gardenersassistant
Veteran Member
These are cropped almost identically. I think if you filled the frame with one shot but cropped out a small part of the center with another shot, I think the approach might fail you.Nick, I was shocked by the impossibly high F numbers until I realized that they were calculated for the image side. But aside from my culture shock, I wanted to figure out what was going on. You've done about as well as you can as a practical matter, and I don't think your calculations are wrong -- but maybe not as general as they could be. I also think there are some other insights to be gained here.
Yes, the depth of field is remarkable, and better than what I would have thought possible....The first observation is that by using teleconverters I have been able to achieve greater depth of field than I have previously achieved. ...the consensus seems to be that the depth of field is unusually large for non-stacked shots. Now, I can't prove that this is more than I could get for the same shots without using teleconverters, but in my own mind I'm sure that I am getting greater depth of field than I did previously.
Here is the cropping for those two images, cropped version on the left, uncropped image (resized raw file embedded JPEG) on the right. As you can see, the cropping of the first was slight, and for the second miniscule. In this context I don't understand why what the formula tells me about the sharpness of the whole image isn't what I really want to know.ThrillaMozilla, post: 65156943, member: 826238"]
It tells you the size of the diffraction blur on the image. It does tell you whether the uncropped image -- the whole picture -- is going to be sharp. It doesn't tell you directly whether the bug is fuzzy or sharp.
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I think it is more a case of "would" than "might".
OK. Good.As you know, depth of field depends to a great extent on the size of the displayed image, and therefore also on cropping. That's probably the main reason that microscopists calculate resolution not of the image, but at the subject. If you don't do major cropping like that, you probably don't need to worry about calculating resolution.
Yes, 72mm working distance at 8:1 is quite good compared to, for example, around 40mm at 5:1 with the MPE-65.I agree. You have traded depth of field for resolution. Alas, the two are inseparable except with composite images. They both depend entirely on the angle of acceptance by the lens.I captured two shots of a rule which was set at an acute angle to the plane of focus. I used a Canon 70D. For the first shot used a Canon MPE-65 at 1X magnification, set to minimum aperture of f/16. For the second shot I used a Kenko 1.4X teleconverter and 2X teleconverter with the MPE-65. ...For the second shot I used minimum aperture of f/45, with a magnification of a bit under 3X (presumably quite close to 2.8X).
...It looks to me as though the teleconverter image is softer than the bare lens image in the area of best focus but has larger depth of field. This is consistent with the teleconverter image having a smaller effective aperture.
In the other thread you wrote: "With a teleconverter(s) you can either have the same magnification/framing with greater working distance or greater magnification with the same working distance." That confirms everything. I think what's going on here is that the teleconverters allow you to move further from the subject while still getting adequate magnification. Moving further from the subject is how you get that great depth of field -- and not incidentally, good working distance.For me, I believe using teleconverters does make a difference because they let me use effective apertures smaller than I can use without them, and hence get greater depth of field at the cost of the images being softer. For me, I believe using the formula I mentioned does help guide me in my experiments with different f-numbers to explore the impact, for my images, on the depth of field and associated image softening.
Indeed so. f/32 is the smallest I recall seeing for any focal length lens, and most are f/22. The MPE-65 is f/16.In principle you could the same result at the same distance with a longer lens instead of the teleconverters, if you could get the same aperture (diameter). But a longer lens would probably have a larger minimum aperture.
Thank you so much for taking the time to discuss and explain. This sort of discussion is so useful for me (and hopefully for some lurkers too). It forces me to think very carefully when I'm trying to explain what I'm having problems with, and it is wonderful to have such high quality (and patient!) input from experts in the field to learn from,I think that's why the teleconverters work so well for you. It's a brilliant solution. Well done.
I think there's one crucial point for anyone else attempting this. If the image is large enough for the sensor (i.e., that the pixel size is not the limiting factor) the teleconverters cannot further improve the resolution over what you could get without them.