Anthropics LandscapePro review

Mario Giannini

Senior Member
Messages
2,873
Solutions
2
Reaction score
387
Location
NY, US
I have purchased and using the PortraitPro product from Anthropics, and I was extremely pleased with it's interface, usability, flexibility, and results. So much so, that I purchased the LandscapePro product without even a trial. I am very sorry I did that.

The interface starts with you tagging things with push pins like Sky, Tree, Building, Grass, Person, etc. As you do, it starts to build a mask of the various objects.

After the tagging, you are brought to a section that displays the masks for the various objects where you can expand and manipulate sections. I dislike this part as I have seen parge patches of sky and grass not be automatically masked correctly and I have to refine them. While some of the interfaces are unique and interesting, the task becomes tedious to adjust obvious sections, sometimes with sections switching or 'bleeding' into others sections (during expand) to much or expanding to little.

Then you define the horizon, which I think would be ok, but I rarely had a perfect horizon (Grand Canyon land formations, tree lines, mountains, houses, etc.

After this, you are brought to the area where you can then manipulate each of the sections. You can apply presets to the entire image like Middat, night, dusk, disturbance, and so on, and you can also apply presets to the the various objects like Tree, Sky, etc. You can also adjust sliders for a custom appearance on the objects,

Most of these presets are adjusting basic things like contrast, fill light, saturation, temperature, etc. In a typical example, the 'Grass' object adjustments allow you to pick from 6 presets like Lush, Cold, Dry, etc. And for the most part these features work and present that feel. If you then switch to the sliders, you get 12 sliders to control Levels and Colors adjustments. In other words, most of the presets are shifts in color temp, tint, saturation, and contrast.

I tried the plugin on several different styles of photos such as Grand Canyon shots (yeah, select the 'rock' objects vs grass in those), Pennsylvania Farm lands, scenic hikes, and others. In just about every case, I found the object identification/selection process to be intuitive, but tedious and confusing (sometimes it hinted that I only needed to select one tag for things like 'sky', but then it only masked half the sky).

Then in the adjustments phase, the presets seemed mostly over-done in my personal opinion, and not terribly useful. I keep wanting to call them science fiction filters. While things like the Lighting adjustments works pretty well in their portrait product, it just seems wierd here (things like a building roof would be half-lit and half-shaded, but the original image had no (and would have no) shadow on a complete slide.

In the end, what I found was that most of my images were improved by some very simple adjustments with exposure, contrast, saturation and temperature WITHOUT using this product. After several weeks of using, I have yet to find an image I think it improved that I couldn't do old school quicker and easier.

You should download a trial (if available) before you purchase and try it on existing images before committing to the purchase. I think a very few people will find a very few select photos that this product will improve in in a manner quicker and easier than what they probably already have.
 
On the other hand I have bought Landscape Pro and find it useful - particularly for 'fixing' skies. It's like Photoshop 'select and paste' or Topaz Remask; the care you take with selection repays the effort. The advantage with Landscape Pro is that - for certain pictures, not all - you can make several different masks at the same time and individually edit them. Plus you can add your own 'skies' too. Some of the presets are extreme, but then a lot of other filters/actions are set this way to show you clearly what effect they have had; it's up to you to dial the effect down or reduce the opacity etc.

It's a particular way of working which you either like or dislike. I've posted a couple of images I did a quick and dirty Landscape Pro edit on in this forum recently.
 
Thank you for your post Bunjo. You certainly raise valid points, and I agree that some might find it useful.

I don't mean to challenge your statements, or make light of your opinion which I completely respect, but I did look at one of the images you posted. The sky fix on the Iwo Jima Memorial was the forst I found. While it's certainly an improvement, it also looks like a gap exists between the fingers to the left of the flag where the sky object didn't extend to.

I tried the original version of the image in Landscape pro, and it identified the sky as I in red) follows:




How Landscape Pro masked the sky after my Sky selections

I would have to now 'pull back' the sky from the statue areas also in red.

I personally would rather use the Photoshop 'Magic Wand' to select the sky in a several clicks, then using 'Contract' selection, feather it, trace a 'refine edge', and get similar results. I would then copy it and paste it into one of my own skies. Here's my results without LandScape Pro and some basic Photoshop manipulations (I don't mean to imply it's better than your version, it's just my quick attempt without LandscapePro):

3482199


My quick take with just Photoshop CC



As with most filters, all the functionality is in my Photoshop CC software to accomplish what LandscapePro offers. I just find PS easier and quicker. In something like Portrait Pro, I do find things like the makeup controls, the contour control, face identification, lighting and blemish removal to be extremely effective, intuitive, and fast.

I keep wanting to like LandscapePro based on my love of PortraitPro, but it just doesn't click for me personally. Like I said in the original post, Anyone considering it should certainly get the trial and evaluate it on as many images as possible.



--
Everything I write is a personal opinion. Even when I quote facts, they are the facts I personally choose to accept.
 

Attachments

  • 3482196.jpg
    3482196.jpg
    310.9 KB · Views: 0
Ah, but when I did my quick and dirty edit I placed markers on 'sky', 'metal', and 'people' (the faces). That generated masks with less spill, and which needed less fine tuning. I was thinking ahead to what adjustments I would want to make - replace the sky, jiggle with the bulk of the statue in keeping with the replacement sky, and treat the faces of the statue a little differently to infuse a little personality. Plus adjust the non-sky part of the image with a modest fraction of the replacement sky colouration.

I could have used Topaz Remask or Photoshop with multiple selection and masks but in this instance I wished to do all of the adjustments in one pass. It won't work for every image, but then no adjustment does. If you get more pleasing results through a different process that's your preference.
 

Keyboard shortcuts

Back
Top