GFX 100RF ISO 80 black point subtraction

If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.



3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png



--
 
If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.

3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png
Here are the Rawdigger histograms. Note how ISO 80 metering hugs the right clipping side and causes more clipping.

ISO 100 / f4 / 1 sec
ISO 100 / f4 / 1 sec

ISO 80 / f4 / 1.3sec
ISO 80 / f4 / 1.3sec
 
If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.

3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png
Here are the Rawdigger histograms. Note how ISO 80 metering hugs the right clipping side and causes more clipping.

ISO 100 / f4 / 1 sec
ISO 100 / f4 / 1 sec

ISO 80 / f4 / 1.3sec
ISO 80 / f4 / 1.3sec
While the LV histogram is identical with ISO 80 and ISO 100 (A-priority metering), the raw histogram of ISO 80 is shifted to the right. My conclusion is that one should avoid ISO 80 as histogram and clippings are misleading.
 
Makes the most sense for this camera.

Remember its really for jpeg shooters. You set the crop, zoom and all the final settings in camera.

This camera is configured not for Raw only.
Respectfully no. It can be used in that way as any camera can. I would view this as a multi faceted camera with:
  • A camera with easy access to compositional aids
  • A camera with the ability to capture full raw images at a 35mm fov
  • A camera that can act as a second camera to an ILC camera
  • A travel camera
  • A whatever you want to do single lens camera
I do not believe it is 'just' a jpeg camera, that's rather over simplifying things
While I agree with everything you said, I do think in camera developing is one of the reasons for owning this camera, be it jpeg/heif or even tiff. dbateman didn't say it was "just" a jpeg camera, but for jpeg shooters, and I agree with that also.

I try to get my final file in camera while using the easier to edit RAW file as a failsafe.
Thank you. Yes I didn't say just jpeg.

I always save as jpeg + raw and many should do the same. I do it to get a decent preview on the back screen. For the RF camera you should do it in case you have an all star image and want to do a deeper dive edit in the future.
 
Makes the most sense for this camera.

Remember its really for jpeg shooters. You set the crop, zoom and all the final settings in camera.

This camera is configured not for Raw only.
Respectfully no. It can be used in that way as any camera can. I would view this as a multi faceted camera with:
  • A camera with easy access to compositional aids
  • A camera with the ability to capture full raw images at a 35mm fov
  • A camera that can act as a second camera to an ILC camera
  • A travel camera
  • A whatever you want to do single lens camera
I do not believe it is 'just' a jpeg camera, that's rather over simplifying things
While I agree with everything you said, I do think in camera developing is one of the reasons for owning this camera, be it jpeg/heif or even tiff. dbateman didn't say it was "just" a jpeg camera, but for jpeg shooters, and I agree with that also.

I try to get my final file in camera while using the easier to edit RAW file as a failsafe.
Thank you. Yes I didn't say just jpeg.

I always save as jpeg + raw and many should do the same. I do it to get a decent preview on the back screen. For the RF camera you should do it in case you have an all star image and want to do a deeper dive edit in the future.
Shooting GFX100RF with JPEGs is a "must" as aspect ratios cannot be changed if you shoot only raw.
 
If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.

3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png
Here are the Rawdigger histograms. Note how ISO 80 metering hugs the right clipping side and causes more clipping.

ISO 100 / f4 / 1 sec
ISO 100 / f4 / 1 sec

ISO 80 / f4 / 1.3sec
ISO 80 / f4 / 1.3sec
While the LV histogram is identical with ISO 80 and ISO 100 (A-priority metering), the raw histogram of ISO 80 is shifted to the right. My conclusion is that one should avoid ISO 80 as histogram and clippings are misleading.
So are we implying that ISO 80 is basically ISO 100 and EC +1/3? Photonstophotos implies about a 1/3 stop more DR at 80 than 100.

Is that at the expense of more clipping or is it real?

Is this an issue with the in camera histogram which is based on jpeg rather than real.

ISO 80 is somewhat useless if it promotes additional clipping.

--
"The winds of heaven is that which blows between a horse's ears," Bedouin Proverb
__
Truman
DPR Co-MOD - Fuji X
www.tprevattimages.com
 
If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.

3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png
Here are the Rawdigger histograms. Note how ISO 80 metering hugs the right clipping side and causes more clipping.

ISO 100 / f4 / 1 sec
ISO 100 / f4 / 1 sec

ISO 80 / f4 / 1.3sec
ISO 80 / f4 / 1.3sec
While the LV histogram is identical with ISO 80 and ISO 100 (A-priority metering), the raw histogram of ISO 80 is shifted to the right. My conclusion is that one should avoid ISO 80 as histogram and clippings are misleading.
So are we implying that ISO 80 is basically ISO 100 and EC +1/3?
It's not that simple because of the difference in black point subtraction.
Photonstophotos implies about a 1/3 stop more DR at 80 than 100.
Some of the DR delta is illusionary because of the black point subtraction at ISO 80 removes half the read noise.
Is that at the expense of more clipping or is it real?

Is this an issue with the in camera histogram which is based on jpeg rather than real.
None of this has anything to do with the in-camera histogram.
ISO 80 is somewhat useless if it promotes additional clipping.


--
 
If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.

3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png
Here are the Rawdigger histograms. Note how ISO 80 metering hugs the right clipping side and causes more clipping.

ISO 100 / f4 / 1 sec
ISO 100 / f4 / 1 sec

ISO 80 / f4 / 1.3sec
ISO 80 / f4 / 1.3sec
While the LV histogram is identical with ISO 80 and ISO 100 (A-priority metering), the raw histogram of ISO 80 is shifted to the right. My conclusion is that one should avoid ISO 80 as histogram and clippings are misleading.
So are we implying that ISO 80 is basically ISO 100 and EC +1/3? Photonstophotos implies about a 1/3 stop more DR at 80 than 100.

Is that at the expense of more clipping or is it real?

Is this an issue with the in camera histogram which is based on jpeg rather than real.

ISO 80 is somewhat useless if it promotes additional clipping.
Note that ISO 80 images have a different BaselineExposure value than ISO 100 or 200:

ISO 80: BaselineExposure: -0.01

ISO 100, ISO 200: BaselineExposure: +.22

This makes the JPEG histogram different for exposure at ISO 80 than at other ISOs.
 
If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.

3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png
Here are the Rawdigger histograms. Note how ISO 80 metering hugs the right clipping side and causes more clipping.

ISO 100 / f4 / 1 sec
ISO 100 / f4 / 1 sec

ISO 80 / f4 / 1.3sec
ISO 80 / f4 / 1.3sec
While the LV histogram is identical with ISO 80 and ISO 100 (A-priority metering), the raw histogram of ISO 80 is shifted to the right. My conclusion is that one should avoid ISO 80 as histogram and clippings are misleading.
So are we implying that ISO 80 is basically ISO 100 and EC +1/3?
It's not that simple because of the difference in black point subtraction.
Photonstophotos implies about a 1/3 stop more DR at 80 than 100.
Some of the DR delta is illusionary because of the black point subtraction at ISO 80 removes half the read noise.
Is that at the expense of more clipping or is it real?

Is this an issue with the in camera histogram which is based on jpeg rather than real.
None of this has anything to do with the in-camera histogram.
BaselineExposure is different. ISO 80 JPEGs shown in the camera are darkened when compared to ISO 100 and higher. This means that the JPEG histogram has a different relation to the raw histogram at ISO 80 than at ISO 100 or higher.
ISO 80 is somewhat useless if it promotes additional clipping.
 
If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.

3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png
Here are the Rawdigger histograms. Note how ISO 80 metering hugs the right clipping side and causes more clipping.

ISO 100 / f4 / 1 sec
ISO 100 / f4 / 1 sec

ISO 80 / f4 / 1.3sec
ISO 80 / f4 / 1.3sec
While the LV histogram is identical with ISO 80 and ISO 100 (A-priority metering), the raw histogram of ISO 80 is shifted to the right. My conclusion is that one should avoid ISO 80 as histogram and clippings are misleading.
So are we implying that ISO 80 is basically ISO 100 and EC +1/3? Photonstophotos implies about a 1/3 stop more DR at 80 than 100.

Is that at the expense of more clipping or is it real?

Is this an issue with the in camera histogram which is based on jpeg rather than real.

ISO 80 is somewhat useless if it promotes additional clipping.
Note that ISO 80 images have a different BaselineExposure value than ISO 100 or 200:

ISO 80: BaselineExposure: -0.01

ISO 100, ISO 200: BaselineExposure: +.22

This makes the JPEG histogram different for exposure at ISO 80 than at other ISOs.
This is getting uglier and uglier.

--
 
If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.

3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png
Here are the Rawdigger histograms. Note how ISO 80 metering hugs the right clipping side and causes more clipping.

ISO 100 / f4 / 1 sec
ISO 100 / f4 / 1 sec

ISO 80 / f4 / 1.3sec
ISO 80 / f4 / 1.3sec
While the LV histogram is identical with ISO 80 and ISO 100 (A-priority metering), the raw histogram of ISO 80 is shifted to the right. My conclusion is that one should avoid ISO 80 as histogram and clippings are misleading.
So are we implying that ISO 80 is basically ISO 100 and EC +1/3?
It's not that simple because of the difference in black point subtraction.
Photonstophotos implies about a 1/3 stop more DR at 80 than 100.
Some of the DR delta is illusionary because of the black point subtraction at ISO 80 removes half the read noise.
Is that at the expense of more clipping or is it real?

Is this an issue with the in camera histogram which is based on jpeg rather than real.
None of this has anything to do with the in-camera histogram.
BaselineExposure is different. ISO 80 JPEGs shown in the camera are darkened when compared to ISO 100 and higher. This means that the JPEG histogram has a different relation to the raw histogram at ISO 80 than at ISO 100 or higher.
Gotcha. But that doesn't affect your experiment, or mine either.
ISO 80 is somewhat useless if it promotes additional clipping.


--
 
If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.

3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png
Here are the Rawdigger histograms. Note how ISO 80 metering hugs the right clipping side and causes more clipping.

ISO 100 / f4 / 1 sec
ISO 100 / f4 / 1 sec

ISO 80 / f4 / 1.3sec
ISO 80 / f4 / 1.3sec
While the LV histogram is identical with ISO 80 and ISO 100 (A-priority metering), the raw histogram of ISO 80 is shifted to the right. My conclusion is that one should avoid ISO 80 as histogram and clippings are misleading.
So are we implying that ISO 80 is basically ISO 100 and EC +1/3?
It's not that simple because of the difference in black point subtraction.
Photonstophotos implies about a 1/3 stop more DR at 80 than 100.
Some of the DR delta is illusionary because of the black point subtraction at ISO 80 removes half the read noise.
Is that at the expense of more clipping or is it real?

Is this an issue with the in camera histogram which is based on jpeg rather than real.
None of this has anything to do with the in-camera histogram.
BaselineExposure is different. ISO 80 JPEGs shown in the camera are darkened when compared to ISO 100 and higher. This means that the JPEG histogram has a different relation to the raw histogram at ISO 80 than at ISO 100 or higher.
Gotcha. But that doesn't affect your experiment, or mine either.
It affects practical usage when using JPEG baaed highlight clipping or histogram to set exposure.
 
If you use automatic metering (aperture priority), ISO 80 clips more highlights (rawdigger), even though live view shows the same clipping.

Images were taken with ISO 80 / f4 / 1.3sec vs. ISO 100 / f4 / 1 sec.

Shooting with the same shutter speed, the difference in the raw histogram between ISO 80 and ISO 100 is much smaller (<10%) than expected. ISO 80 seems to work a bit like extended ISO.
I don't see the images.
Sorry for the confusion, I did not attach images. I only wanted to share the exposure and ISO data used in the comparison.
Here's what I got with the GFX 100 II.

3b7b2f93fd1240b79896ceb8ebc3a08a.jpg.png
Here are the Rawdigger histograms. Note how ISO 80 metering hugs the right clipping side and causes more clipping.

ISO 100 / f4 / 1 sec
ISO 100 / f4 / 1 sec

ISO 80 / f4 / 1.3sec
ISO 80 / f4 / 1.3sec
While the LV histogram is identical with ISO 80 and ISO 100 (A-priority metering), the raw histogram of ISO 80 is shifted to the right. My conclusion is that one should avoid ISO 80 as histogram and clippings are misleading.
So are we implying that ISO 80 is basically ISO 100 and EC +1/3?
It's not that simple because of the difference in black point subtraction.
Photonstophotos implies about a 1/3 stop more DR at 80 than 100.
Some of the DR delta is illusionary because of the black point subtraction at ISO 80 removes half the read noise.
Is that at the expense of more clipping or is it real?

Is this an issue with the in camera histogram which is based on jpeg rather than real.
None of this has anything to do with the in-camera histogram.
BaselineExposure is different. ISO 80 JPEGs shown in the camera are darkened when compared to ISO 100 and higher. This means that the JPEG histogram has a different relation to the raw histogram at ISO 80 than at ISO 100 or higher.
Gotcha. But that doesn't affect your experiment, or mine either.
It affects practical usage when using JPEG baaed highlight clipping or histogram to set exposure.
No argument there, and one more reason to avoid ISO 80. Thanks for your research on this.


--
 
Thanks, Jim for all your feedback on the GFX100RF. Would you then say using ISO 80 or 100 for optimal results in RAW? The "Mathphotographer" on Youtube compared the camera to his Q3 and Q43 using ISO 100 instead of the 'official' base ISO of 80.
 
Thanks, Jim for all your feedback on the GFX100RF. Would you then say using ISO 80 or 100 for optimal results in RAW? The "Mathphotographer" on Youtube compared the camera to his Q3 and Q43 using ISO 100 instead of the 'official' base ISO of 80.
As Jim has shown, ISO80 on the RF is somewhat special, and so is ISO 50 on the Leica Q2/Q3.

I would have compared ISO 80 against ISO 50, and a proper comparison would be 80/50, 400, 800, 1600 and 6400 ISO (the latter a consequence of the f/4 lens and no IBIS/OIS).
 
So which one to use to have the most dynamic range and amount of noise?
 
So which one to use to have the most dynamic range and amount of noise?
I second that question. P2P shows additional about 1/3 a stops at ISO 80. On the other hand the histograms shown point to about 1/3 stop shift toward highlight end as a result of the metering. So the question seems to be realizing that and using a -1/3 EC to shift the exposure down by 1/3 of a stop to compensate from the metering and the way the histogram is calculated at ISO 80 result the in slight amount of DR shown in Photons2Photos?

As an aside on the 100RF I modulate the ISO with the front wheel, keeping it as low as possible while meeting my requirement for shutter speed and aperture. I don't avoid 80 and I often find Fuji is not quite as aggressive as I would like in protecting highlights and often use -1/3 EC at all ISO's. I actually would like Fuji to implement a second metering mode similar to that on my Z8 with a little more highlight protection. They don't, I do it myself. I've not notice any negative impact on shooting ISO 80. I might be missing something or might not have run into a scene where there would be an impact.

So while charts and histograms are nice, question arise when two different sources show charts that point to what seems to be contradictory conclusions. What does it mean using the camera in the wild?
 
So which one to use to have the most dynamic range and amount of noise?
I second that question. P2P shows additional about 1/3 a stops at ISO 80. On the other hand the histograms shown point to about 1/3 stop shift toward highlight end as a result of the metering. So the question seems to be realizing that and using a -1/3 EC to shift the exposure down by 1/3 of a stop to compensate from the metering and the way the histogram is calculated at ISO 80 result the in slight amount of DR shown in Photons2Photos?
Which DR metric are you referring to? Bill gives you metrics that allow at least two.
As an aside on the 100RF I modulate the ISO with the front wheel, keeping it as low as possible while meeting my requirement for shutter speed and aperture. I don't avoid 80 and I often find Fuji is not quite as aggressive as I would like in protecting highlights and often use -1/3 EC at all ISO's. I actually would like Fuji to implement a second metering mode similar to that on my Z8 with a little more highlight protection. They don't, I do it myself. I've not notice any negative impact on shooting ISO 80. I might be missing something or might not have run into a scene where there would be an impact.

So while charts and histograms are nice, question arise when two different sources show charts that point to what seems to be contradictory conclusions. What does it mean using the camera in the wild?
Can you be explicit and detailed about the contradictions you see? Bill and I are generally pretty much in agreement.
 
So which one to use to have the most dynamic range and amount of noise?
I second that question. P2P shows additional about 1/3 a stops at ISO 80. On the other hand the histograms shown point to about 1/3 stop shift toward highlight end as a result of the metering. So the question seems to be realizing that and using a -1/3 EC to shift the exposure down by 1/3 of a stop to compensate from the metering and the way the histogram is calculated at ISO 80 result the in slight amount of DR shown in Photons2Photos?
Which DR metric are you referring to? Bill gives you metrics that allow at least two.
As an aside on the 100RF I modulate the ISO with the front wheel, keeping it as low as possible while meeting my requirement for shutter speed and aperture. I don't avoid 80 and I often find Fuji is not quite as aggressive as I would like in protecting highlights and often use -1/3 EC at all ISO's. I actually would like Fuji to implement a second metering mode similar to that on my Z8 with a little more highlight protection. They don't, I do it myself. I've not notice any negative impact on shooting ISO 80. I might be missing something or might not have run into a scene where there would be an impact.

So while charts and histograms are nice, question arise when two different sources show charts that point to what seems to be contradictory conclusions. What does it mean using the camera in the wild?
Can you be explicit and detailed about the contradictions you see? Bill and I are generally pretty much in agreement.
The photonstophotos chart givens a PDR of 12.55 at ISO 80 and 12.29 at ISO 100, or a little less than 1/3 stop more DR for that sensor. The histograms shown in one of the post shows a slight shift toward the highlight ( a little more prone to clip) at ISO80 than ISO100. The shift in the histogram can be eliminated by the good old Fuji -1/3 EC which can be common. is that an artifact in the testing protocol of photonstophotos?

So my question is does the ISO 80 produce slightly more DR or is that an artifact in the testing protocol of photonstophotos? If this shift is understood and calibrated for in the metering and calculating the exposure - is there a reason to avoid ISO 80. if there DR is the same at 100 and 80, then that would be such a reason.
 
So which one to use to have the most dynamic range and amount of noise?
I second that question. P2P shows additional about 1/3 a stops at ISO 80. On the other hand the histograms shown point to about 1/3 stop shift toward highlight end as a result of the metering. So the question seems to be realizing that and using a -1/3 EC to shift the exposure down by 1/3 of a stop to compensate from the metering and the way the histogram is calculated at ISO 80 result the in slight amount of DR shown in Photons2Photos?
Which DR metric are you referring to? Bill gives you metrics that allow at least two.
As an aside on the 100RF I modulate the ISO with the front wheel, keeping it as low as possible while meeting my requirement for shutter speed and aperture. I don't avoid 80 and I often find Fuji is not quite as aggressive as I would like in protecting highlights and often use -1/3 EC at all ISO's. I actually would like Fuji to implement a second metering mode similar to that on my Z8 with a little more highlight protection. They don't, I do it myself. I've not notice any negative impact on shooting ISO 80. I might be missing something or might not have run into a scene where there would be an impact.

So while charts and histograms are nice, question arise when two different sources show charts that point to what seems to be contradictory conclusions. What does it mean using the camera in the wild?
Can you be explicit and detailed about the contradictions you see? Bill and I are generally pretty much in agreement.
The photonstophotos chart givens a PDR of 12.55 at ISO 80 and 12.29 at ISO 100, or a little less than 1/3 stop more DR for that sensor.
So your chosen metric for DR is PDR? That's a pretty good one.
The histograms shown in one of the post shows a slight shift toward the highlight ( a little more prone to clip) at ISO80 than ISO100.
That is not taken into account in photon transfer functions like the ones that Bill and I calculate.
The shift in the histogram can be eliminated by the good old Fuji -1/3 EC which can be common. is that an artifact in the testing protocol of photonstophotos?
See above.
So my question is does the ISO 80 produce slightly more DR or is that an artifact in the testing protocol of photonstophotos?
It does, but it does it with a (cheap, IMO) trick -- jettisoning half the read noise -- that is not reflective of a read noise difference after demosaicing and black point compensation in the raw converter.
If this shift is understood and calibrated for in the metering and calculating the exposure - is there a reason to avoid ISO 80. if there DR is the same at 100 and 80, then that would be such a reason.
The FWC is higher at ISO 80, so that could be reason to use it if you are OK with what it does to the black point.
 

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