Increditably sharp 24-85 (goldfinger)!

I thought my late Sigma 28-70EX was close to an L, until I see this
on my new 24-85 (silver):
http://www.pbase.com/image/30903036
Even sharper than the stopped down 50/1.8:
http://www.pbase.com/image/30903047

The 24-85 looks a little under-exposured because it's done months
later.
Wouldn't you worry that the test conditions are not fair in that case?
--
Brian
Dallas, TX
300D owner
http://www.pbase.com/drip
--
http://public.fotki.com/wibble/public_display/
 
is that a new lens? Canon sigma? What does it look like,..any info pages on it? Whats its widest aperture... 3.5 right?
I thought my late Sigma 28-70EX was close to an L, until I see this
on my new 24-85 (silver):
http://www.pbase.com/image/30903036
Even sharper than the stopped down 50/1.8:
http://www.pbase.com/image/30903047

The 24-85 looks a little under-exposured because it's done months
later.
--
Brian
Dallas, TX
300D owner
http://www.pbase.com/drip
--
http://www.pbase.com/dom277
 
for a sharpness test, I wouldnt think it made much difference?
I thought my late Sigma 28-70EX was close to an L, until I see this
on my new 24-85 (silver):
http://www.pbase.com/image/30903036
Even sharper than the stopped down 50/1.8:
http://www.pbase.com/image/30903047

The 24-85 looks a little under-exposured because it's done months
later.
Wouldn't you worry that the test conditions are not fair in that case?
--
Brian
Dallas, TX
300D owner
http://www.pbase.com/drip
--
http://public.fotki.com/wibble/public_display/
--
http://www.pbase.com/dom277
 
Mine was a stunner too - I have a mint used BLACK one arriving tuesday and I have a LOT of standard Goldfinger test shots to compare to, it'll be interesting if Bond can play Goldfinger at his own game ;-)

--
(: Hug a 35-80 Today :)

Please ignore the Typos, I'm the world's worst Typist
 
is that a new lens? Canon sigma? What does it look like,..any info
pages on it? Whats its widest aperture... 3.5 right?
It's an OLD lens actually - the Champagne coloured 24-85 which was shipped as the kit lens for the expensive IX APS SLR (an overpriced miniaturised Elan-II) back in the mid-late 90s . Made back in the days when Canon had QC ;-) .

--
(: Hug a 35-80 Today :)

Please ignore the Typos, I'm the world's worst Typist
 
That might affect it?

Light/contrast/shutter speed
Focus?
Sensor 'hygiene'
air quality/humidy/temperature/haze etc.
Operator experience/technique
tripod equipment
different firmware
different image processing software/versions

I'm not saying any of these are a factor, the shots are seriosly sharp and the lens has a good reputation - just if I were doing real side-by-sides, I want repeatable conditions...
I thought my late Sigma 28-70EX was close to an L, until I see this
on my new 24-85 (silver):
http://www.pbase.com/image/30903036
Even sharper than the stopped down 50/1.8:
http://www.pbase.com/image/30903047

The 24-85 looks a little under-exposured because it's done months
later.
Wouldn't you worry that the test conditions are not fair in that case?
--
Brian
Dallas, TX
300D owner
http://www.pbase.com/drip
--
http://public.fotki.com/wibble/public_display/
--
http://www.pbase.com/dom277
--
http://public.fotki.com/wibble/public_display/
 
Mine was a stunner too - I have a mint used BLACK one arriving
tuesday and I have a LOT of standard Goldfinger test shots to
compare to, it'll be interesting if Bond can play Goldfinger at his
own game ;-)
The bonuses of it are that it's light, cheap and go 24mm wide. It's not f/2.8 but f/3.5 at wide is useful enough especially when I can shoot it wide open.

I've seen images from the black ones but mostly barely usable wide open. Will be interested in your comparison.
--
Brian
Dallas, TX
300D owner
http://www.pbase.com/drip
 
i agree...

actually i think a lens' widest aperture should only be said to be it's widest 'usable' aperture!

drip wrote:
f/3.5 at wide is useful enough especially when I can
shoot it wide open.
 
actually i think a lens' widest aperture should only be said to be
it's widest 'usable' aperture!
this is why a lot of old Leica and CZ lenses appeared to be slow - they were sharp wide open

Sigma and Tamron are the worst for egging fast apertures on with their F2.8-4 junkola glass which in Leica terms would be classed as F8-11 - "Conned" fast glass has one big advantage though, it may not be much good for image quality wide open but they sure do get light to the AF sensors (or split prism focus screens) - of course, old Rangefinders didn't need this

--
(: Hug a 35-80 Today :)

Please ignore the Typos, I'm the world's worst Typist
 
I've seen images from the black ones but mostly barely usable wide
open. Will be interested in your comparison.
it WILL be interesting because I've only ever used ONE sharp 24-85 and it was that Goldfinger, it got scarily close to a good 28-135IS - the black ones I've used (Admittedly all modern ones) have all been the same or worse than a 28-105

--
(: Hug a 35-80 Today :)

Please ignore the Typos, I'm the world's worst Typist
 
compared to yours?

Here is a 100% crop from the DRebel (at the standard +1 setting):

http://www.pbase.com/image/30907112

I also have the full images at all apertures (if you have the bandwidth) at:

http://www.pbase.com/riokid/24_85

Your valued opinion is always appreciated.

dan
Mine was a stunner too - I have a mint used BLACK one arriving
tuesday and I have a LOT of standard Goldfinger test shots to
compare to, it'll be interesting if Bond can play Goldfinger at his
own game ;-)

--
(: Hug a 35-80 Today :)

Please ignore the Typos, I'm the world's worst Typist
 
and light and exposure are different drip.

A good 28 -135 IS, is sharp.

Here is one at 135 f6.3,

and one at 28,

I'd like to try a 24 -85




I thought my late Sigma 28-70EX was close to an L, until I see this
on my new 24-85 (silver):
http://www.pbase.com/image/30903036
Even sharper than the stopped down 50/1.8:
http://www.pbase.com/image/30903047

The 24-85 looks a little under-exposured because it's done months
later.
--
Brian
Dallas, TX
300D owner
http://www.pbase.com/drip
--
MAC
http://www.digi-pictures.com
 
A good 28 -135 IS, is sharp.
The best 24-85 I've seen (the champagne one) isn't quite as sharp as a good 28-135IS and the soft ones are way behind (more like a 28-105 or worse) but has better contrast and colour, you can't tell it from an L or a good prime at F8 - bokeh doesn't seem as good (from memory) as the 28-135IS but there isn't a lot in it.

It'll be interesting to see how this used black 24-85 fares, if its as good as the old champagne one I had, it'll be a very good versatile compact fast focussing light lens for carryabout.

--
(: Hug a 35-80 Today :)

Please ignore the Typos, I'm the world's worst Typist
 
Here is a 100% crop from the DRebel (at the standard +1 setting):
I haven't got the bandwidth for the full images but it looks right on the money from the crops compared to my 10D shots with standard settings - you're getting a bit of the traditional 24-85 Purple fringe at the right there (not seen anywhere near as bad on a 1D or at all on a D30) which I think is more Lens to sensor Microlens reaction than usual CA or blooming , it's really the lens's only weakness when used with these 6Mp cameras - the 28-135IS does it too but less so.

--
(: Hug a 35-80 Today :)

Please ignore the Typos, I'm the world's worst Typist
 
I really appreciate and value your opinion.

I have been on the verge or selling my 24-85 as a down-payment for a 17-40L, but held off because I do not shoot at the 17/18mm that much anymore. I instead got an elcheapo Sigma DC 18-50 for the occasional wide shots on the 10D.

I find the purple fringing (CA/bloomig) on higher than average contrast images. I therefore did my test with high contrast/backlighted scenes to see the limits of the fringing. They do not seem to be very offensvie on evenly lit scenes though.

Again, thank you for your help!

dan
Here is a 100% crop from the DRebel (at the standard +1 setting):
I haven't got the bandwidth for the full images but it looks right
on the money from the crops compared to my 10D shots with standard
settings - you're getting a bit of the traditional 24-85 Purple
fringe at the right there (not seen anywhere near as bad on a 1D or
at all on a D30) which I think is more Lens to sensor Microlens
reaction than usual CA or blooming , it's really the lens's only
weakness when used with these 6Mp cameras - the 28-135IS does it
too but less so.

--
(: Hug a 35-80 Today :)

Please ignore the Typos, I'm the world's worst Typist
 
A good 28 -135 IS, is sharp.
The best 24-85 I've seen (the champagne one) isn't quite as sharp
as a good 28-135IS and the soft ones are way behind (more like a
28-105 or worse) but has better contrast and colour, you can't tell
it from an L or a good prime at F8 - bokeh doesn't seem as good
(from memory) as the 28-135IS but there isn't a lot in it.
I can say with certainty that the worst 24-85's are worse than the 28-105, as I had one (for about 2 days). I kept the 28-105 and passed the 24-85 on to a broker. Shame, because it is a more useful range on the 10D.

I'm pretty sure that I just had a bad copy of the 24-85 (and/or a very good copy of the 28-105), so I wouldn't take my experience as typical.
It'll be interesting to see how this used black 24-85 fares, if its
as good as the old champagne one I had, it'll be a very good
versatile compact fast focussing light lens for carryabout.

--
(: Hug a 35-80 Today :)

Please ignore the Typos, I'm the world's worst Typist
--
Tom
 

Keyboard shortcuts

Back
Top