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with regards to lenses, what does the term “stopped down” mean? Apologies if this question isn’t clear.
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"Stopping down" generally refers to reducing the size of the lens's aperture.with regards to lenses, what does the term “stopped down” mean? Apologies if this question isn’t clear.
Shooting at the selected aperture when it is less than the maximum aperture of the lens.with regards to lenses, what does the term “stopped down” mean? Apologies if this question isn’t clear.
My old Pentax dSLR actually does this when I use old Pentax-M manual focus lenses.I should have expanded on the question. What is a specific instance where you might need to stop down? When does stopping down come into consideration? Thank you.
"Stopping down" generally refers to reducing the size of the lens's aperture.with regards to lenses, what does the term “stopped down” mean? Apologies if this question isn’t clear.
In a typical situation on this forum, it probably means that the lens aperture was closed down considerably. Either a poster might be suggesting that the lens should be stopped down in order to increase the depth of field, or maybe they were commenting that because the lens was stopped down too much the background was distracting (on account of too much depth of field).with regards to lenses, what does the term “stopped down” mean? Apologies if this question isn’t clear.
Silly me. I should have known to check the ISO. It was set to 6400. LOL.Today I was taking flash photos in our house to document some construction. With flash, the fastest shutter speed I can use is 1/250. With the flash at minimum power, the photos were washed out, so I had to stop down the lens (close the aperture) to get a good exposure.
Reasons you may want to "stop down":I should have expanded on the question. What is a specific instance where you might need to stop down? When does stopping down come into consideration? Thank you.
It's diffraction. Dispersion is another phenomenon. You get chromatic aberration from it. And the rainbow on the sky or near a waterfall.All lenses suffer from dispersion (loss of sharpness) when they are stopped down too far. So any lens might be less sharp at f/22 than it is at f/16.
Once Again, (as always), Mr. Fryd has the two best answer-posts above."Stopping down" generally refers to reducing the size of the lens's aperture.with regards to lenses, what does the term “stopped down” mean? Apologies if this question isn’t clear.
A 100mm f/2.8 lens has a maximum aperture of f/2.8. However, frequently we will shoot with a smaller aperture diameter.
We might say we are "stopping down" when we select a smaller aperture diameter (such as f/5.6).
Many cameras leave the aperture all the way open until we are actually taking the photo. At that point the lens "stops down" to the smaller aperture to take the photo, and then opens back up.
Many cameras allow us to stop down the lens without taking a photo. This is generally called "depth of field preview".
Background
The typical modern camera lens has a variable aperture. This is essentially a hole with an adjustable diameter. This allows the photographer to select what size hole to use. Larger apertures allow more light into the camera. This tends to reduce image noise, and allow shorter shutter speeds. However, the larger hole also results in shallower depth of field.
The shape of the aperture approximates a circle. The "f/stop" of a lens is the ratio of the focal length of the lens to the aperture's diameter. "F/4" is actually a mathematical equation that represents the focal length of the lens divided by 4.
F/2 is an aperture diameter half the focal length. F/4 is 1/4 the focal length. On a 100mm lens f/2 is a 50mm aperture diameter, and f/4 is a 25mm diameter.
Thus the largest aperture is the "smallest" number. In this context 4 is larger than 8.
When we say that a lens is an f/2.8 lens, we are saying that f/2.8 is the widest aperture available. Normally the lens stays at the widest setting until you take the photo. This lets in the most light for the DSLR viewfinder, and yields less noise on a mirrorless viewfinder.
As depth of field is shallower at the widest aperture, it makes sense for the camera to focus at the widest aperture, and then stop down for the photo. (there are disadvantages here as some lenses shift focus when they stop down).
you “stop down” a lens mostly when you want a greater depth of field.I should have expanded on the question. What is a specific instance where you might need to stop down? When does stopping down come into consideration? Thank you.