unrelated to the original scene or sounds intended to be represented) phenomena propagating through and to the output of any deterministic system(s) (as defined on the Wikipedia web-page quoted from and linked-to above) represent what may be reasonably considered to constitute undesirable components (arising soley out of the machinery involved in recording, processing, storage, or reproduction).

Both examples presented above are (for most viewers/listeners, anyway) considered to constitute what are undesirable components that are clearly not related to the original scene/sounds intended to be recorded, processed, and subsequently presented to our sensory faculties.

The premise that - rather than incorporating such phenomena into differentiations between that which is in presentation desired and that which is undesired (as in the perhaps simplisticly, but understandably, worded rhetorical categories of "signal" and "noise") - a third category must be created (in order to satisfy a particular individual definition of "noise" as having to necessarily only apply to random components), seems to me to be substantively counter-productive in what (seem to be) reasonably understandable processes of determining (including numerically quantifying) what may amount to components perceived by human beings as being "desired" and "undesired" components existing within representations of scenes/sounds which are output by systems in visual or auditory presentations provided to our sensory faculties.
Systematic "undesirable components", such as banding and flare would not be sources of noise, in my opinion (which is not to say, of course, that they are not more "evil" than noise itself).
Aha ! Finally, a "peep" out of his eminence Lord Bustard. So ... if we are going to endeavor to fashion "metrics" surrounding image-sensor "righteousness/awesomeness/gooderness", does it not make sense to (at least attempt to) "factor in" such "evils" existing within said devices ? Please advise ...
Absolutely.
Not sure what you mean by that, sire. Are you conceding my point made in the most recent post on your inspirational thread entitled, 'Sensor "efficiency"', which is, as follows:

It simply makes no "conmon sense" to me whatsoever to attempt to construct an image- sensor "gooderness" (or whatever) "metric" without (also) numerically including periodic readout noise.
"Sensor gooderness" would require a whole host of factors, such as size, pixel count, QE, read noise, and periodic "noise". What I was looking for was a metric for just noise, period, and that would exclude pattern "noise".
'Twas (some) "quality factor" that you sought. First, "efficiency". Then the term "righteousness" - though I still think that the (by your chosen standards necessary) modification to the (strangely "cognitively dissonant" for me) phrase "random righteousness" tends to favor the more "hopeful sounding" phrase "random awesomeness".

I suppose that I naively assumed that such a proposed "metric" would (on the level of a filter-stacked image-sensor assembly) be intended to exist in the direction of "comprehensive" (as related to viewers' perhaps estimated perceptual impressions) - as opposed to in the direction of "ethereal" (due to seeming to prefer to limit its meaning only to more partial assessments).
As I said, systematic "undesirable components", such as banding and flare can most certainly be more undesirable than noise.
You are (in essence) repeating yourself. Not necessary.
As I said, systematic "undesirable components", such as banding and flare can most certainly be more undesirable than noise. ;-)

More seriously, what I mean is that noise is not the only metric to sensor "performance", and I would consider banding to be a separate issue from noise.
See my 2nd paragraph appearing above.
Please note that flare results from optical sources interacting with lens-systems - whereas "banding" (which you have stated that - though "evil" - you do not consider to be "noise") arises within the very image-sensors that you were recently hoping to fashion a "metric" for ...
Indeed.
And what does that imply regarding elements to be included within an (image-sensor) "metric ?
While I was looking for a simplistic measure of sensor "efficiency" with regards to noise, Bob set me straight by saying that you can't lump read noise and photon noise in the same boat. The irony is that I was trying to do so, yet was already separating banding out as separate. In my defense, both photon noise and read noise are, in fact, noise, whereas banding is not, at least in the way I think of noise.
Ah, a "randomist", I see. Shrink those beloved photosites below 1 Micron, and you won't be able to make such "sweeping assumptions" about (quadrature-cancelling) "read noise". Bummer, man ... :P
While I get the reference to my post title, I'm afraid we listen to different music: ... ... ;-)
Oh my goodness; oh my dear ! I cannot bring myself to re-publish written materials potentially so offensive to female readers.
Well, there is Hardee's version for the badonkadonk challenged:
[ CENSORED BY THE THOUGHT POLICE ]
Now we got all sorts of buns covered. ;-)
You naughty boy ! Methinks you might suffer from PIS ("permaban indifference syndrome") ? ... ?
 
Last edited:
We've already got some general acceptance on a cluster definition for "noise", so I don't see a reason /in principle/ why the scratched-record case wouldn't be admitted.
Maybe I'm just an outlier.
On 2nd thought, let's not give up so soon on that. What's the current accepted definition of noise?
Source: Oxford English Dictionary.

Noise:

Definition [2]: technical Irregular fluctuations that accompany a transmitted electrical signal but are not part of it and tend to obscure it.

Definition [2.1] Random fluctuations that obscure or do not contain meaningful data or other information.

From: http://www.oxforddictionaries.com/us/definition/american_english/noise
That works quite nicely for me.
Whether one is describing periodic readout components (generated within the imaging device itself) existing within recorded image-data that are unrelated to the scene recorded, or whether one is describing physical scratches existing on a vinyl disc used for reproducing recorded audio sounds producing sounds unrelated to the originally recorded sounds, ...

... both cases of such (aesthetically undesired, and clearly unrelated to the original scene or sounds intended to be represented) phenomena propagating through and to the output of any deterministic system(s) (as defined on the Wikipedia web-page quoted from and linked-to above) represent what may be reasonably considered to constitute undesirable components (arising soley out of the machinery involved in recording, processing, storage, or reproduction).

Both examples presented above are (for most viewers/listeners, anyway) considered to constitute what are undesirable components that are clearly not related to the original scene/sounds intended to be recorded, processed, and subsequently presented to our sensory faculties.

The premise that - rather than incorporating such phenomena into differentiations between that which is in presentation desired and that which is undesired (as in the perhaps simplisticly, but understandably, worded rhetorical categories of "signal" and "noise") - a third category must be created (in order to satisfy a particular individual definition of "noise" as having to necessarily only apply to random components), seems to me to be substantively counter-productive in what (seem to be) reasonably understandable processes of determining (including numerically quantifying) what may amount to components perceived by human beings as being "desired" and "undesired" components existing within representations of scenes/sounds which are output by systems in visual or auditory presentations provided to our sensory faculties.
Systematic "undesirable components", such as banding and flare would not be sources of noise, in my opinion (which is not to say, of course, that they are not more "evil" than noise itself).
Aha ! Finally, a "peep" out of his eminence Lord Bustard. So ... if we are going to endeavor to fashion "metrics" surrounding image-sensor "righteousness/awesomeness/gooderness", does it not make sense to (at least attempt to) "factor in" such "evils" existing within said devices ? Please advise ...
Absolutely.
Not sure what you mean by that, sire. Are you conceding my point made in the most recent post on your inspirational thread entitled, 'Sensor "efficiency"', which is, as follows:

It simply makes no "conmon sense" to me whatsoever to attempt to construct an image- sensor "gooderness" (or whatever) "metric" without (also) numerically including periodic readout noise.
"Sensor gooderness" would require a whole host of factors, such as size, pixel count, QE, read noise, and periodic "noise". What I was looking for was a metric for just noise, period, and that would exclude pattern "noise".
'Twas (some) "quality factor" that you sought. First, "efficiency". Then the term "righteousness" - though I still think that the (by your chosen standards necessary) modification to the (strangely "cognitively dissonant" for me) phrase "random righteousness" tends to favor the more "hopeful sounding" phrase "random awesomeness".

I suppose that I naively assumed that such a proposed "metric" would (on the level of a filter-stacked image-sensor assembly) be intended to exist in the direction of "comprehensive" (as related to viewers' perhaps estimated perceptual impressions) - as opposed to in the direction of "ethereal" (due to seeming to prefer to limit its meaning only to more partial assessments).
I like to say that the subjective IQ of a photo is the subjective weighting of objective individual elements of IQ. These weightings will not only vary from person to person, but from photo to photo. But an overall metric for IQ is a fool's errand.
As I said, systematic "undesirable components", such as banding and flare can most certainly be more undesirable than noise.
You are (in essence) repeating yourself. Not necessary.
As I said, systematic "undesirable components", such as banding and flare can most certainly be more undesirable than noise. ;-)

More seriously, what I mean is that noise is not the only metric to sensor "performance", and I would consider banding to be a separate issue from noise.
See my 2nd paragraph appearing above.
Please note that flare results from optical sources interacting with lens-systems - whereas "banding" (which you have stated that - though "evil" - you do not consider to be "noise") arises within the very image-sensors that you were recently hoping to fashion a "metric" for ...
Indeed.
And what does that imply regarding elements to be included within an (image-sensor) "metric ?
While I was looking for a simplistic measure of sensor "efficiency" with regards to noise, Bob set me straight by saying that you can't lump read noise and photon noise in the same boat. The irony is that I was trying to do so, yet was already separating banding out as separate. In my defense, both photon noise and read noise are, in fact, noise, whereas banding is not, at least in the way I think of noise.
Ah, a "randomist", I see ... :P
Heh! I suppose that's a fair way to put it. ;-)
While I get the reference to my post title, I'm afraid we listen to different music: ... ... ;-)
Oh my goodness; oh my dear ! I cannot bring myself to re-publish written materials potentially so offensive to female readers.
Well, there is Hardee's version for the badonkadonk challenged:
[ CENSORED BY THE THOUGHT POLICE ]
Now we got all sorts of buns covered. ;-)
You naughty boy ! Methinks you might suffer from PIS ("permaban indifference syndrome") ? ...
As one of my wife's friends said of me, "He doesn't really filter much, does he?" If only she knew how much I was filtering... :-D
 
We've already got some general acceptance on a cluster definition for "noise", so I don't see a reason /in principle/ why the scratched-record case wouldn't be admitted.
Maybe I'm just an outlier.
On 2nd thought, let's not give up so soon on that. What's the current accepted definition of noise?
Source: Oxford English Dictionary.

Noise:

Definition [2]: technical Irregular fluctuations that accompany a transmitted electrical signal but are not part of it and tend to obscure it.

Definition [2.1] Random fluctuations that obscure or do not contain meaningful data or other information.

From: http://www.oxforddictionaries.com/us/definition/american_english/noise
That works quite nicely for me.
Whether one is describing periodic readout components (generated within the imaging device itself) existing within recorded image-data that are unrelated to the scene recorded, or whether one is describing physical scratches existing on a vinyl disc used for reproducing recorded audio sounds producing sounds unrelated to the originally recorded sounds, ...

... both cases of such (aesthetically undesired, and clearly unrelated to the original scene or sounds intended to be represented) phenomena propagating through and to the output of any deterministic system(s) (as defined on the Wikipedia web-page quoted from and linked-to above) represent what may be reasonably considered to constitute undesirable components (arising soley out of the machinery involved in recording, processing, storage, or reproduction).

Both examples presented above are (for most viewers/listeners, anyway) considered to constitute what are undesirable components that are clearly not related to the original scene/sounds intended to be recorded, processed, and subsequently presented to our sensory faculties.

The premise that - rather than incorporating such phenomena into differentiations between that which is in presentation desired and that which is undesired (as in the perhaps simplisticly, but understandably, worded rhetorical categories of "signal" and "noise") - a third category must be created (in order to satisfy a particular individual definition of "noise" as having to necessarily only apply to random components), seems to me to be substantively counter-productive in what (seem to be) reasonably understandable processes of determining (including numerically quantifying) what may amount to components perceived by human beings as being "desired" and "undesired" components existing within representations of scenes/sounds which are output by systems in visual or auditory presentations provided to our sensory faculties.
Systematic "undesirable components", such as banding and flare would not be sources of noise, in my opinion (which is not to say, of course, that they are not more "evil" than noise itself).
Aha ! Finally, a "peep" out of his eminence Lord Bustard. So ... if we are going to endeavor to fashion "metrics" surrounding image-sensor "righteousness/awesomeness/gooderness", does it not make sense to (at least attempt to) "factor in" such "evils" existing within said devices ? Please advise ...
Absolutely.
Not sure what you mean by that, sire. Are you conceding my point made in the most recent post on your inspirational thread entitled, 'Sensor "efficiency"', which is, as follows:

It simply makes no "conmon sense" to me whatsoever to attempt to construct an image- sensor "gooderness" (or whatever) "metric" without (also) numerically including periodic readout noise.
"Sensor gooderness" would require a whole host of factors, such as size, pixel count, QE, read noise, and periodic "noise". What I was looking for was a metric for just noise, period, and that would exclude pattern "noise".
'Twas (some) "quality factor" that you sought. First, "efficiency". Then the term "righteousness" - though I still think that the (by your chosen standards necessary) modification to the (strangely "cognitively dissonant" for me) phrase "random righteousness" tends to favor the more "hopeful sounding" phrase "random awesomeness".

I suppose that I naively assumed that such a proposed "metric" would (on the level of a filter-stacked image-sensor assembly) be intended to exist in the direction of "comprehensive" (as related to viewers' perhaps estimated perceptual impressions) - as opposed to in the direction of "ethereal" (due to seeming to prefer to limit its meaning only to more partial assessments).
I like to say that the subjective IQ of a photo is the subjective weighting of objective individual elements of IQ. These weightings will not only vary from person to person, but from photo to photo. But an overall metric for IQ is a fool's errand.
Sounds very erudite and wise. Probably has some truth to it. However, I am simply talking about the periodic ("banding" in your vernacular) component that already exists within any measured (as opposed to mathematically concocted when modelling or simulating) image-sensor output.

It seems to me that no amount of the application of an averaging process of some sort applied to the data is going to remove the contribution of the periodic components that are already present.

If so, we are just (by necessity, given that we are talking about actual measurements) simply "lumping" all of these (periodic as well as random spectral components) together and calling it all "read" (perish the thought) "noise". Must make those "randomists" squirm a bit in their armchairs.
As I said, systematic "undesirable components", such as banding and flare can most certainly be more undesirable than noise.
You are (in essence) repeating yourself. Not necessary.
As I said, systematic "undesirable components", such as banding and flare can most certainly be more undesirable than noise. ;-)

More seriously, what I mean is that noise is not the only metric to sensor "performance", and I would consider banding to be a separate issue from noise.
See my 2nd paragraph appearing above.
Please note that flare results from optical sources interacting with lens-systems - whereas "banding" (which you have stated that - though "evil" - you do not consider to be "noise") arises within the very image-sensors that you were recently hoping to fashion a "metric" for ...
Indeed.
And what does that imply regarding elements to be included within an (image-sensor) "metric ?
While I was looking for a simplistic measure of sensor "efficiency" with regards to noise, Bob set me straight by saying that you can't lump read noise and photon noise in the same boat. The irony is that I was trying to do so, yet was already separating banding out as separate. In my defense, both photon noise and read noise are, in fact, noise, whereas banding is not, at least in the way I think of noise.
Ah, a "randomist", I see ... :P
Heh! I suppose that's a fair way to put it. ;-)
See above.
While I get the reference to my post title, I'm afraid we listen to different music: ... ... ;-)
Oh my goodness; oh my dear ! I cannot bring myself to re-publish written materials potentially so offensive to female readers.
Well, there is Hardee's version for the badonkadonk challenged:
[ CENSORED BY THE THOUGHT POLICE ]
Now we got all sorts of buns covered. ;-)
You naughty boy ! Methinks you might suffer from PIS ("permaban indifference syndrome") ? ...
As one of my wife's friends said of me, "He doesn't really filter much, does he?" If only she knew how much I was filtering... :-D
We know and do appreciate how hard you try to be a good boy for "the company", Lord Bustard.
 
Last edited:
OK, DM. You don't like my answer. You want some thing that cleaves desired from undesired. Got it. What is your answer to the question you originally posed?
The problem is that we want to divide anything into two baskets: Noise and signal.

In reality we have 4 baskets:
  • Noise
  • Signal
  • Unwanted signal
  • Wanted noise.
As the definition of what goes into the two latter baskets will depend on context and sometimes personal taste, it is a lost cause trying to make clear definitions.
 
OK, DM. You don't like my answer. You want some thing that cleaves desired from undesired. Got it. What is your answer to the question you originally posed?
The problem is that we want to divide anything into two baskets: Noise and signal.

In reality we have 4 baskets:
  • Noise
  • Signal
  • Unwanted signal
  • Wanted noise.
As the definition of what goes into the two latter baskets will depend on context and sometimes personal taste, it is a lost cause trying to make clear definitions.
Veeeeeeery interesting. How can "unwanted" as well as "wanted" signals simultaneously exist ?
 
We've already got some general acceptance on a cluster definition for "noise", so I don't see a reason /in principle/ why the scratched-record case wouldn't be admitted.
Maybe I'm just an outlier.
On 2nd thought, let's not give up so soon on that. What's the current accepted definition of noise?
Source: Oxford English Dictionary.

Noise:

Definition [2]: technical Irregular fluctuations that accompany a transmitted electrical signal but are not part of it and tend to obscure it.

Definition [2.1] Random fluctuations that obscure or do not contain meaningful data or other information.

From: http://www.oxforddictionaries.com/us/definition/american_english/noise
That works quite nicely for me.
Whether one is describing periodic readout components (generated within the imaging device itself) existing within recorded image-data that are unrelated to the scene recorded, or whether one is describing physical scratches existing on a vinyl disc used for reproducing recorded audio sounds producing sounds unrelated to the originally recorded sounds, ...

... both cases of such (aesthetically undesired, and clearly unrelated to the original scene or sounds intended to be represented) phenomena propagating through and to the output of any deterministic system(s) (as defined on the Wikipedia web-page quoted from and linked-to above) represent what may be reasonably considered to constitute undesirable components (arising soley out of the machinery involved in recording, processing, storage, or reproduction).

Both examples presented above are (for most viewers/listeners, anyway) considered to constitute what are undesirable components that are clearly not related to the original scene/sounds intended to be recorded, processed, and subsequently presented to our sensory faculties.

The premise that - rather than incorporating such phenomena into differentiations between that which is in presentation desired and that which is undesired (as in the perhaps simplisticly, but understandably, worded rhetorical categories of "signal" and "noise") - a third category must be created (in order to satisfy a particular individual definition of "noise" as having to necessarily only apply to random components), seems to me to be substantively counter-productive in what (seem to be) reasonably understandable processes of determining (including numerically quantifying) what may amount to components perceived by human beings as being "desired" and "undesired" components existing within representations of scenes/sounds which are output by systems in visual or auditory presentations provided to our sensory faculties.

DM
Systematic "undesirable components", such as banding and flare would not be sources of noise, in my opinion (which is not to say, of course, that they are not more "evil" than noise itself).
This beckons for a conceptual argument. The dictionary is at its heart, a history book, and its definitions don't substitute for a conceptual argument.
Sure. Words, and their meanings, can change over time. However, when I think of "noise", I always think of random, not systematic, components, and I most certainly distinguish between banding, flare, and noise, for example.
I should not write while running a fever. :-)

Emil refers to "correlated noise" (versus "uncorrelated noise"), and uses the term "pattern noise". This never struck me as incorrect in English usage, and I haven't seen a reason in principle to rule those cases out. Then there are cases of pink noise, e.g., 1/f noise.

I do realize though that the word "noise" is sometimes in colloquial uses implicitly constrained to refer to cases in electrical engineering. But that was giving me difficulty, because often the source of the noise is mechanical (as in sound), or photonic (shot noise), and because sometimes the signal processing domain is biochemical, or for that matter economic.

The case of flare is a puzzle case to me. I don't see a reason to rule it out of a larger category of "noise" but also agree that talking about "flare noise" seems like strained usage.
 
OK, DM. You don't like my answer. You want some thing that cleaves desired from undesired. Got it. What is your answer to the question you originally posed?
The problem is that we want to divide anything into two baskets: Noise and signal.

In reality we have 4 baskets:
  • Noise
  • Signal
  • Unwanted signal
  • Wanted noise.
As the definition of what goes into the two latter baskets will depend on context and sometimes personal taste, it is a lost cause trying to make clear definitions.
Veeeeeeery interesting. How can "unwanted" as well as "wanted" signals simultaneously exist ?
Some people regard photon shot noise as signal, since it actually is part of the signal that a sensor pixel receives. Some other people define the light as a part of the measuring device which makes the photon shot noise into noise instead.

If we go with the former definition, where photon shot noise is signal, it will still be unwanted signal to most of us. So a sensor pixel will receive a combination of wanted signal - the average number of photons supposed to hit the pixel during exposure - and unwanted signal - photon shot noise.
 
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OK, DM. You don't like my answer. You want some thing that cleaves desired from undesired. Got it. What is your answer to the question you originally posed?
The problem is that we want to divide anything into two baskets: Noise and signal.

In reality we have 4 baskets:
  • Noise
  • Signal
  • Unwanted signal
  • Wanted noise.
As the definition of what goes into the two latter baskets will depend on context and sometimes personal taste, it is a lost cause trying to make clear definitions.
Veeeeeeery interesting. How can "unwanted" as well as "wanted" signals simultaneously exist ?
Some people regard photon shot noise as signal, since it actually is part of the signal that a sensor pixel receives. Some other people define the light as a part of the measuring device which makes the photon shot noise into noise instead.

If we go with the former definition, where photon shot noise is signal, it will still be unwanted signal to most of us. So a sensor pixel will receive a combination of wanted signal - the average number of photons supposed to hit the pixel during exposure - and unwanted signal - photon shot noise.
I agree with this. I suggested that the idea of "accepted as signal" might be essential to the idea of noise. This still allows for downstream processing (perhaps by a separate subsystem) in which the components of "noise" are identified explicitly as such. At some point, there has to be a subsystem (e.g., a processing subsystem, or even the human subject) that is able to make the distinction. But at first, there would be no such distinction.
 
OK, DM. You don't like my answer. You want some thing that cleaves desired from undesired. Got it. What is your answer to the question you originally posed?
The problem is that we want to divide anything into two baskets: Noise and signal.

In reality we have 4 baskets:
  • Noise
  • Signal
  • Unwanted signal
  • Wanted noise.
As the definition of what goes into the two latter baskets will depend on context and sometimes personal taste, it is a lost cause trying to make clear definitions.
Veeeeeeery interesting. How can "unwanted" as well as "wanted" signals simultaneously exist ?
Some people regard photon shot noise as signal, since it actually is part of the signal that a sensor pixel receives. Some other people define the light as a part of the measuring device which makes the photon shot noise into noise instead.

If we go with the former definition, where photon shot noise is signal, it will still be unwanted signal to most of us. So a sensor pixel will receive a combination of wanted signal - the average number of photons supposed to hit the pixel during exposure - and unwanted signal - photon shot noise.
I agree with this. I suggested that the idea of "accepted as signal" might be essential to the idea of noise. This still allows for downstream processing (perhaps by a separate subsystem) in which the components of "noise" are identified explicitly as such. At some point, there has to be a subsystem (e.g., a processing subsystem, or even the human subject) that is able to make the distinction. But at first, there would be no such distinction.
So you cannot have an Objective Definition of "Noise" because "Noise" is Subjective. ;-)
 
OK, DM. You don't like my answer. You want some thing that cleaves desired from undesired. Got it. What is your answer to the question you originally posed?
The problem is that we want to divide anything into two baskets: Noise and signal.

In reality we have 4 baskets:
  • Noise
  • Signal
  • Unwanted signal
  • Wanted noise.
As the definition of what goes into the two latter baskets will depend on context and sometimes personal taste, it is a lost cause trying to make clear definitions.
Veeeeeeery interesting. How can "unwanted" as well as "wanted" signals simultaneously exist ?
Some people regard photon shot noise as signal, since it actually is part of the signal that a sensor pixel receives. Some other people define the light as a part of the measuring device which makes the photon shot noise into noise instead.

If we go with the former definition, where photon shot noise is signal, it will still be unwanted signal to most of us. So a sensor pixel will receive a combination of wanted signal - the average number of photons supposed to hit the pixel during exposure - and unwanted signal - photon shot noise.
I agree with this. I suggested that the idea of "accepted as signal" might be essential to the idea of noise. This still allows for downstream processing (perhaps by a separate subsystem) in which the components of "noise" are identified explicitly as such. At some point, there has to be a subsystem (e.g., a processing subsystem, or even the human subject) that is able to make the distinction. But at first, there would be no such distinction.
So you cannot have an Objective Definition of "Noise" because "Noise" is Subjective. ;-)
Well, human visual perception of "noise" is surely subjective - but we already knew that was true ...

.

What is referred to as "noise" (at least in an ample plenty of cases in electronic engineering industry publishings) has quite evidently (in actual use by electonic engineers) extended beyond (only) random components, and has also included periodic components as being referred to as "noise".

I imagine that perhaps few viewers would argue that periodic "noise" appearing within images when they are viewed can indeed certainly be considered to be a perceptually undesirable experience.

In the making of measurements (as opposed to modelling using mathematical identities), the only way that such periodic "noise" could not (also) be a component existing within measurement data would result from precise (spatial-domain) subtraction of those periodic components of the image-data. Seems like recording an additional "dark-frame" is the way to go if attempting that. "After that fact" methods sound (at best) tedious and problematic to implement and accomplish.

If frequency-domain post-subtraction of the same periodic components were to be used, it seems that phase-information would have to be retained and utilized in any such processes involved.

.

I think that the actual truth in measurement practices is that whenever (not dark-frame subtracted) measurements (as opposed to mathematical modelling) are involved, both periodic as well as random "noise" (intended to equate to, albeit subjectively perceived, "undesirable") components are present (with, our without, any image-sensor illumination taking place whatsoever in testing procedures).

It is the case whenever making measurements that the "total, composite image-data" (including periodic as well as random "noise") that can be measured are Signal added to Noise.

For DxO Lab's definition of their "Signal/Noise Ratio" DxOMark data found here:

http://www.dxomark.com/About/In-depth-measurements/Measurements/Noise

... which is S / N ...

... to be accurate (and not a mere approximation - as would seem to be quite inappropriate in any cases of image-sensor illumination decreasing to very small amounts), it surely seems to me that data (must, necessarily) be derived from a subtraction of what can be measured divided by Noise:

( S + N ) / ( N )

... such that:

( S + N - N ) / ( N ) = S / N

I have a hard time disputing those mathematics implicit to measurement processes. Perhaps another contributor has a clearly different idea (and would also state the mathematical identies involved) ?

.

Note that for it to actually be true that DxOMark data does not account for periodic "noise" (aka "banding") within it's measurement data, then precisely such a "dark-frame subtaction" as described above would be necessary (which would not eliminate, but could significantly attenuate, the magnitude of such periodic "noise" components). (Perhaps) just an interesting "coincidence" ? ...

.

"Signals":

"Photon shot noise" seems thought to be established as being a property of light itself since 1985 (see my previous post here) - and is thus ineluctable. While making a rhetorical differentiation between "wanted signal" and "unwanted signal" appears to be technically accurate - such technical "bifurcations" act at odds with the idea of the concept of the phrase "signal/noise ratio" relating to a numerical quantity representing a "quality factor" that is meaningfully and readily relatable to the existence of something resembling a "wanted/unwanted ratio" which characterizes the actual functional visual peceptions, albeit subjective, of viewers of images.

"Technicalities" seem only to detract from (as opposed to add to) to concepts involving metrics that endeavor to (at least statistically, based upon subjective individual visual perceptions) "couple" (as opposed to "de-couple") metrics described as "signal/noise ratios" with viewers' visual perceptions.

Not that some viewers may not "like it noisy". Easily accomplished "at, or after, after 'the fact' ".

DM ... :P
 
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Ran out of edits. Many corrections and clarifications appear within the edited version below:
OK, DM. You don't like my answer. You want some thing that cleaves desired from undesired. Got it. What is your answer to the question you originally posed?
The problem is that we want to divide anything into two baskets: Noise and signal.

In reality we have 4 baskets:
  • Noise
  • Signal
  • Unwanted signal
  • Wanted noise.
As the definition of what goes into the two latter baskets will depend on context and sometimes personal taste, it is a lost cause trying to make clear definitions.
Veeeeeeery interesting. How can "unwanted" as well as "wanted" signals simultaneously exist ?
Some people regard photon shot noise as signal, since it actually is part of the signal that a sensor pixel receives. Some other people define the light as a part of the measuring device which makes the photon shot noise into noise instead.

If we go with the former definition, where photon shot noise is signal, it will still be unwanted signal to most of us. So a sensor pixel will receive a combination of wanted signal - the average number of photons supposed to hit the pixel during exposure - and unwanted signal - photon shot noise.
I agree with this. I suggested that the idea of "accepted as signal" might be essential to the idea of noise. This still allows for downstream processing (perhaps by a separate subsystem) in which the components of "noise" are identified explicitly as such. At some point, there has to be a subsystem (e.g., a processing subsystem, or even the human subject) that is able to make the distinction. But at first, there would be no such distinction.
So you cannot have an Objective Definition of "Noise" because "Noise" is Subjective. ;-)
Well, human visual perception of "noise" is surely subjective - but we already knew that was true ...

.

What is referred to as "noise" (at least in an ample amount of cases in electronic engineering industry publishings) has quite evidently (in actual use by electonic engineers) extended beyond (only) random components, and has also in many instances included periodic components as being referred to as "noise".

I imagine that perhaps few viewers would argue that periodic "noise" appearing within images when they are viewed can be considered to be a perceptually desirable experience.

In the making of measurements (as opposed to modelling using mathematical identities), the only way that such periodic "noise" could not (also) be a component existing within measurement data would result from precise (spatial-domain) subtraction of those periodic components of the image-data. It seems to me that recording an additional "dark-frame" and subtracting it from the data measured when the image-sensor is illuminated is the way to accomplish that. "After that fact" methods sound (at best) tedious and problematic to implement and successfully accomplish.

If frequency-domain post-subtraction of the same periodic components were to be used, it seems that phase-information would have to be retained and utilized in any such processes involved.

.

I think that the actual truth regarding measurement practices is that whenever measurements (as opposed to mathematical modelling) are involved, both periodic as well as random "noise" (equating to, albeit subjectively perceived, "undesirable") components are present (with or without any image-sensor illumination taking place in a particular testing procedures).

It is the case whenever making measurements that the "total, composite image-data" (including periodic as well as random "noise") that can be measured consist of transduced Signal added to the total (composite periodic as well as random) components of Noise.

For DxO Lab's definition of their "Signal/Noise Ratio" DxOMark data found here:

http://www.dxomark.com/About/In-depth-measurements/Measurements/Noise

... which is S / N ...

... to be more accurately stated (and not a mere approximation - as would seem to be quite inappropriate in cases of image-sensor illumination decreasing to very small amounts), it seems to me that the DxOMark data (must, necessarily) be derived utilizing a process of subtraction of the total Noise that is measured when the image-sensor is not illuminated (N[d] signifying "dark-frame") from a separate measurement conducted when the image-sensor is illuminated at low illumination levels (N signifying "illuminated") can be measured, the identity for which is:

( S + N - N[d] )

N
is not the same numerical value as N[d] - due to the Photon Shot Noise implicit within the image-sensor illumination, as well as other other possible effects that may additionally exist.

( S + N - N[d] ) is then divided by the amount of "dark-frame" Noise (N[d]) measured, so:

( S + N - N[d] ) / ( N[d] ) = S / N [as provided by DxO Labs as the DxOMark SNR data].

I have a hard time disputing the mathematics above (that are derived from conditions that are implicit to measurement processes). Perhaps another contributor has a clearly different idea (and would also please state the mathematical identies involved within their reply to this post) ?

.

Note that for it to actually be true that DxOMark data does not account for periodic "noise" (aka "banding") within it's measurement data, then precisely such a "dark-frame subtaction" as described above would be necessary (which would not eliminate, but could significantly attenuate, the magnitude of such periodic "noise" components). (Perhaps) just an interesting "coincidence" ? ...

.

Regarding (non-random) differences existing between individual photosite assembly outputs that would (also) be affected by a dark-frame-subtraction process taking place, bobn2 wrote:

... since PRNU is separated out as the random noise that is proportional to the signal, that is precisely what it is. So, if you had regular differences in pixel performance (say associated with a row or column or patterns of them) that is not PRNU simply because it doesn't have a random distribution. So, PRNU will be caused by different responses between pixels, but only those which are randomly distributed'> ... since PRNU is separated out as the random noise that is proportional to the signal, that is precisely what it is. So, if you had regular differences in pixel performance (say associated with a row or column or patterns of them) that is not PRNU simply because it doesn't have a random distribution. So, PRNU will be caused by different responses between pixels, but only those which are randomly distributed.

.

I have underlined the latter portion of the following quote myself (for emphasis):

In practice, a long exposure (integration time) emphasizes the inherent differences in pixel response so they may become a visible defect, degrading the image. Although FPN does not change appreciably across a series of captures, it may vary with integration time, imager temperature, imager gain and incident illumination, it is not expressed in a random (uncorrelated or changing) spatial distribution, occurring only at certain, fixed pixel locations.

From: http://en.wikipedia.org/wiki/Fixed-pattern_noise

.
The approach of making differentiations between wanted and unwanted "Signals":

"Photon shot noise" seems thought to be established as being a property of light itself since 1985 (see my previous post here) - and is thus "ineluctable". While making a rhetorical differentiation between "wanted signal" and "unwanted signal" appears to be technically accurate - such technical "bifurcations" act at odds with the idea of the concept conveyed by the phrase "signal/noise ratio" - which it seems (to me) should correspond as much as possible to a numerical quantity representing a "quality factor" that is meaningfully and readily (without mathematical "acrobatics") relatable to the existence of something resembling a "wanted/unwanted ratio" which characterizes the actual functional experienced visual (albeit subjective) visual peceptions of the viewers of captured/processed images.

"Technicalities" seem only to detract from (as opposed to add to) to concepts seeking to develop metrics that endeavor to (at least statistically, based upon subjective individual visual perceptions reported). Technicalities "de-couple" (as opposed to "couple") metrics described as "signal/noise ratios" from viewers' visual perceptions - which does not make any useful practical sense to me.
DM ... :P
 
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"Technicalities" seem only to detract from (as opposed to add to) to concepts seeking to develop metrics that endeavor to (at least statistically, based upon subjective individual visual perceptions reported). Technicalities "de-couple" (as opposed to "couple") metrics described as "signal/noise ratios" from viewers' visual perceptions - which does not make any useful practical sense to me.
SHOULD READ:

"Technicalities" seem only to detract from (as opposed to add to) concepts seeking to develop metrics that endeavor to (statistically, based upon subjective individual visual perceptions reported) relate to human visual perceptions. Technicalities "de-couple" (as opposed to "couple") metrics described as "signal/noise ratios" from such viewers' visual perceptions - which does not make any useful practical sense to me.

.

Conceptually proceeding in ways that tend to obscure the purpose of signifying the (albeit subjective) experiential meaning of perceptually descriptive metaphors in favor of technical accuracies that as a result necessitate mathematical acrobatics (beyond the stating of the numeric value of a simple ratiometric quantity) in order to transform technically differentiated (meant in the general sense) components involved into representations that are more readily understandable as being perceptually meaningful seeems to me to only lead us from what are reasonable and understandable goals of intending to make technical matters more relevant to human perceptual experience - which seems to be the ostensible goal of such discussions. The goal is to simplify rather than to complexify.

The farther that the term "signal" becomes removed from a meaning of "intended", and the farther that the term "noise" becomes embroiled within debates surrounding whether the meaning of such a term should include periodic as well as random components, the more that "academic pursuits" fail to manage to utilize metaphors of human language with the goal of attempting to characterize (albeit subjective, but not necessarily by any means entirely dissimilar) human perceptual experiences.

.

It was I who asked whether an "objective" definition of noise existed (which implies reducibility, quantifiablity, and repeatability). As we individually subjectively experience "noise", and report its existence as perceptual impressions, it seems that "that which is undesired" is the closest that we can come. My eyes and ears are not concerned with other than the experiential impressions that arise out of such processes - that is, they do not serve as theoretical "dissectors" in functioning.

In the design and development of systems intended to capture, process, and subsequently represent aural as well as optical events of kinetic energies, our inescapable judgmental "prism" of reference is nothing other than our own individual human perceptual faculties (as mysterious as they may be).

If we cannot "objectively" define the term "noise", then it seems that embarking upon a similar endeavor involving the possibility of "objectively" defining the term "signal" is unlikely to be fruitful. It seems that the best that we can do is to relate the term "signal" to mean "that which is desired".

.

Yet, would not many readers appreciate the usefulness of "metric(s)" that (albeit only through statistical analysis of individual reported subjective perceptual impressions) meaningfully relate (in a reduction to practice) to a measure of the relative ratio of perceptual "desirablitiy" divided by perceptual "un-desirability" ? I do not think the (human perceptual) nature of the subject of pleasing the mind's eyes really allows the designers and analyzers of "imaging machinery" to do otherwise ...

DM ... :P
 
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In radioastronomy the signals that all the astronomers are studying are basically noise. The signals were first observed as unexplained noise in WW2 radar receivers. When it was noticed that the period of some of the signals corresponded to the sidereal rather than the solar day it was realised that the source of the noise was from outside the solar system.

The engineers used to speculate about if you replaced the expensive telescope with a resistor, how long the astronomers would take to notice. The standard joke was to say "But that's in the noise". It was a field where you had experts on low-noise electronics constructing state-of-the-art cryogenic low-noise receivers to receive... noise!

Then, if some astronomer was studying the local galaxy he would be happy with the signal he was getting, but some other astronomer looking at the early universe would regard same signals as an annoying source of noise that was interfering with his signal.

I guess one man's signal is another man's noise...

J.
 
In radioastronomy the signals that all the astronomers are studying are basically noise. The signals were first observed as unexplained noise in WW2 radar receivers. When it was noticed that the period of some of the signals corresponded to the sidereal rather than the solar day it was realised that the source of the noise was from outside the solar system.

The engineers used to speculate about if you replaced the expensive telescope with a resistor, how long the astronomers would take to notice. The standard joke was to say "But that's in the noise". It was a field where you had experts on low-noise electronics constructing state-of-the-art cryogenic low-noise receivers to receive... noise!

Then, if some astronomer was studying the local galaxy he would be happy with the signal he was getting, but some other astronomer looking at the early universe would regard same signals as an annoying source of noise that was interfering with his signal.

I guess one man's signal is another man's noise...
Hi Joe,

Good post. Sometimes noise awakens deeper understandings (a story you no doubt know of here). A case of certain observers' "seeing" eventually found within an initally mysterious "noise-floor". :P
 
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