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Finally they are moving to this integrated solution which for me has great sense.
I'm also trying it. I first used it in standalone mode and it took so long I decided I would never use it. But then I tried the PS plugin and it is much faster, probably no more than the normal Sharpen AI takes. The controls are hard to understand in either case. There is no "Enhance" in the plugin; maybe that just means to "do the processing"? I haven't used it enough to really know what to expect, but in a couple of images it did a better job of overall sharpening than I got with just Sharpen AI. So, yes, a promising start; will be interesting to see how it develops into a product.Got it. Thanks for the heads up.
It is a very long install process......
Initial (very quick) thoughts.
Even though the image I sent to Photo AI is one I just processed in Sharpen, AI's Auto feature only chose Noise. So, I clicked on Noise, Sharpen and Enhance. Left all other settings alone. I guess that was a mistake as it way over-sharpened. I've never seen output from Sharpen like that no matter what I did to the sliders.
I'm very interested in this product and will participate fully in the beta as I would love to have one product instead of three.





Does it do lens corrections? Cause that's one of DxO's strengths. For M43 users, DxO's lens corrections are better than the inbuilt ones.If topaz aggressive on improving this, a few more builds, I sure this will make DxO sweats heavily.
And, of course, DxO's corrections are measured in the lab. That would need a huge amount of work for Topaz to replicate them.Does it do lens corrections? Cause that's one of DxO's strengths. For M43 users, DxO's lens corrections are better than the inbuilt ones.If topaz aggressive on improving this, a few more builds, I sure this will make DxO sweats heavily.
It’s a completely different approach. DXO with Deep Prime is working at the RAW conversion stage and as a result can be quite subtle but also includes optical corrections which are hugely important to a good end result. Topaz is working on images that have already been converted, or started as OOC jpegs. And there’s no reason why the two can’t be used in a complementary workflow.If topaz aggressive on improving this, a few more builds, I sure this will make DxO sweats heavily.
Some software packages use the lensfun database that has correction data on most lenses. ACDSee, On1, Affinity, Aftershot Pro, darktable, etc. use it. Much easier than trying to reinvent it at each company or org. Here is a list of software that uses it (may not be complete):And, of course, DxO's corrections are measured in the lab. That would need a huge amount of work for Topaz to replicate them.
Thanks. I didn't know about that :-(Some software packages use the lensfun database that has correction data on most lenses. ACDSee, On1, Affinity, Aftershot Pro, darktable, etc. use it. Much easier than trying to reinvent it at each company or org. Here is a list of software that uses it (may not be complete):And, of course, DxO's corrections are measured in the lab. That would need a huge amount of work for Topaz to replicate them.
https://lensfun.github.io/usage/
https://github.com/lensfun/lensfun/releases
It highly depends on how well the Lensfun profile was created and if a lens reports focus distance or not.Thanks. I didn't know about that :-(Some software packages use the lensfun database that has correction data on most lenses. ACDSee, On1, Affinity, Aftershot Pro, darktable, etc. use it. Much easier than trying to reinvent it at each company or org. Here is a list of software that uses it (may not be complete):And, of course, DxO's corrections are measured in the lab. That would need a huge amount of work for Topaz to replicate them.
https://lensfun.github.io/usage/
https://github.com/lensfun/lensfun/releases
Maybe I'll try the Affinity correction vs. DxO, just to see