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That's not correct. LR can read the all the lossless compression files (L61,M26,S15) other programs can not.I'm under the impression that the non APS-C 26 mpx file is not read by lightroom. I think that's the medium compression mode.
Is that correct?
What's the point?A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
The point is that you can use a much smaller and lighter lens and still get a nice image. Sometimes 26MP is more than enough. Example: the Sony 70-350 vs the Tamron 150-500. Both are close in range, but the Sony is much lighter.What's the point?A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
The camera is simply cropping the middle (APS-C size section) from the full frame .. IMHO this is much better done in post processing where you can control what exactly what parts get cropped.
Unless you have space issues there's no real advantages.
The whole point was to save bulk & weight, and using Crop Mode was just a way to achieve that. Except it doesn't.Yeah, but the whole point was to use it in crop mode.I know it gets great reviews, but I sincerely doubt that it can resolve more detail in a 26MP image than the 70-300 in a 61MP image.IMO the Sony is a much better lens.Tamron's FE 70-300 has the same max aperture, covers the full 35mm-format sensor, is just 6mm longer, weighs 80g less, and costs just $500 vs. $900.I brought this up a while ago for my A7Cr and got a bit roasted. But I do it when I want a lightweight solution, like using the 70-350 for tele instead of a lens weighing three times as much.A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
Bottom line: if it works for you have at it and ignore the critics. A 26MP image is still more than adequate for most purposes.
--If you use the Tamron in crop mode and compare it to the Sony....then what?
Thanks, I understand and that's what I do when shooting with heaver / larger FF lenses.What's the point?A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
The camera is simply cropping the middle (APS-C size section) from the full frame .. IMHO this is much better done in post processing where you can control what exactly what parts get cropped.
Unless you have space issues there's no real advantages.
Why not crop in post? It's been my experience that supposed APS-C lenses shoot far more of the FF sensor area than you think - in fact I used a Sony E 10-18mm F4 OSS to shoot full frame before a super wide angle FF Sony lens was available.The point is that you can use a much smaller and lighter lens and still get a nice image. Sometimes 26MP is more than enough. Example: the Sony 70-350 vs the Tamron 150-500. Both are close in range, but the Sony is much lighter.What's the point?A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
The camera is simply cropping the middle (APS-C size section) from the full frame .. IMHO this is much better done in post processing where you can control what exactly what parts get cropped.
Unless you have space issues there's no real advantages.
A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
Thanks for comments and I completely agree (A7RV EVF is great).Although I also own the A6700, I love shooting my A7RV using my APS-C lenses in crop mode.Why? The treat of using the A7RV EVF when composing or reviewing shots. My A6700 is used when wanting the lightest kit possible (biking, long hikes).A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
Agree 100%. It's just nice to have the ability to shoot in aps-c when you want to go lighter, smaller and less 'serious'.I probably wouldn't buy an A7Rv or A7CR just to use aps-c lenses.
I sometimes switch my A7 IV to APS-C mode to capture a shot I would otherwise miss and that is only circa 15mp in APC-C mode. Yes I know I could do that in post-processing but it is not how I like shoot and I suspect that is the same for a lot of people. They want to frame the shot in the viewfinder as do I.A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
Thanks for your comments and great points which I totally agree.I sometimes switch my A7 IV to APS-C mode to capture a shot I would otherwise miss and that is only circa 15mp in APC-C mode. Yes I know I could do that in post-processing but it is not how I like shoot and I suspect that is the same for a lot of people. They want to frame the shot in the viewfinder as do I.A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
That said I would never buy an aps-c lens to shoot permanently in aps-mode even if I had the A7RV with its 61mp sensor because they can only ever be used in aps-c mode and contrary to popular belief there are plenty of full frame lenses that are lightweight if that is what you need.
The laws of physics say lenses of the same focal length and similar specification are going to be about the same size and weight regardless of the format they cover (well for aps-c and FF anyway).
For example the APS-C only Sony 70-350 is only 30g lighter than the full frame Tamron 50-300mm. You can never take full advantage of all 61mp with the 70-350 whereas with the Tamron you can use it in FF mode or APS-C mode so in my opinion specifically buying the Sony is a really dumb idea.
If you own the 70-350 already and have moved up to full frame, that is different but buying that lens specifically for a FF camera is bonkers in my opinion.
Wide angle it is a slightly different question. People who shoot video where we are talking 4k resolution can probably get away with an aps-c lens (I would not know the details as I do not do videos) for things like vlogging. However as a stills photographer I would never buy an APS-C lens like the Sony APS-C 10-20MM. I'd go for the 16-35 FF instead. Hardly a heavy lens.
This thread got me thinking about the potential market for a more full-size / full-featured APS-C body for e-mount.Aside from the tunnel vision, aps-c dslrs were often large and full featured, external controls and performance at similar levels to the ff bodies. There's always been some hope for a super aps-c from Sony that could be the larger configuration. That could have the larger, higher resolution finders.
I did buy several apsc lenses when I had my A7C because they were noticeably better glass than the full frame options. Sony 70-350 was sharper than Tamron and Sony's 70-300 offerings, and the apsc photos simply looked better than the full frame variant.I sometimes switch my A7 IV to APS-C mode to capture a shot I would otherwise miss and that is only circa 15mp in APC-C mode. Yes I know I could do that in post-processing but it is not how I like shoot and I suspect that is the same for a lot of people. They want to frame the shot in the viewfinder as do I.A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
That said I would never buy an aps-c lens to shoot permanently in aps-mode even if I had the A7RV with its 61mp sensor because they can only ever be used in aps-c mode and contrary to popular belief there are plenty of full frame lenses that are lightweight if that is what you need.
The laws of physics say lenses of the same focal length and similar specification are going to be about the same size and weight regardless of the format they cover (well for aps-c and FF anyway).
For example the APS-C only Sony 70-350 is only 30g lighter than the full frame Tamron 50-300mm. You can never take full advantage of all 61mp with the 70-350 whereas with the Tamron you can use it in FF mode or APS-C mode so in my opinion specifically buying the Sony is a really dumb idea.
If you own the 70-350 already and have moved up to full frame, that is different but buying that lens specifically for a FF camera is bonkers in my opinion.
Wide angle it is a slightly different question. People who shoot video where we are talking 4k resolution can probably get away with an aps-c lens (I would not know the details as I do not do videos) for things like vlogging. However as a stills photographer I would never buy an APS-C lens like the Sony APS-C 10-20MM. I'd go for the 16-35 FF instead. Hardly a heavy lens.
But not regardless of the quality they offer. Which becomes the critical point later in this post....The laws of physics say lenses of the same focal length and similar specification are going to be about the same size and weight regardless of the format they cover (well for aps-c and FF anyway).
Indeed, if the sharpness and maybe some other IQ qualities are better at the long end for the 70-350 E lens, then that becomes the overwhelming factor.I did buy several apsc lenses when I had my A7C because they were noticeably better glass than the full frame options. Sony 70-350 was sharper than Tamron and Sony's 70-300 offerings, and the apsc photos simply looked better than the full frame variant.For example the APS-C only Sony 70-350 is only 30g lighter than the full frame Tamron 50-300mm. You can never take full advantage of all 61mp with the 70-350 whereas with the Tamron you can use it in FF mode or APS-C mode so in my opinion specifically buying the Sony is a really dumb idea.
If you own the 70-350 already and have moved up to full frame, that is different but buying that lens specifically for a FF camera is bonkers in my opinion.
Now that Tamron has come out with the 50-300, 50-400, and the ,28-300 the results are a lot closer, the utility of 28mm and 50mm is noticeable, but the Sony still handles better and feels a bit more premium. So I am finally moving on from the 70-350, but it took time for that to be the case. My point being that quality glass matters more to some of us than Megapixels.
Resolution is a product of lens MTf x Sensor MTF . This means even if you have some ancient and poor lens you put on a 61mp camera then it will still resolve more than on a 26mp camera.I did buy several apsc lenses when I had my A7C because they were noticeably better glass than the full frame options. Sony 70-350 was sharper than Tamron and Sony's 70-300 offerings, and the apsc photos simply looked better than the full frame variant.I sometimes switch my A7 IV to APS-C mode to capture a shot I would otherwise miss and that is only circa 15mp in APC-C mode. Yes I know I could do that in post-processing but it is not how I like shoot and I suspect that is the same for a lot of people. They want to frame the shot in the viewfinder as do I.A number of times I have used lightweight lenses in APS-C Mode 26MP and satisfied with results. Generally, my use of these combos is to reduce weight, size and restrain from using my larger more expensive lenses.
What do others think about using A7RV in APS-C Mode 26MP?
That said I would never buy an aps-c lens to shoot permanently in aps-mode even if I had the A7RV with its 61mp sensor because they can only ever be used in aps-c mode and contrary to popular belief there are plenty of full frame lenses that are lightweight if that is what you need.
The laws of physics say lenses of the same focal length and similar specification are going to be about the same size and weight regardless of the format they cover (well for aps-c and FF anyway).
For example the APS-C only Sony 70-350 is only 30g lighter than the full frame Tamron 50-300mm. You can never take full advantage of all 61mp with the 70-350 whereas with the Tamron you can use it in FF mode or APS-C mode so in my opinion specifically buying the Sony is a really dumb idea.
If you own the 70-350 already and have moved up to full frame, that is different but buying that lens specifically for a FF camera is bonkers in my opinion.
Wide angle it is a slightly different question. People who shoot video where we are talking 4k resolution can probably get away with an aps-c lens (I would not know the details as I do not do videos) for things like vlogging. However as a stills photographer I would never buy an APS-C lens like the Sony APS-C 10-20MM. I'd go for the 16-35 FF instead. Hardly a heavy lens.
Now that Tamron has come out with the 50-300, 50-400, and the ,28-300 the results are a lot closer, the utility of 28mm and 50mm is noticeable, but the Sony still handles better and feels a bit more premium. So I am finally moving on from the 70-350, but it took time for that to be the case. My point being that quality glass matters more to some of us than Megapixels.