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Had one, and the only complaint was that the rangefinder needed calibration. More often than I'd care to admit.What is your favourite, or what was your favourite? If you accept the latter, my favourite was a Mamiya 7 II, a medium format (6x7cm nominally) rangefinder, which was very satisfying to use and could produce stunningly good images.
Unfortunately, I used it for less than ten years before it was stolen and I moved to purely digital photography. Probably a blessing in disguise as the insurance money was fully used to get digital replacements, which I have never regretted (although it would be nice to still have the Mamiya as well).
The F2 series was the pinnacle of the bunch. I still have my F2as in great condition (I had to replace the foam seals one time). It doesn't get a great deal of use since I use mostly shoot 6x7 for handheld and 4x5 for view, but the F2as clearly has been near and dear to me since 1977 when I bought it in my freshman college year as a photography major.It has to be a beaten up Nikon F2, I never felt the need to replace or upgrade it until I got the D600. Unfortunately the only things it beats it on are longevity (it still works) and nostalgia (I don't feel for digital cameras)...
It did take a nice photo:
Although a complete PITA to use I still don't think digital can match 5"x 4" for B&W and the Linhof is the one I'm sticking with:
I love the images it makes more than the camera though... ;-)
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I have my grandpa's Electro 35 GS from 1966 as well!I guess I'd say my Nikon F3HP, which I used from 1980 to about 2004 when I finally broke down and purchased a Nikon D70s, and I've had digital ever since then. I traveled a lot and most always shot slide film. I've recently been digitizing my hundreds of slides from this camera, and I have found that I really like the look of photos done on film. I still have the F3HP as well as a slightly earlier F3, and both still work should I decide to use them again.
My first film camera was a 1966 Yashica Electro 35, which was actually quite an interesting camera for its time. It had a lovely but fixed 46mm lens, you would set your desired aperture but the camera controlled the shutter speed....hence the Electro in the name. When I started using it in about 1970, the light meter was already broken (apparently a common problem with this camera), so everything I shot was without a meter. When photos turned out right, they were quite nice. I bumbled along with the Yashica until I got the F3 in 1980.
I can't remember what I did with the Yashica, but I recently bought a minty looking one on ebay for a very low price, just for the nostalgia of it. It looks unbelievably pristine, like it had never been used. Wouldn't you know it, the meter doesn't work! I actually got it to work early on when I was playing around with it, but then after that it never lit up and worked again.
Mamiya 7ii was my favourite too.What is your favourite, or what was your favourite? If you accept the latter, my favourite was a Mamiya 7 II, a medium format (6x7cm nominally) rangefinder, which was very satisfying to use and could produce stunningly good images.
Unfortunately, I used it for less than ten years before it was stolen and I moved to purely digital photography. Probably a blessing in disguise as the insurance money was fully used to get digital replacements, which I have never regretted (although it would be nice to still have the Mamiya as well).
I find it interesting that the Fuji film cameras are branded 'Fuji', while their digital ones are branded 'Fujifilm.'